MULTIVERB ALPHA 2.0 TABLE OF CONTENTS INTRODUCTION................................................................. 1 GETTING STARTED .............................................................. 2 INSTALLATION................................................................. 3 CONNECTIONS............................................................ 3 POWER ........................................................... 3 OUTPUT........................................................... 3 MIDI IN................
PITCH TRANSPOSER ................................................ DUAL PITCH TRANSPOSER ........................................... SWEPT OR MODULATED EFFECT ALGORITHMS .................................. FLANGER......................................................... CHORUS.......................................................... PANNER.......................................................... MIDI-PAN........................................................ TREMOLO.........................................
APPENDIX C.................................................................. MULTIVERB ALPHA 2.0 MIDI Messages..................................... System Exclusive Messages............................................. Detailed Description of Messages ...................................... APPENDIX D.................................................................. MIDI Implementation Chart............................................. APPENDIX E...............................................................
INTRODUCTION Thank you and congratulations on your new ART purchase. The MULTIVERB ALPHA 2.0 is the first dazzling result of the new ART digital VLSI technology offering a level of processing resolution with the sound quality of processors that used to cost thousands of dollars. This new technology boasts 24 bit architecture and an amazingly easy user interface. Some of the spectacular features of the ALPHA 2.0 are listed next.
GETTING STARTED We have included this section for those of you who can't wait to experience the sounds of your new ALPHA 2.0. Follow the hookup directions for the setup you use and then start playing. When you want to get to know your ALPHA 2.0 better, refer to the rest of this manual for details, hints, and examples. Till later..... Additional information to get you started can be found in Appendix A. A hookup diagram can be found on page 42. For all hookup combinations: 1) Center the slider controls.
INSTALLATION The MULTIVERB ALPHA 2.0 may be used in a variety of setups including: mixing consoles with effect send and return facilities, in the effects loop of an amplifier, directly in line between a musical instrument and amplifier or mixer and in the tape loop of a home receiver. It is not recommended to use the device as a preamp. Self contained in an all steel single high 19" rack mount case, the MULTIVERB ALPHA 2.0 is designed for continuous professional use.
NOTES: 1) When using the MULTIVERB ALPHA 2.0 in the true stereo mode, only the dry signal will remain totally left and right orientated at the outputs. The processed signal will be a mix of the inputs with its own individual stereo image imposed by the algorithm used. This imitates the occurrence of natural reverberation in a normal room.
occasionally. If you find you are clipping the unit so the signal is distorted, simply reduce the signal level being sent to the MULTIVERB ALPHA 2.0 or decrease the Input slide control slightly. Be sure you are not causing the ALPHA 2.0 to clip with the equalizer. For proper adjustment of level, review the Input Level Control section. INPUT LEVEL CONTROL The Input Level Control is located on the top right side of the front panel.
ÅÁÁÁÁÁÁÁÁÁÁÁÁÁÁÁÁÈ Â ALPHA 2.0 Â Â3 AES+CHO+REV 1Â ËÁÁÁÁÁÁÁÁÁÁÁÁÁÁÁÁÎ The title appears in the top half of the display. It may be up to sixteen characters long. In the center of the bottom half of the display, three letter abbreviations of the effects in the preset appear. The number displayed at the bottom left side of the LCD indicates how many effects are present in the preset.
PRESET The PRESET button, when pressed, engages Preset Mode. Once this button is pressed, all 200 presets may be accessed by either the keypad or rotary encoder. When the ALPHA 2.0 is first powered on, you are automatically in Preset Mode. Audio is being processed constantly while you are scrolling through the presets with the encoder. Two methods of Preset selection are used, scanning (with the ENCODER) and keypad entry. Selecting a preset with the encoder is easy.
The programmed Mix parameters may be stored as part of the preset. To save the values in each preset, press the STORE button. You may also control the Mix parameters with an external MIDI controller such as the ART X-15 ULTRAFOOT using the ALPHA 2.0's Performance MIDI. CAUTION: If you have an Equalizer active in the preset its individual frequency levels will have an impact on the mix setting by raising or lowering the level of the effect signal.
NOTES: 1) If the MIX parameters are programmed DRY = 0% and EFX = >0% and the Bypass Level Utility parameter is set to =MIX DRY LEVEL and BYPASS is initiated, no signal will be present at the outputs. 2) If the DRYEQ is set at any level greater than 0% and Bypass is engaged, the EQ is "zeroed" and a "flat" signal is present at the outputs. This holds true even if DRY is set to 0%. EDIT MODE EDIT MODE is engaged when you press the EDIT MODE button.
The Add Effect button is also used in the TITLE EDIT Mode to add characters and spaces to the title. You can preview the effects you may add to an effect. MAKE SURE YOU ARE IN THE EDIT MODE, press the ADD EFFECT button once, notice the lower half of the LCD shows an available effect. The effects displayed as you turn the Encoder are those available to be added to the effects chain. It doesn't stop there! There are many sub variables of each effect to be explored.
DELETE EFFECT Pressing the DELETE EFFECT button once opens the Delete Effect function. To delete an effect from a preset, press this button and use the Encoder to select the effect you want deleted. Turn the Encoder left or right to scan through your selections. Finalize the DELETE EFFECT command (delete the effect from the chain) by pressing the ENTER button. Doing this deletes the effect temporarily from memory. If audio is passing through the ALPHA 2.
REC/ARM YOU MUST BE USING A PRESET SET UP FOR SAMPLING AND IN THE EDIT MODE FOR THIS FUNCTION TO OPERATE While you are using any of the Sampler algorithms you will need to "reset" the record parameter to be ready to record another sample. The REC/ARM button allows you to return the Sampler to Record-Ready status. Pressing this button wipes out the existing sample and resets the length to the original stored preset value. To reset the MULTIVERB ALPHA 2.0 to record a new sample, press the REC/ARM button.
-Press the Value button and use the Encoder to select characters. If the Param button is pressed, you may move the cursor left and right with the Encoder to position it for the next character. *Pressing the Value or Param buttons will move the cursor right or left one space at a time. -Press the Store button to save your title. The title will appear in the upper half of the LCD and any selected effects are in the lower half.
BYPASS LEVEL [100%] [0 to 100%] or [= MIX DRY LEVEL] You may globally control the level of the signal of the Bypass signal when you bypass the ALPHA 2.0. The Bypass Level Utility parameter overrides whatever "DRY" level of the Mix set in each preset. Every time you Bypass the ALPHA 2.0, the through signal level will be whatever this value is set to. The initial default setting is 75%.
NOTE: The ALPHA 2.0 always receives MIDI messages and responds to them. Only the display is affected when setting this value. LCD View Angle [6] Allows the viewing angle of the LCD Display to be adjusted. You may change the LCD view angle for the best visibility. The angle may be adjusted to maximize readability of the characters from top, front or under viewing angles. When viewing from the top, use a higher number. If you are viewing the display directly from the front, use the middle numbers.
Preset 1-115 Locked/Unlocked Protects the first 115 presets from being overwritten. The factory presets may be unlocked for editing. When you set the value for Unlocked, all factory presets are unlocked and ready to edit. To relock the presets, select the Locked value when you are done editing. At first you may not want to overwrite the factory presets, so increment up to a user preset and store the new preset. UNLOCKING THE FACTORY PRESETS -Make sure you are in the EDIT Mode.
OMNI Mode ON, OFF [ON] Sets MIDI OMNI mode on or off. The MULTIVERB ALPHA 2.0 is shipped from the factory in OMNI mode, allowing it to receive MIDI PROGRAM numbers on any MIDI channel. MIDI Program Table [PROG= #] [PRESET= #] Allows you to edit the Midi Program Table (MPT). Refer to APPENDIX B for examples of editing the MPT and further documentation. FX ON/OFF ENABLE (USING X-15) ON, OFF [ON] When the MULTIVERB ALPHA 2.0 is used with an ART X-15 ULTRAFOOT, the two devices "talk" to each other.
MIDI Event data Monitoring Mode When you select this Mode, MIDI information is displayed in either easy to read and understand or technical terms. The LCD displays certain MIDI events as they occur, regardless of which MIDI channel is selected. Information displayed is the MIDI event itself, its attributes with a choice of display formats (in either decimal or hexadecimal base 16). For detailed information, please refer to the MIDI DATA MONITOR section.
and verify MIDI data being sent to the device. Refer to the MIDI DataMONITOR section for additional information. A table of MIDI controllers can be found in Appendix E, Tables and Charts. Presets in the ALPHA 2.0 are set up to be controlled by Performance MIDI via the ART X-15 ULTRAFOOT. See the section Operating the Multiverb ALPHA 2.0 with the X15 ULTRAFOOT further on in this manual for more information. Don't let MIDI scare you, using Performance MIDI in an ART device is easy.
DESCRIPTION OF ALGORITHMS The MULTIVERB ALPHA 2.0 offers over sixty effects selections for you to choose from. Each effect may have several types to select for specifically narrowing down the particular sound you are looking for. The algorithms are listed in five categories in the manual. These are: Signal Frequency Shaping, Swept or Modulated Effect, Natural Reverberation, Gated Reverberation, Delay Algorithms and Utilities. There are some digital categories that cannot be combined together.
ÅÁÁÁÁÁÁÁÁÁÁÁÁÁÁÁÁÈ Â 100Hz à______Â Â-15db à Â ËÁÁÁÁÁÁÁÁÁÁÁÁÁÁÁÁÎ ÅÁÁÁÁÁÁÁÁÁÁÁÁÁÁÁÁÈ Â 10KHz ßßàß___Â Â 0db _Â ËÁÁÁÁÁÁÁÁÁÁÁÁÁÁÁÁÎ 40Hz band (+)15dB, 100Hz band (-)15dB ready to set 100Hz band 40Hz,100Hz,640Hz band (+)6dB, 250Hz (+)15dB ready to set 10Khz band ACOUSTIC ENVIRONMENT SIMULATOR [ACU-ENV-SIM], [AES] Parameter: [OFF] OFF, DEAD ROOM, HEAVY CARPET, WOOD/RUG MIX, DRAPE/CARPET, WOOD + TILE, PEWS/PEOPLE, WOOD BAFFLES, LT FLOOR RUG, CEILING DRAPE, STONE CEILING, WALL DRAPES, NATURAL WOOD, OPEN AMBNCE
DUAL PITCH TRANSPOSER [DUAL PTr], [2PT] Parameters: :TYPE= [SMOOTH] OFF, SMOOTH, NORMAL, QUICK :PITCH 1 = [0] (-)12 to (+)12 half steps in 1 half step increments :FINE 2 = [0.00] (-)4.00 to (+)4.00 half steps in 0.06 (six cents) increments :PITCH 2 = [0] (-)12 to (+)12 half steps in 1 half step increments :FINE 2 = [0.00] (-)4.00 to (+)4.00 half steps in 0.
A new parameter, Regeneration Feed ([RGN-FD]) controls where the digital delay's (if used) regeneration comes from. The insert point is either before (PRE) or after (POST) the first voice. When the Stereo Digital Delay is used with the Dual Pitch Transposer and the RGN-FD is set to POST, the glissando effect of the normal Pitch Transposer is the result. Use the PRE setting, for a simple predelay before the pitch shift occurs. Only the Short Stereo Delay is available for use with the Dual Pitch Transposer.
an important role in the perception of the effect. Longer base delays are more preferable to give a deep rich sound to vocals and guitars, while shorter base delays are used for more delicate enhancement purposes. The width plays an important role in the range of perceived effect and is best used in conjunction with the speed parameter. Like the FLANGER, the effect type may either be POST or PRE located in relation to reverb or delay.
PHASER [PHASER], [PSR] Parameters: TYPE= [POST] OFF, POST, PRE WIDTH= [65%] 0 to 100% in % increments SPEED= [0.84Hz] 0.04Hz to 27.3Hz REGEN= [50%] 0 to 100% in % increments DEPTH= [100%] 0 to 100% in % increments The Phaser algorithm recreates classic phaser sounds from the past. A three notch design is used to develop stunning effects, killer sounds, and of course, pure sonic destruction! The sweep WIDTH and SPEED is user controlled.
REVERB-3 [REVERB-3], [REV] Parameters: :TYPE= [HALL-3] HALL-3, ROOM-3, PLATE-3, VOCAL-3, OFF (REVERB-1 and REVERB-2 TYPEs are also available) :IN = [PRE DDL] PRE DDL, POST DDL :DECAY = [2.4s] 0 to 25 seconds in varying increments :HFDAMP= [14%] 0 to 50 percent in % increments :POSITN= [67%] FRONT to REAR in % increments :DIFFUS= [100%] 40 to 100 percent in four % increments :LEVEL = [100%] 0 to 100 percent in % increments REVERB-1 algorithms are best used when you are using multiple effects.
GATED REVERBERATION ALGORITHMS GATE-VERB-1 [GATE-VERB-1], [GAT] Gated Reverb Parameters: :TYPE= [SLOPE-1] SLOPE-1, FLAT-1, RVRS-1A, RVRS-1B, OFF :IN = [PRE DEL] PRE DDL, POST DDL :DECAY = [0.25s] 0 to 0.25 seconds in :DECAY = 0.05 to 0.
DELAY ALGORITHMS TAP'D-DDL-S [TAP'D-DDL-S], [DDL] Tapped Digital Delay - Short Parameters: :TYPE:= [FLAT1m] FLAT-1m, FLAT-1s, RVRS-1m, RVRS-1s, SLOPE1m, SLOPE1s, (E) FLAT-2m, FLAT-2s, RVRS-2m, RVRS-2s, SLOPE2m, SLOPE2s, (S) FLAT-3m, FLAT-3s, RVRS-3m, RVRS-3s, SLOPE3m, SLOPE3s (L) :TAPS= [2] 1 to 7 in one step increments :DELAY* = [100ms] 0 to 960ms increments:5ms;0-350, 10ms;350-700 20ms;700-960 D-FINE* = [0ms] 0 to 50ms in 1ms increments :REGENeration = [76%] 0 to 100 percent in % increments :LEVEL= [100%]
REGEN-DDL-S [REGEN-DDL-S], [DDL] Regenerated Digital Delay - Short Parameters: :DELAY* = [100ms] 0 to 960ms increments:5ms;0-350, 10ms;350-700 20ms;700-960 D-FINE* = [0ms] 0 to 50ms in 1ms increments :REGENeration = [76%] 0 to 100 percent in % increments :LEVEL= [100%] 0 to 100 percent in % increments *Total delay possible is 1010ms.
STEREO-DDL-L [STREO-DDL-L], [DDL] Stereo Digital Delay - Long Parameters: :DLY-L=* [250ms] 0 to 1300ms, increments:5ms;0-350, 10ms;350-700 20ms;700-1000, 50ms;1000-1300 :L-FINE* = [0ms] 0 to 50 ms in 1 ms increments :DLY-R* = [125ms] 0 to 1300ms, increments:5ms;0-350, 10ms;350-700 20ms;700-1000, 50ms;1000-1300 :R-FINE* = [0ms] 0 to 50ms in 1ms increments :REGEN= [45%] 0 to 100 percent in % increments :HFDAMP= [0%] 0 to 100 percent in % increments :LEVEL= [100%] 0 to 100 percent in % increments *Total possib
SAMPLER+PTr [SAMPLER+PTR], [SPT] Sampler Plus Pitch Transposer Parameters: STAT= [REC-RDY] REC-RDY, PLAY, IDLE RECORD= [AUTO] AUTO, MANUL, MIDI PLAY= [SINGLE] SINGLE, PUNCHIN, MIDI, REPEAT, AUDIO LENGTH= [1.25s] 0.02s to 1.25 in 20 ms increments START= [5ms] 0 to 100ms PITCH= [0] (-)12 to (+)12 half steps in 1 half step increments FINE= [0.00] (-)4.00 to (+)4.00 half steps in 0.
NOTES: 1) The Low Pass filter [LPF] acts as a high frequency rolloff to the signal before it is sampled and may be added to all three algorithm choices. 2) You may program the Remote Jacks to access the Trigger and Re-Arm feature. 3) BASE KEY in the SAMPLER + PTr algorithm has no effect on triggering samples. 4) You cannot store an audio sample. 5) See APPENDIX A, for more information regarding the SAMPLER.
How to use the Tuner: Watch the LED window display: With the REFRNC parameter set to the string you wish to tune, pluck the string. Give the unit a chance to "lock-on" to the signal, the unit will make frequency measurements as long as the green Pres LED is lit. After each pluck of the string, allow the unit to lock-on to the signal before attempting continued tuning. The most accurate tuning will be obtained by adjusting the string after it has "sung" for some time while dying out.
MIDI DATA MONITOR The MULTIVERB ALPHA 2.0 has 2 MIDI features collectively called "MIDI DATA MONITORing". These include the Performance MIDI(tm) Data Monitor, referred to as [DM] and the MIDI EVENT MONITOR, referred to as [MEM]. PERFORMANCE MIDI Data Monitor [DM] This Data Monitor allows a user, while viewing a Performance MIDI (PM) controller's definition under Edit Mode, to see the data associated with the MIDI event selected to control an effect's parameter unaltered.
CHANNEL VOICE events: NOTE ON, NOTE OFF: Actual note names and accidental (Sharp only) shown. POLYPHONIC AFTERTOUCH (Note names and accidental). CHANNEL PRESSURE AFTER TOUCH PITCH BEND CHANGE Other MIDI events monitored: PROGRAM CHANGE MEM does NOT monitor: System Exclusive messages Channel Mode messages (All Notes Off etc.) Real Time messages (Timing Clock) System Common messages (MIDI Time Code) Each MIDI event is displayed depending on which display mode is active.
Examples of Screen Displays for MIDI EVENT PROGRAM CHANGE "ENGLISHed" Mode "RAW DATA" Mode Decimal ÅÁÁÁÁÁÁÁÁÁÁÁÁÁÁÁÁÈ ÂPGMCHNG=192 CH01 ÂPROGRAM #069  ËÁÁÁÁÁÁÁÁÁÁÁÁÁÁÁÁÎ Hexadecimal ÅÁÁÁÁÁÁÁÁÁÁÁÁÁÁÁÁÈ ÂPGMCHNG=C0h CH01 ÂPROGRAM #45h  ËÁÁÁÁÁÁÁÁÁÁÁÁÁÁÁÁÎ DISPLAYED TEXT -------------MODWHEEL BREATH FOOTCTLR PORTAtim DATA msb MAIN VOL BALANCE PAN EXP CTLR GENERAL1 GENERAL2 GENERAL3 GENERAL4 DAMP PED PORTAMEN SOSTENUT SOFTPEDL HOLD 2 GENERAL5 GENERAL6 GENERAL7 GENERAL8 ExtFXdpt TREM dpt CHOR dpt CELESdpt
3) MIDI CHANNEL#s: The display "CHnn" (where "nn" is the channel# associated with a particular MIDI event) shows the channel# as a 1-origin number.
Other Means of Bypassing the ALPHA 2.0 Another means of bypass is attained by programming the either REMOTE jack on the rear panel for the bypass function described under the UTILITY button and referred to as REMOTE SWITCH. Refer to the REMOTE JACK section for additional information. Bypassing the unit via MIDI may be done by easily. Since the MULTIVERB ALPHA 2.0 has the capability of MIDI BYPASS, all you need to send is an on/off control message. The MULTIVERB ALPHA 2.
APPENDIX A APPLICATIONS LEVEL It is not suggested to use a microphone plugged directly into the MULTIVERB ALPHA 2.0. Even though the device will function properly with some types of microphones you may encounter level mismatch or level problems. Some type of preamplifier is required since the input sensitivity of most microphones is less than -40dB. NOTE: Presets may have varying output levels. Output level may be programmed in a preset by using an algorithm such as REVERB or DELAY.
APPENDIX B EXAMPLES COPYING A PRESET You may copy a preset from any location into another easily. (If you want to copy a factory preset into another factory preset location, you must first Unlock the destination preset.) To copy a factory preset into one of the 90 user presets follow these steps. -Enter EDIT Mode. -Select the preset you want copied by pressing the Preset button and using the Encoder to dial it up. -Press the RECALL button. -Use the Encoder to select the location you are copying to i.e.
When used with a keyboard or other device which sends MIDI PROGRAM CHANGE messages, MPT editing is simplified. We will edit the MPT for MIDI numbers 2 and 3, to recall presets 96 and 1. Once again it is assumed the MULTIVERB ALPHA 2.0 has not had its MPT edited. The keyboard/controller MIDI OUT must be connected to the MULTIVERB ALPHA 2.0's MIDI IN jack. The MIDI channel on the MULTIVERB ALPHA 2.0 must be set to the same channel of the sending device, or the MULTIVERB ALPHA 2.0's OMNI mode must be ON.
any preset to a MIDI number including using a preset at multiple locations. Using an empty preset as a bypass enables you to select no effect eliminating the need to bypass the unit from the front panel and then continuing on with an effect preset next in the chain. NOTE: If your Mix is set for only 100% EFX, no signal will pass through the MULTIVERB ALPHA 2.0. -Make sure you are in EDIT Mode. (Press EDIT button if not) -Press the MIDI button.
-Press the EDIT button. -Press the Preset button and use the Encoder to select preset 120. -Press the Store button. *You've just copied #79 to location 120. -Press the ADD EFFECT and turn the Encoder until you see [ADD:MIDI CONTRL?]. -Press the ENTER button. *You have just added a MIDI controller to the preset. -Press the Param button four times. -Press the Value button. -Use the Encoder to select [CHO:LEVEL = 100%] -Press the Value button again, DON'T CHANGE THIS VALUE. -Press the Value button again.
Now, when the right pedal on the X-15 is used, the output volume of the ALPHA 2.0 changes from 0 to 100%. You may change the amount of minimum and maximum level the foot pedal controls by setting the Low and High Values (3rd and 4th screen) when adding the MIDI controller.
APPENDIX C MULTIVERB ALPHA 2.0 MIDI MESSAGES The MULTIVERB ALPHA 2.0 responds to the following messages: Program change: Cxh ddh x = channel number 0h to Fh for channels 1 to 16 dd = program number 0h to 7Fh or 0 to 127 If the channel the MULTIVERB ALPHA 2.0 is set to is not off and the channel matches (either it is the same number or OMNI is on), then the unit will look up the preset in the MIDI Program Table (MPT) and recall the corresponding preset.
DETAILED DESCRIPTION OF MESSAGES Set Bypass OFF: F0 1A 0x 11 03 00 00 F7 Set Bypass ON: F0 1A 0x 11 03 00 01 F7 This allows remotely setting the state of BYPASS in the MULTIVERB ALPHA 2.0 without affecting anything else in the unit. Request DUMP all presets: F0 1A 0x 11 4B F7 LOAD all presets: F0 1A 0x 11 0B F7 Dumps all presets in preset number order. No compression of the data is done.
APPENDIX D MIDI Implementation Chart ART MULTIVERB ALPHA 2.0 model 471; Date: JANUARY 1992; VER 2.
APPENDIX E MIDI: CONTROLLERS & NUMBERS CONTROLLER # 0 1 2 3 4 5 6 7 8 9 10 11 12-15 16-19 20-31 32-63 64 65 66 67 68 69 70-79 80-83 84-90 91 92 93 94 95 96 97 98 99 100 101 102-120 121-127 CONTROLLER DESCRIPTION _ UNDEFINED MOD WHEEL BREATH CONTROLLER UNDEFINED FOOT CONTROLLER PORTAMENTO TIME DATA ENTRY (msb) MAIN VOLUME BALANCE UNDEFINED PAN EXPRESSION CONTROLLER UNDEFINED GENERAL PURPOSE #'S 1-4 UNDEFINED LSB FOR VALUES 0-31 DAMPER PEDAL (SUSTAIN) PORTAMENTO SOSTENUTO SOFT PEDAL UNDEFINED HOLD 2 UNDEFINE
DEFAULT MIDI CONTROLLER NUMBERS X-15 PAD # 1 2 3 4 5 6 7 8 9 10 EFFECT EXCITER COMPRESSOR DISTORTION EQUALIZER EXPANDER/NOISE GATE REVERB DELAY PITCH TRANSPOSER FLANGE/CHORUS SPECIAL EFFECTS MIDI CONTROLLER # 70 71 72 73 74 75 76 77 78 79 49
APPENDIX F DIAGRAMS INSTRUMENT INTO MULTIVERB ALPHA 2.0 INTO TWO AMPLIFIERS ¸¶¶¶¶¶¶¶¶¶¶¶¶¶¶¶¶¶¶¶¶¶¶¶¶¶¶¶¶¶¶¶¶¶¶¶¶¶¶¶¶¶¶¶¶¶¶¶¶¶¶¹ · · MULTIVERB ALPHA 2.0 · LINE IN · LINE OUT · · LT LT RT º¶¶¶¶¶¾¶¶¶¶¶¶¶¶¶¶¶¶¶¶¶¶¶¶¶¶¶¶¶¶¾¶¶¶¶¶¶¶¶¶¶¾¶¶¶¶¶¶¶¶» · · · · · · · · · ¸¶¶¶¶¶¿¶¶¶¶¶¹ ¸¶¶¶¿¶¶¶¹ ¸¶¶¶¿¶¶¶¹ ·INSTRUMENT · · AMP 1 · · AMP 2 · º¶¶¶¶¶¶¶¶¶¶¶» º¶¶¶¶¶¶¶» º¶¶¶¶¶¶¶» GUITAR INTO MULTIVERB ALPHA 2.
APPENDIX G USING THE MULTIVERB ALPHA 2.0 WITH AN X-15 ULTRAFOOT When an ART X-15 ULTRAFOOT is used with the ALPHA 2.0, remote control of the parameters and the ability to turn on and off the effects themselves greatly extend the capabilities of the ALPHA 2.0. More than half of the ALPHA 2.0's factory presets are set up with MIDI controllers providing you instant access to the parameters with your X-15. You do not need to reprogram the X-15 ULTRAFOOT for use with the ALPHA 2.0.
ART MULTIVERB ALPHA 2.0 SPECIFICATIONS Presets..................................................... 115 Memory Locations............................................. 90 Dynamic Range .....................................>90dB Typical Equivalent Input Noise...................................-107dBv Operating Level.......................................+16dBV max Input Impedance...........................................1M ohm Output Impedance..........................................1K ohm Mechanical........
MULTIVERB ALPHA 2.0 PRESET LIST 1 2 3 4 5 6 7 8 9 10 OPEN CHAMBER REV LPF REV-3 EQL AES 1 controller: 4 CARNEGIE HALL LPF R-DDL-S REV-3 EQL AES (no controllers) HOTEL BALLROOM LPF REV-3 EQL AES (no controllers) AMBIENT TALK REV REV-1 EQL (no controllers) DIG.
40 WET BODY CHORUS REV-1 CHO TRM EQL 2 controllers: 11 4 54 X15 LO NOTE BEND PTR REV-1 (no analog) 1 controller: 11 68 DEEP DLY CHORUS S-DDL-S CHO EQL 2 controllers: 11 4 41 GROOVY FLANGE FLA GAT-1 AES 3 controllers: 11 4 55 X15 HI NOTE BEND PTR REV-1 (no analog) 1 controller: 11 69 STRAT COUNTRY S-DDL-S CHO TRM EQL 2 controllers: 11 4 42 INFINITE DREAM R-DDL-S REV-1 CHO EQL 2 controllers: 11 4 56 RED ROCKS S-DDL-S EQL 2 controllers: 11 4 70 HOME-FUNKY GTR R-DDL-S GAT-2 TRM EQL 2 controller
EQL AES (no controllers) 85 86 87 88 89 90 91 92 VOCAL PLATE R-DDL-S REV-3 AES (no controllers) WARM VOCAL ROOM REV-3 EQL AES (no controllers) DOUBLE VOICE R-DDL-S PTR AES (no controllers) CHORUS/DLY VOCAL CHO GAT-1 EQL AES (no controllers) IN FLIGHT VOCAL LPF R-DDL-S REV-3 EQL AES (no controllers) DEJA VU VOCAL GAT-3 EQL AES (no controllers) CLOUD NINETEEN LPF R-DDL-S REV-3 EQL AES (no controllers) BREATH OF OXYGEN LPF R-DDL-S REV-3 EQL AES (no controllers) 93 THE EVIL ONES R-DDL-S CHO (no analog
How to Read the Preset Description ¸¶¶¶¶¶¶¶¶¶¶¶¶¶¶¶¶¶¶¶¶¶¶¶¶¶¹ ·40 WET BODY CHORUS ·¶¶¶¶→¶ Title Line · REV-1 CHO TRM ·¶¶¶¶→¶ Digital Effects Line · EQL ·¶¶¶¶¶→ Analog Effects Line · 2 controllers: 11 4 ·¶¶¶¶¶→ MIDI Controller Line º¶¶¶¶¶¶¶¶¶¶¶¶¶¶¶¶¶¶¶¶¶¶¶¶¶» The first line of the preset description tells you the name and location of each Factory Preset on the first line. On the next line, which digital effects present in the preset are shown.
