User Manual

73
Keys: Page 6
Control Parameter Range Description
1 Aftertouch Delay 0-400 ms (see description below)
2 Aftertouch Fade 0-400 ms (see description below)
3 Aftertouch Oset - 4 to + 4 (see description below)
4 Aftertouch Release 0-400 ms (see description below)
Aftertouch settings
• Aftertouch Delay: the time that transpires
between note on and the onset of aftertouch.
• Aftertouch Fade: the time it takes to ramp
aftertouch to its current value from 0.
• Aftertouch Curve: determines the amount of
force required to reach maximum aftertouch
values.
• Aftertouch Oset: reduces the dynamic range
of the aftertouch. Positive values set a higher
minimum point, so it takes more pressure to
start the aftertouch. Negative values set a
lower maximum point, so it takes less pressure
to reach the maximum aftertouch value.
• Aftertouch Release: more like a compressor
than an envelope, this applies to all upwards
movements. This can help avoid unwanted
modulation “wobble” while pressure is applied,
and can sustain even after note o.
MIDI: Page 7
Control Parameter Range Description
1 Clock Sync Internal, USB, MIDI In,
Auto
Clock source for Arp, LFOs, Envelopes, Delay
FX (see below)
2 Local On, O Disconnect keyboard from internal engine
3 MIDI TX 1-16 Set MIDI transmission channel
4 MIDI RX Omni, 1-16 Set MIDI receive channel
Clock Sync
• INT RUN: selects Hydrasynth Explorer as the
master tempo clock. Sync signals are sent to
MIDI, USB, and the CV Clock output.
• USB: selects the DAW as the clock master.
Sync signals are sent to MIDI and the CV Clock
output. Tempo cannot be changed from the
Hydrasynth Explorer.
• MIDI In: slaves the Hydrasynth Explorer to
incoming MIDI clock data. Sync signals are sent
to USB and the CV Clock output. Tempo cannot
be changed from the Hydrasynth Explorer.
• AUTO: Hydrasynth Explorer sets the clock
source automatically to the rst source that
arrives. If the clock signal is interrupted,
another is selected. Order of priority: USB >
MIDI > Internal.
Local
When working with a DAW, setting Local to O
can prevent a MIDI loop. Most DAWs have the
ability to prevent this also.