User manual
Table Of Contents
- Reproducers Comments
- Table of Contents
- Introduction
- Major working parts of the ASAHI PENTAX Spotmatic II
- Specifications
- Short operating course
- How to hold your camera
- Film Loading
- Film type reminder dial
- Setting ASA film speed
- Film wind and rewind
- Bright field focusing
- Microprism
- Automatic Diaphragm*
- Shutter
- Depth-of-field guide
- Depth-of-field tables:
- Range of light measurement
- Mercury Battery
- Flash Synchronization
- Self-Timer
- Infra-red Photography
- How to make deliberate double exposure
- Important Notes
- How to take care of your camera
- Interchangeable Lenses
- Fixed Focus Setting
- Super-Multi-Coated (SMC) Takumars
- DIFFERENCE OF ANGLE OF TAKUMAR LENSES
- Lenses
- Fish-Eye Takumar 17mm f/4*
- Super-Takumar 20mm f/4.5*
- Super-Takumar 24mm f/3.5*
- SMC Takumar 28mm f/3.5*
- Super-Takumar 35mm f/2*
- SMC Takumar 35mm f/3.5*
- SMC Takumar 50mm f/1.4
- SMC Takumar 55mm f/1.8
- SMC Takumar 85mm f/1.8
- SMC Takumar 105mm f/2.8
- SMC Takumar 120mm f/2.8
- SMC Takumar 135mm f/3.5
- SMC Takumar 135mm f/2.5
- SMC Takumar 150mm f/4
- SMC Takumar 200mm f/4
- Super-Takumar 300mm f/4
- SMC Takumar 400mm f/5.6
- SMC Takumar 500mm f/4.5
- SMC Takumar 1000mm f/8
- SMC Takumar-Zoom 85mm~210mm f/4.5
- SMC Macro-Takumar 50mm f/4
- SMC Bellows-Takumar 100mm f/4
- Ultra-Achromatic Takumar 85mm f/4.5
- Ultra-Achromatic Takumar 300mm f/5.6
- SPECIFICATIONS OF TAKUMAR LENSES
- Complete System of Asahi Pentax Accessories for Close-Ups, Macrophotography, Photomicrography, and other Miscellaneous Accessories
- EXTENSION TUBE SET
- AUTO-EXTENSION TUBE SET
- HELICOID EXTENSION TUBE
- BELLOWS UNIT I
- AUTO BELLOWS & SLIDE COPIER
- REVERSE ADAPTER
- MICROSCOPE ADAPTER
- COPIPOD
- COPY STAND
- CLIP-ON MAGNIFIER
- CLOSE-UP LENS
- RIGHT ANGLE FINDER
- MIRROR ADAPTER
- CABLE RELEASE
- FILTERS AND LENSHOODS
- ACCESSORY CLIP II
- CORRECTION LENS ADAPTER
- STEREO ADAPTER SET
- FILM MAGAZINE
- SHORT SOFT CASE
- ยท SOFT CASE JUMBO FRONT
- GADGET BAG
- LEATHER CASE FOR STANDARD LENSES
- ASAHI MOUNT ADAPTER
- MISCELLANEOUS CAPS
- Super-Lite II Electronic Flash
- Spotmeter III
- ASAHI PENTAX Prism Binoculars
- ASAHI PENTAX Telescopes
- GUIDE BOOK FOR ASAHI PENTAX SYSTEM OF PHOTOGRAPHY
- WARRANTY POLICY
- CAUTION Mercury Battery
Reproduced for Historical & Reference purposes by Paul M. Provencher -
http://whitemetal.com
8
How to hold your camera
In horizontal position
A. Hold the camera firmly
with your left hand, and
draw your arm close to
your body.
In vertical position B.
Hold your camera tightly to
your forehead with your left
hand, and drawn your right
arm close to your body.
In vertical position C.
Hold your camera tightly to
your forehead with your left
hand, raise your right arm
and draw your left arm to
your body.
As a general rule, your camera should be held more firmly by the left hand which does not
release the shutter. If you hold your camera with the right hand - the hand which releases the
shutter - it may cause camera movement. Very often, pictures which are not sharp are due to
movement of the camera. When you focus with the camera held horizontally (Position A), hold
the lens barrel as illustrated. Cradle the camera with your left hand thumb and little finger.
Turn the distance scale ring with your thumb and index finger. When holding the camera
vertically, some people release the shutter with the thumb (Position B), while others release it
with the index finger (Position C). Position C is more desirable for fast focusing and shooting.
With the Asahi Pentax, whether held vertically or horizontally, you see your subject image
through the taking lens, enabling you to compose, focus and shoot with a minimum of time and
effort.










