User's Manual
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A10-RX User Guide
Partial Scanning, 25 MHz Increments
In partial scanning mode the receiver scans a 25 MHz range. This partial scan improves the
resolution of the scan over a full scan. The ten partial scans cover the following ranges:
1 - 470-495 MHz
2 - 492-517 MHz
3 - 515-540 MHz
4 - 537-562 MHz
5 - 559-584 MHz
6 - 581-606 MHz
7 - 603-628 MHz
8 - 626-651 MHz
9 - 648-673 MHz
10 - 669-694 MHz
Full Scan, 224 MHz
The full receiver bandwidth of 224 MHz can also be scanned.
User Group Scan
When user groups are in use, an additional option called UG is available in the Scan menu.
Selecting this will only scan frequencies in the loaded user group.
Audio Output and Control
The A10-RX outputs either analogue line level or AES3 digital audio. This global setting applies
to both channel outputs.
Analogue Output
When set to analogue in the Selection Menu the A10-RX outputs low-impedance, balanced
line level audio. It is designed to connect to balanced or unbalanced line level inputs. To un-
balance the output, oat pin-3.
AES Digital Output
When set to AES output in the Selection Menu the A10-RX outputs two-channel AES3 at 24-
bit, 44.1 kHz. Channel 1 output appears at AES left, channel 2 appears at AES right.
With the A10-RX-XLR the channel 1 XLR connector is used for AES3 output. The channel 2
XLR connector is not active when set to AES output.
Antennae
The SMA antenna connector is used to mount the included 1/4-wave whip antenna. For specialty
applications external, high-gain receiving antennae can be attached to the SMA connector.
ª Ensure that the antennae used are built for the correct frequency.
For best operation and reception power with the included 1/4-wave antenna, keep it in the free
eld, away from metal objects or transmitting devices.
User Groups
The User Groups feature allows for easy, intuitive naming of specic frequencies for each A10
transmitter used on set, and grouped together for faster tuning. The operator of an A10 receiver
may then easily switch between transmitters by choosing alphanumeric names, such as “Jack”
and “Jill”, instead of having to remember and manually tune to different, specic numerical
frequencies.
For instance, a producer or director may want to monitor several different actors’ wireless
transmitters. Rather than having to keep a list of all of their frequencies, each transmitter may be