3
Table Of Contents
- MainStage 3 User Manual
- Contents
- Chapter 1: Introducing MainStage
- Chapter 2: Set up your system
- Chapter 3: The MainStage interface
- Chapter 4: Get started with MainStage
- Chapter 5: Work in Edit mode
- Edit mode overview
- Work with patches in Edit mode
- Select items in the Patch List
- Copy, paste, and delete patches
- Reorder and move patches in the Patch List
- Create a patch from several patches
- Set the time signature for patches
- Change the tempo when you select a patch
- Set program change and bank numbers
- Defer patch changes
- Instantly silence the previous patch
- Change patch icons
- Change the tuning for a patch
- Work with channel strips in Edit mode
- Channel strips overview
- Show signal flow channel strips
- Show the metronome channel strip
- Create an alias of a channel strip
- Add a patch bus
- Channel Strip Inspector
- Choose channel strip settings
- Rename channel strips
- Change channel strip colors
- Change channel strip icons
- Use feedback protection with channel strips
- Work with software instrument channel strips
- Use the EXS24 mkII Instrument Editor in MainStage
- Use multiple instrument outputs
- Use external MIDI instruments in MainStage
- Delete channel strips
- Create keyboard layers and splits
- Work with graphs
- Create controller transforms
- Work with plug-ins in Edit mode
- Map screen controls
- Screen controls overview
- Map screen controls to channel strip and plug-in parameters
- Map screen controls to actions
- Map a screen control to multiple parameters
- Edit the saved value for a mapped parameter
- Set drum pads or buttons to use note velocity
- Use parameter mapping graphs
- Map screen controls to all channel strips in a patch
- Undo screen control parameter mappings
- Remove screen control mappings
- Work in the Assignments and Mappings tab
- Edit screen control parameters in Edit mode
- Screen control parameters in Edit mode overview
- Replace parameter labels
- Choose custom colors for screen controls
- Change the appearance of a background or grouped screen control
- Set screen controls to show the hardware value
- Set parameter change behavior for screen controls
- Set hardware matching behavior for screen controls
- Reset and compare changes to a patch
- Override concert- and set-level mappings
- Work with sets in Edit mode
- Share patches and sets between concerts
- Record the audio output of a concert
- Chapter 6: Work with concerts
- Open and close concerts
- Save concerts
- How saving affects parameter values
- Set the time signature for a concert
- Use tempo in a MainStage concert
- Define the source for program change messages
- Set the pan law for a concert
- Change the tuning for a concert
- Silence MIDI notes
- Mute audio output
- Work at the concert level
- Control the metronome
- Chapter 7: Work in Layout mode
- Layout mode overview
- Work with screen controls in Layout mode
- Assign hardware controls to screen controls
- Edit screen control parameters
- Screen control parameter editing overview
- Lift and stamp screen control parameters
- Common screen control parameters
- Keyboard screen control parameters
- MIDI activity screen control parameters
- Drum pad screen control parameters
- Waveform screen control parameters
- Selector screen control parameters
- Text screen control parameters
- Background screen control parameters
- How MainStage passes through MIDI messages
- Export layouts
- Import a layout
- Change the aspect ratio of a layout
- Chapter 8: Perform live with MainStage
- Before the performance
- Use Perform mode
- Select patches in performance
- Screen controls in performance
- Tempo changes in performance
- Tips for performing with keyboard controllers
- Tips for performing with guitars and other instruments
- Tune guitars and other instruments with the Tuner
- The Playback plug-in in performance
- Record your performances
- After the performance
- Tips for complex hardware setups
- Appendix A: The Playback plug-in
- Playback plug-in overview
- The Playback interface
- Use the Playback waveform display
- Playback transport and function buttons
- Playback information display
- Playback Sync, Snap To, and Play From parameters
- Use the Playback group functions
- Use the Playback Action menu and File field
- Use markers with the Playback plug-in
- Use the Playback plug-in in a concert
- Appendix B: The Loopback plug-in
- Appendix C: MainStage preferences
- Appendix D: Key commands
- Appendix E: MainStage actions
Chapter 5 Work in Edit mode 83
Work with sets in Edit mode
Work with sets overview
Sets are like folders that let you organize patches you want to keep together. Using sets, you can
organize patches in any manner. For example, you can put all the patches you want to use in the
rst part of a performance together or keep all your lead synth patches together. Sets are exible,
so you can use them in whatever way suits your method of working.
Here are some dierent ways you can use sets:
•
To group similar or related sounds into “banks”
•
To keep multiple patches you will use in a single song together
•
To share a set-level instrument or channel strip between a group of songs
Create sets
You can create a new, empty set or create a set from a group of selected patches.
Create a new, empty set
m Choose New Set from the Action pop-up menu in the upper-right corner of the Patch List.
A new set appears in the Patch List.
Create a set from a group of patches
1 In the Patch List, select the patches you want to include in the new set.
2 Choose New Set From Selection from the Action pop-up menu at the upper-right corner of the
Patch List.
The new set appears in the Patch List containing the selected patches. You can add new patches
to the set or drag existing patches into the set.
Rename sets
When you create a set, it is given a default name. You can rename a set in the same way you
rename a patch in the Patch List.
Rename a set
1 Double-click the set in the Patch List.
A text eld appears with the set name, which is selected.
2 Type a new name in the set name eld.
Set the time signature for sets
You can set the time signature for a set. Time signatures can be used with the Playback plug-in
and also aect the beats of the metronome. When you set the time signature for a set, it
overrides the concert-level time signature (if one is set).
Set the time signature for a set
1 In the Set Inspector, select the Has Time Signature checkbox.
2 Double-click the number in the eld, and enter the number of beats for the time signature.
3 Choose the beat value from the pop-up menu at the right.










