ARRIFLEX 416 Quiet, Bright and Light
35 Format Features in a Super 16 Camera Continuous advances in lenses, film stock and postproduction technologies have elevated the Super 16 film format to new levels of image quality and production efficiency. Super 16 is now routinely used for standard and high definition television productions, feature films, commercials and documentaries, and with stunning results.
ARRI | ARRIFLEX 416 Main Features n The Quietest 16 mm Camera · 416 & 416 Plus: sound less than 20 db(A) n High Quality Video Assist · improved image quality · adjustable image enhancement n · · · Compact & Lightweight small camera body low profile design 25% lighter than 16SR 3 n · · · · Ergonomic Design ergonomic shoulder cut out viewfinder removes quickly for Steadicam and remote applications optional integrated radio & lens motor drivers split bridgeplate for fast switch from tripod to shoulder n ·
I Can See Clearly Now To capture the images you want, you have first to see them clearly. So viewfinder quality is crucial if an operator is to accurately appraise images, especially with 16 mm. The optical viewfinder on the 416 cameras makes it easy to judge focus, create a precise image composition, and work comfortably and efficiently. The viewfinder optics have been redesigned from the ground up, incorporating fewer lens elements of higher quality and a shorter optical path.
ARRI | ARRIFLEX 416 The ARRIFLEX 416 cameras' optical viewfinder uses a completely new optical design, resulting in significantly higher contrast, higher resolution and a brighter image.
z light path inside camera body z light path inside viewfinder AM AL AN AK AO AT AP 9 AQ u Mirror Shutter x Video Assist Beam Splitter A half-moon shaped mirror rotates in front of the film gate at the camera speed. Half of the time the mirror covers the film and the light from the taking lens is reflected up into the viewfinder. During that time, the film is transported one frame further.
ARRI | ARRIFLEX 416 Advantages of Optical Viewfinders Optical viewfinders, as used in all ARRI cameras, provide by far the most comfortable, accurate and efficient way to work when capturing images. Operators see a bright and sharp, full color image and are able to accurately judge focus. By their very nature, optical viewfinders have zero delay, showing exactly what is happening, right when it is happening.
RGB ARRIGLOW With the new RGB ARRIGLOW, you can choose any color you like. Set evenly or yellow for blue skies. You can, of course, also mix your own ARRIGLOW grey. Integrated Video Assist The 416 cameras' viewfinder is accompanied by a video assist with the same features and image quality as the highly praised ARRICAM and 435 integrated video assists (IVS). This video assist is closely integrated into the camera body to keep the overall camera size small and slim.
ARRI | ARRIFLEX 416 HDTV 1.78 HDTV 1.78 Old 16 mm Camera Viewfinder Image ARRIFLEX 416 Viewfinder Image n Higher contrast, higher resolution, brighter image n Easier to judge focus on the set n Excellent optical quality with eyepiece extension Mix Your Own RGB ARRIGLOW Color n Use magenta for green screen n Red for jungle n Yellow for blue skies n Mix your own grey HDTV 1.78 HDTV 1.78 HDTV 1.78 HDTV 1.
IS THE CAMERA REALLY RUNNING? The Sound of Silence The 416 cameras use a completely new sound insulation design that makes the 416 and 416 Plus as quiet as an ARRICAM and allows the 416 Plus HS to record a very stable image even at higher frame rates. An inner skeleton is suspended by symmetrically positioned rubber insulators in an outer shell. The camera's movement and other parts that create vibrations - and thus unwanted sound - are mounted to the inner skeleton.
ARRI | ARRIFLEX 416 4 6 5 1 2 6 u v w x y U body outer shell body inner skeleton body rubber insulators magazine outer shell magazine inner skeleton magazine rubber insulators The magazine is driven by an internal silent motor and uses the same insulating technique as the camera body, ensuring completely quiet operation.
QUIET BRIGHT & LIGHT
ARRIFLEX 416 Models ARRIFLEX 416 ARRIFLEX 416 Plus ARRIFLEX 416 Plus HS Super silent and equipped with basic electronics Super silent & flexible with built-in accessory electronics and radio for wireless remote control Super fast for slow-motion effects with built-in accessory electronics and radio for wireless remote control Speed Range (fps) 1 - 75 1 - 75 1 - 150 Sound (dbA) < 20 < 20 < 29 5.5/12.1 5.8/12.8 5.8/12.
25% LIGHTER THAN SR 3 ARRI | ARRIFLEX 416 Compact, Lightweight and Fast One of the reasons cinematographers and producers with demanding schedules choose to shoot Super 16 is the faster production pace afforded by smaller and lighter equipment. A Super 16 camera fits into any location, can be mounted to almost anything and can be quickly used on the shoulder. The 416 cameras further increase this portability, while providing many of the features crews have come to expect of 35 mm cameras.
PL Mount and Lenses The 416 cameras use the industry standard 54 mm stainless steel PL mount. The stable backfocus afforded by the PL mount and by the robust camera construction is a hallmark of all ARRI film cameras. The PL mount makes the vast selection of high quality lenses for the Super 16 and 35 mm formats available to the ARRIFLEX 416 cameras. This includes the Master Primes, which combine the highest optical quality with a super fast stop of T1.
ARRI | ARRIFLEX 416 The Ultra 16 lenses: 6, 8, 9.5, 12, 14, 18, 25, 35 and 50 mm, all T1.3 The Ultra Primes: T2.8/8, T2.1/10, T2/12, T1.9/14, T1.9/16, T1.9/20, T1.9/24, T1.9/28, T1.9/32, T1.9/40, T1.9/50, T1.9/65, T1.9/85, T1.9/100, T1.9/135 and T1.
Control and Power The simple to use control panel on the 416 range should be familiar to anyone who has ever worked with a modern ARRI camera, since the 416 cameras have inherited the 235's control panel design and illuminated buttons. All three 416 cameras can therefore be operated without further training and the setting of any operating parameter can be accomplished quickly and intuitively.
ARRI | ARRIFLEX 416 The OBB-2 connects to the 416 cameras through a new, but backwards-compatible power connector.
MODULAR SYSTEM ARRI | ARRIFLEX 416 The 416 Camera System The ARRIFLEX 416 cameras are complemented by a range of new and existing accessories that follow the same design philosophy used in the creation of the 416 body and magazines: increasing efficiency on the set. Two handles have been designed: one for normal use, one for remote. These include such details as a flip-up tape hook and different height platforms for Steadicam and for under-slinging the camera on a remote head.
Technical Data ARRIFLEX 416 Fps ARRIFLEX 416 Plus 1-75 ARRIFLEX 416 Plus HS 1-150 Speed can be varied while camera runs Ramps possible with Remote Control Unit RCU-1, Wireless Remote Control WRC-1, WRC-2 and Iris Control Unit ICU-1 Shutter Manually adjustable to: 45, 90, 135, 144, 150, 172.8, 180 degrees Film Format Super 16 mm, conforming to DIN 15602 and ISO-5768-1998 Film Gate Super 16 only (12.35 x 7.5 mm, 0.486 x 0.
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Germany Arnold & Richter Cine Technik (Headquarters, Sales & Service) Türkenstraße 89, D-80799 Munich, Germany Tel: +49 (0)89 3809 0, Fax: +49 (0)89 3809 1245 Great Britain ARRI GB Limited (Sales & Service) 2 Highbridge, Oxford Road, Uxbridge, Middlesex, UB8 1LX, Great Britain Imaging Equipment Sales: Allan Fyfe, afyfe@arri-gb.com Tel: +44 (0)1895 457 000, Fax: +44 (0)1895 457 001 Italy ARRI Italia S.r.l.
