3
Table Of Contents
- MainStage 3 User Manual
- Contents
- Chapter 1: Introducing MainStage
- Chapter 2: Set up your system
- Chapter 3: The MainStage interface
- Chapter 4: Get started with MainStage
- Chapter 5: Work in Edit mode
- Edit mode overview
- Work with patches in Edit mode
- Select items in the Patch List
- Copy, paste, and delete patches
- Reorder and move patches in the Patch List
- Create a patch from several patches
- Set the time signature for patches
- Change the tempo when you select a patch
- Set program change and bank numbers
- Defer patch changes
- Instantly silence the previous patch
- Change patch icons
- Change the tuning for a patch
- Work with channel strips in Edit mode
- Channel strips overview
- Show signal flow channel strips
- Show the metronome channel strip
- Create an alias of a channel strip
- Add a patch bus
- Channel Strip Inspector
- Choose channel strip settings
- Rename channel strips
- Change channel strip colors
- Change channel strip icons
- Use feedback protection with channel strips
- Work with software instrument channel strips
- Use the EXS24 mkII Instrument Editor in MainStage
- Use multiple instrument outputs
- Use external MIDI instruments in MainStage
- Delete channel strips
- Create keyboard layers and splits
- Work with graphs
- Create controller transforms
- Work with plug-ins in Edit mode
- Map screen controls
- Screen controls overview
- Map screen controls to channel strip and plug-in parameters
- Map screen controls to actions
- Map a screen control to multiple parameters
- Edit the saved value for a mapped parameter
- Set drum pads or buttons to use note velocity
- Use parameter mapping graphs
- Map screen controls to all channel strips in a patch
- Undo screen control parameter mappings
- Remove screen control mappings
- Work in the Assignments and Mappings tab
- Edit screen control parameters in Edit mode
- Screen control parameters in Edit mode overview
- Replace parameter labels
- Choose custom colors for screen controls
- Change the appearance of a background or grouped screen control
- Set screen controls to show the hardware value
- Set parameter change behavior for screen controls
- Set hardware matching behavior for screen controls
- Reset and compare changes to a patch
- Override concert- and set-level mappings
- Work with sets in Edit mode
- Share patches and sets between concerts
- Record the audio output of a concert
- Chapter 6: Work with concerts
- Open and close concerts
- Save concerts
- How saving affects parameter values
- Set the time signature for a concert
- Use tempo in a MainStage concert
- Define the source for program change messages
- Set the pan law for a concert
- Change the tuning for a concert
- Silence MIDI notes
- Mute audio output
- Work at the concert level
- Control the metronome
- Chapter 7: Work in Layout mode
- Layout mode overview
- Work with screen controls in Layout mode
- Assign hardware controls to screen controls
- Edit screen control parameters
- Screen control parameter editing overview
- Lift and stamp screen control parameters
- Common screen control parameters
- Keyboard screen control parameters
- MIDI activity screen control parameters
- Drum pad screen control parameters
- Waveform screen control parameters
- Selector screen control parameters
- Text screen control parameters
- Background screen control parameters
- How MainStage passes through MIDI messages
- Export layouts
- Import a layout
- Change the aspect ratio of a layout
- Chapter 8: Perform live with MainStage
- Before the performance
- Use Perform mode
- Select patches in performance
- Screen controls in performance
- Tempo changes in performance
- Tips for performing with keyboard controllers
- Tips for performing with guitars and other instruments
- Tune guitars and other instruments with the Tuner
- The Playback plug-in in performance
- Record your performances
- After the performance
- Tips for complex hardware setups
- Appendix A: The Playback plug-in
- Playback plug-in overview
- The Playback interface
- Use the Playback waveform display
- Playback transport and function buttons
- Playback information display
- Playback Sync, Snap To, and Play From parameters
- Use the Playback group functions
- Use the Playback Action menu and File field
- Use markers with the Playback plug-in
- Use the Playback plug-in in a concert
- Appendix B: The Loopback plug-in
- Appendix C: MainStage preferences
- Appendix D: Key commands
- Appendix E: MainStage actions
Chapter 2 Set up your system 20
Connecting some electric instruments, such as electric guitars, to your computer’s audio input
port may result in a low-level input signal. To increase the input signal, you can connect the
guitar to a preamplier and connect the preamplier to your computer.
Connect an audio interface
Using an audio interface, you can connect microphones, instruments, and other music
equipment to your computer to use with MainStage. You can also connect a mixer, speakers or
monitors, headphones, and other equipment to hear the audio output from your concert.
MainStage supports plug-and-play for audio interfaces, making it possible to connect and turn
on a new audio interface while MainStage is open. An alert appears when you connect a new
device, and prompts you to select and conrm the audio interface and driver that you want to
use.
All digital audio interfaces can be susceptible to latency—a noticeable delay between the time
the audio signal is produced and when you hear it. You should always attach your audio interface
directly to the computer, rather than through a hub or daisy-chaining it through another device.
Doing so can cause an unacceptable amount of latency, particularly with slower USB 1.1 devices.
Connect an audio interface to your computer
Do one of the following:
m Connect an audio interface to your computer’s USB or FireWire port.
USB (Universal Serial Bus)
FireWire 400 (6-pin)
(Sometimes labeled iLINK)
FireWire 400 (4-pin)
FireWire 800 (9-pin)
m Connect an audio interface to a PCIe (Peripheral Component Interconnect Express) card installed
in your computer. PCIe provides extremely high bandwidth and fast data transfer rates, allowing
audio input and output at the highest possible sample rates and bit depths.
m Connect an audio interface to an ExpressCard/34 slot installed in your computer. ExpressCard/34
supports both PCIe and USB 2.0 connectivity. ExpressCards available include audio interfaces,
hard disk controller (eSATA) cards, networking, wireless adapters, and more.
After connecting an audio interface to your computer, be sure to choose the audio interface
as audio input source in the Audio preferences pane. After choosing the audio interface as the
input device, you can set the individual inputs on the audio interface as the input source for the
audio channel strips in your concert.










