User manual
Table Of Contents
- Reproducers Comments
- Table of Contents
- Introduction
- Major working parts of the ASAHI PENTAX Spotmatic II
- Specifications
- Short operating course
- How to hold your camera
- Film Loading
- Film type reminder dial
- Setting ASA film speed
- Film wind and rewind
- Bright field focusing
- Microprism
- Automatic Diaphragm*
- Shutter
- Depth-of-field guide
- Depth-of-field tables:
- Range of light measurement
- Mercury Battery
- Flash Synchronization
- Self-Timer
- Infra-red Photography
- How to make deliberate double exposure
- Important Notes
- How to take care of your camera
- Interchangeable Lenses
- Fixed Focus Setting
- Super-Multi-Coated (SMC) Takumars
- DIFFERENCE OF ANGLE OF TAKUMAR LENSES
- Lenses
- Fish-Eye Takumar 17mm f/4*
- Super-Takumar 20mm f/4.5*
- Super-Takumar 24mm f/3.5*
- SMC Takumar 28mm f/3.5*
- Super-Takumar 35mm f/2*
- SMC Takumar 35mm f/3.5*
- SMC Takumar 50mm f/1.4
- SMC Takumar 55mm f/1.8
- SMC Takumar 85mm f/1.8
- SMC Takumar 105mm f/2.8
- SMC Takumar 120mm f/2.8
- SMC Takumar 135mm f/3.5
- SMC Takumar 135mm f/2.5
- SMC Takumar 150mm f/4
- SMC Takumar 200mm f/4
- Super-Takumar 300mm f/4
- SMC Takumar 400mm f/5.6
- SMC Takumar 500mm f/4.5
- SMC Takumar 1000mm f/8
- SMC Takumar-Zoom 85mm~210mm f/4.5
- SMC Macro-Takumar 50mm f/4
- SMC Bellows-Takumar 100mm f/4
- Ultra-Achromatic Takumar 85mm f/4.5
- Ultra-Achromatic Takumar 300mm f/5.6
- SPECIFICATIONS OF TAKUMAR LENSES
- Complete System of Asahi Pentax Accessories for Close-Ups, Macrophotography, Photomicrography, and other Miscellaneous Accessories
- EXTENSION TUBE SET
- AUTO-EXTENSION TUBE SET
- HELICOID EXTENSION TUBE
- BELLOWS UNIT I
- AUTO BELLOWS & SLIDE COPIER
- REVERSE ADAPTER
- MICROSCOPE ADAPTER
- COPIPOD
- COPY STAND
- CLIP-ON MAGNIFIER
- CLOSE-UP LENS
- RIGHT ANGLE FINDER
- MIRROR ADAPTER
- CABLE RELEASE
- FILTERS AND LENSHOODS
- ACCESSORY CLIP II
- CORRECTION LENS ADAPTER
- STEREO ADAPTER SET
- FILM MAGAZINE
- SHORT SOFT CASE
- ยท SOFT CASE JUMBO FRONT
- GADGET BAG
- LEATHER CASE FOR STANDARD LENSES
- ASAHI MOUNT ADAPTER
- MISCELLANEOUS CAPS
- Super-Lite II Electronic Flash
- Spotmeter III
- ASAHI PENTAX Prism Binoculars
- ASAHI PENTAX Telescopes
- GUIDE BOOK FOR ASAHI PENTAX SYSTEM OF PHOTOGRAPHY
- WARRANTY POLICY
- CAUTION Mercury Battery
Reproduced for Historical & Reference purposes by Paul M. Provencher -
http://whitemetal.com
11
Bright field focusing
1 You can start viewing and focusing before
and after cocking the rapid wind lever. When
the automatic preview lever is in the "AUTO"
(automatic) position, the meter is at "OFF",
the diaphragm is fully open except for the
moment of exposure.
2 Turn the distance scale ring until your
subject image is clearly in focus. It is not
always necessary for you to view and focus
with the diaphragm fully open. In bright
sunlight, you can easily focus with the
diaphragm closed to f/5.6 or f/8 and still
observe the depth of field. It is easier,
however, to focus with the diaphragm fully
open as your subject image is much brighter.
When the letters "MAN" appears beside the
lever, the lens is in manual position; when
"AUTO" appears, it is in the automatic
position.
Microprism
Asahi Pentax cameras have a Fresnel lens
with a microprism center underneath the
ground glass. As you look through the
finder, you will see that the Fresnel lens
consists of many concentric rings which
provide the brightest possible image on the
ground glass.
The microprism is the center portion of this
diagram. When your subject is in focus, the
image in the microprism will be sharp and
perfectly clear. If your subject is not in
focus, the microprism will break the image up
into many small dots, much like and
engraver's screen. You can focus your
subject on any portion of the ground glass.










