Specifications
ATI Audio Inc.   ■   Tel: 856-626-3480    ■   Fax: 856-504-0220   ■   sales@atiaudio.com    ■    www. 
audio.com 
PURPOSE 
The MX101  is a three-input  miniature  mono mixer  designed for demanding in-
the-field use in broadcast ENG (Electronic News Gathering) and Field Production 
applications. The MX101 incorporates most of the features requested by  news 
professionals, sports announcers, and film and video sound engineers into a tiny 
and rugged package. 
The MX100 and MX100C Studio Mixers are lower cost, high quality studio mixers 
intended for applications which do not require the full feature complement of the 
MX101 field mixer. The MX100C adds an output limiter to the basic MX100 fea-
tures. 
The companion XP100 Input Expander provides an  additional four switchable 
microphone/line inputs and can be used with any of the mixers. 
The MX101, MX100 and MX100C Mixers may be used alone or in combination 
with the XP100  Expander for any  application requiring a  compact,  rugged  and 
professional sounding, mixing or input selection system. Several XP100 Expand-
ers may be added for up to a 23-input system with minimal noise buildup in the 
mixing network. The MX100 or MX100C alone makes an efficient stereo-to-mono 
combiner, a simple voice-over PA driver with inputs for noise masking and back-
ground music, or simply a very clean and quiet mike or line input mixer. 
Several power modules for field use are available including both replaceable and 
rechargeable  24V  battery  packs,  DC/DC  converters  for  6 to18V  automotive  or 
belt  pack  battery  power  and  plug-in  24VDC  wall  supplies.  An  optional  rugged 
Field  Pack  carry  bag  includes  side  protection  plates  for  the  mixer  with  quick-
change slide mounts for the battery packs. 
DESCRIPTION 
MX101 MONO FIELD MIXER 
Three XLR  INPUTS  with  phantom  power  and  front  panel  MIC/LINE  switches 
drive low noise instrumentation preamplifiers. A wide range of internal DIP switch 
selectable preamp gains from 60 to 0dB is provided to accommodate either high 
or low output microphones and line inputs. Phantom power can be individually 
DIP switch selected for each input and is automatically switched off in the Line 
Input mode. Front panel switches activate individual LO-CUT FILTERS to reduce 
bumps, thumps, wind noise and bass build-up.  
A switched TEST TONE oscillator and a SLATE microphone easily mark takes. 
An intense LED bargraph VU meter monitors the line output and is easily viewed 
even in bright sunlight. A LIMIT indicator and switch shows peaks and limiter ac-










