Specifications
What’s New in Pro Tools and Pro Tools HD 10.032
Exporting Clip Gain with AAF
Clip gain settings can be exported with an AAF
sequence and can be imported (and preserved)
in Media Composer.
When exporting selected tracks as an AAF se-
quence, clip gain is either rendered or exported
for each clip depending on the individual clip
gain settings. For any clip with static clip gain
that does not exceed +12 dB, the clip gain set-
ting is exported with the clip. For any clip with
dynamic clip gain or any clip gain setting that
exceeds +12 dB, the clip is rendered with the
current clip gain settings and the rendered clip
is exported.
Clip Gain and Clip Groups
Clip gain settings for individual clips are pre-
served in clip groups. Additionally, you can ad-
just the clip gain settings for clip groups them-
selves. To adjust the clip gain settings for
individual clips within a clip group, the clips
must first be ungrouped, edited, and then re-
grouped.
Clip gain settings are preserved when clip
groups are exported as clip group files. These
clip groups files can then be imported into other
sessions with the same clip gain settings.
Clip List Reveal In
Finder/Explorer Right-Click
Command
Pro Tools 10 lets you Right-click any individual
clip in the Clip List to reveal the parent file in
the Finder (Mac) or Windows Explorer (Win-
dows).
To reveal the parent file for a clip in the Clip List:
Right-click a clip in the Clip List and choose
Reveal in Finder (Mac) or Reveal in Explorer
(Windows).
24-Hour Timeline
Pro Tools 10 now provides a full 24-hour Time-
line available at all sample rates. You can now
set a SMPTE Start Frame for your session at any
location in the Timeline and it can cross from
23:59:59:29 to 00:00:00:00 (commonly referred
to as the “midnight” boundary). This is useful
when working with multiple reels compiled at
hour intervals, and when working with dialog
that is spotted to time-of-day (TOD) timecode.
In lower versions of Pro Tools and with Avid
Media Composer, the Timeline is limited to just
under twelve hours at 44.1 kHz and 48 kHz sam-
ple rates, and just under six hours at 88.2 kHz
and 96 kHz.
To be able to export clip gain settings with
an AAF sequence, ensure that the
Enforce
Avid Compatibility
option is enabled. If this
option is not enabled, clip gain settings are
not exported.