Specifications

Pro Tools Reference Guide96
To remove an input assignment:
Select No Input from the Input Selector.
Assigning Audio Track Outputs
(Audio Tracks, Auxiliary Inputs, Master
Faders)
To assign an audio track output:
1 In order to assign audio track outputs in the
Edit window, select Display > Edit Window
Show > I/O View.
2 In the Mix or Edit window, click the track Out-
put Selector and choose from the available au-
dio interface channels and busses. Stereo and
multichannel surround tracks have outputs
available as pairs and multichannel groups.
The Output Selector allows you to route a track
to any configured audio output or internal bus.
The choices available in this pop-up menu are
determined by the I/O Setup configuration.
Outputs in use by another track appear as bold
in the Input Selector.
If you want to auto-assign all visible tracks to
unique mono sub-path outputs in ascending or-
der, Control-Alt-click (Windows) or Command-
Option-click (Macintosh) the Output Selector of
the left-most track and assign it to the sub-path
for Output #1. All visible tracks will be auto-as-
signed to unique mono sub-path outputs in as-
cending order.
To remove an output assignment:
Select No Output from the Output Selector.
Playlists become dimmed for tracks with no out-
put assignment.
Track Priority and Voice
Assignment
Pro Tools TDM systems provide a certain num-
ber of voices (simultaneous channels of audio
playback and recording), depending on the sys-
tem. For example, a Pro Tools|HD 1 system can
provide up to 96 voices of audio playback and
recording, at 44.1 or 48 kHz. For details on TDM
system capabilities, see Table 3 on page 7.
Pro Tools LE systems provide up to 32 voices of
simultaneous audio playback and recording, de-
pending on the system. For details on LE system
capabilities, see Table 5 on page 10.
Audio track Input Selector
Audio track Output Selector
Assigning an audio track, Auxiliary Input,
or Master Fader to “No Output” will cause
its automation data for pan and plug-in
controls to be lost.