Specifications

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Better than an equalizer, the AES program actually knocks out frequencies over
the entire spectrum, simulating real world acoustics. AES lets you warm up a room
or hall, deaden drums, soften a vocal, sizzle your ears off with presence, or
just make your material sound natural.
NOTE: When using AES alone, be sure to control its output level in the Mix with
the ANFX parameter. If you are only using AES and no digital effects you must use
this parameter to bring out the simulations at the output.
LOW PASS FILTER
[LOW-PASS], [LPF]
Parameter:
HF-CUT: = [THRU] THRU, 17.8K, 15.8K, 14.1K, 12.6K, 11.2K, 10.0K, 8.91K, 7.94K,
7.08K, 6.31K, 5.62K, 5.01K, 4.47K, 3.98K, 3.55K, 3.16K, 2.82K, 2.51K, 2.24K,
2.00K, 1.78K, 1.58K, 1.41K, 1.26K, 1.12K, 1.00K, 891Hz, 794Hz, 708Hz, 630Hz.
There is one algorithm defining the Low Pass Filter. This effect will always be
placed at the front of the digital effects chain so as to tailor the frequency
response of the effect and not the final product which should be further modified
at the board. Thirty possible selections of roll-off frequencies are provided.
PITCH-TRANSPOSER
[PITCH-TRANS], [PTr]
Parameters:
:TYPE= [SMOOTH] OFF, SMOOTH, NORMAL, QUICK
:PITCH = [0] (-)12 to (+)12 half steps in 1 half step increments
:FINE = [0.00] (-)4.00 to (+)4.00 half steps in 0.06 (six cents) increments
:BASE KEY = [OFF] OFF, 1 through 127 (key note on)
:REGENeration = [0%] 0 to 100 percent in % increments
:LEVEL = [100%] 0 to 100 percent level in % increments
Pitch Transposing or pitch shifting can be used to develop helpful second
harmonies or other effects for vocals, instruments and even mixed material.
There are three "types" of pitch transposing to choose from in the NIGHTBASS,
Smooth, Normal and Quick. Smooth relates directly to processing and splicing the
signal more slowly, resulting in a cleaner more precise sound. Use the Smooth
setting when you are shifting pitch more than a fifth with lower frequency inputs
such as the low strings on a guitar. Normal should be used for virtually all
other applications of pitch shifting. There is a little less delay than the
Smooth setting and qualitive processing is achieved. When you select the Quick
setting, a shorter delay time is used causing faster splicing.
Generally you should use the Normal Type for most applications. If you encounter
problems relating to delay time, use the Quick Type and if detuning becomes a
problem, use the Smooth Type.
The PITCH control lets you set the range of pitch change in half steps. The FINE
parameter lets you adjust the pitch in 6 cent intervals. Use the fine tune
parameter to create or adjust micro pitch shifting or fat chorusing effects.