2
Table Of Contents
- Contents
- Orientation
- About Motion
- Getting Started
- The Motion Interface
- The Utility Window
- The File Browser
- Dynamic Guides
- Importing Adobe Photoshop and Adobe Illustrator Files
- The Canvas
- The Toolbar
- Current Frame and Project Duration Fields
- The Transport Controls
- The Mini-Timeline
- The Library
- Motion Dashboards
- The Inspector
- Parameter Basics
- Using the Animation Menu vs. Using the Record Button
- The Project Pane
- The Playground
- Your No. 2 Pencil
- Using the Timeline
- Using Keyframes in Motion
- Keyframe Basics
- Creating Keyframes in the Canvas
- Using Animation Paths
- Keyframe Interpolation Basics
- Using the Keyframe Editor
- Checking Your Selection
- Recording Keyframes During Playback
- Keyframing Objects With Applied Behaviors
- Keyframing in the Dashboard
- Keyframing in the Inspector
- Keyframing Filters
- Converting Behaviors to Keyframes
- Arts and Letters
- Extra Credit
Chapter 5 Extra Credit 153
The matte is improved, but still has some problem areas.
b Drag the Matte Density slider slowly to the left until the areas that should be opaque
become solid white.
c Set the Output Type to Processed Foreground.
The composite is displayed. Often, the key is good, but the image color may be
affected. In this example, the elephant’s color is still too red. By default, Primatte RT
applies an estimated spill suppression value.
d Drag the Spill Suppression slider until the subject’s original color is returned.
2505.book Page 153 Wednesday, June 30, 2004 5:58 PM