3
Table Of Contents
- MainStage 3 User Manual
- Contents
- Chapter 1: Introducing MainStage
- Chapter 2: Set up your system
- Chapter 3: The MainStage interface
- Chapter 4: Get started with MainStage
- Chapter 5: Work in Edit mode
- Edit mode overview
- Work with patches in Edit mode
- Select items in the Patch List
- Copy, paste, and delete patches
- Reorder and move patches in the Patch List
- Create a patch from several patches
- Set the time signature for patches
- Change the tempo when you select a patch
- Set program change and bank numbers
- Defer patch changes
- Instantly silence the previous patch
- Change patch icons
- Change the tuning for a patch
- Work with channel strips in Edit mode
- Channel strips overview
- Show signal flow channel strips
- Show the metronome channel strip
- Create an alias of a channel strip
- Add a patch bus
- Channel Strip Inspector
- Choose channel strip settings
- Rename channel strips
- Change channel strip colors
- Change channel strip icons
- Use feedback protection with channel strips
- Work with software instrument channel strips
- Use the EXS24 mkII Instrument Editor in MainStage
- Use multiple instrument outputs
- Use external MIDI instruments in MainStage
- Delete channel strips
- Create keyboard layers and splits
- Work with graphs
- Create controller transforms
- Work with plug-ins in Edit mode
- Map screen controls
- Screen controls overview
- Map screen controls to channel strip and plug-in parameters
- Map screen controls to actions
- Map a screen control to multiple parameters
- Edit the saved value for a mapped parameter
- Set drum pads or buttons to use note velocity
- Use parameter mapping graphs
- Map screen controls to all channel strips in a patch
- Undo screen control parameter mappings
- Remove screen control mappings
- Work in the Assignments and Mappings tab
- Edit screen control parameters in Edit mode
- Screen control parameters in Edit mode overview
- Replace parameter labels
- Choose custom colors for screen controls
- Change the appearance of a background or grouped screen control
- Set screen controls to show the hardware value
- Set parameter change behavior for screen controls
- Set hardware matching behavior for screen controls
- Reset and compare changes to a patch
- Override concert- and set-level mappings
- Work with sets in Edit mode
- Share patches and sets between concerts
- Record the audio output of a concert
- Chapter 6: Work with concerts
- Open and close concerts
- Save concerts
- How saving affects parameter values
- Set the time signature for a concert
- Use tempo in a MainStage concert
- Define the source for program change messages
- Set the pan law for a concert
- Change the tuning for a concert
- Silence MIDI notes
- Mute audio output
- Work at the concert level
- Control the metronome
- Chapter 7: Work in Layout mode
- Layout mode overview
- Work with screen controls in Layout mode
- Assign hardware controls to screen controls
- Edit screen control parameters
- Screen control parameter editing overview
- Lift and stamp screen control parameters
- Common screen control parameters
- Keyboard screen control parameters
- MIDI activity screen control parameters
- Drum pad screen control parameters
- Waveform screen control parameters
- Selector screen control parameters
- Text screen control parameters
- Background screen control parameters
- How MainStage passes through MIDI messages
- Export layouts
- Import a layout
- Change the aspect ratio of a layout
- Chapter 8: Perform live with MainStage
- Before the performance
- Use Perform mode
- Select patches in performance
- Screen controls in performance
- Tempo changes in performance
- Tips for performing with keyboard controllers
- Tips for performing with guitars and other instruments
- Tune guitars and other instruments with the Tuner
- The Playback plug-in in performance
- Record your performances
- After the performance
- Tips for complex hardware setups
- Appendix A: The Playback plug-in
- Playback plug-in overview
- The Playback interface
- Use the Playback waveform display
- Playback transport and function buttons
- Playback information display
- Playback Sync, Snap To, and Play From parameters
- Use the Playback group functions
- Use the Playback Action menu and File field
- Use markers with the Playback plug-in
- Use the Playback plug-in in a concert
- Appendix B: The Loopback plug-in
- Appendix C: MainStage preferences
- Appendix D: Key commands
- Appendix E: MainStage actions
Appendix A The Playback plug-in 138
Set the Sync mode for the Playback plug-in
When you add an audio le to the Playback plug-in, MainStage looks for tempo information in
the le. For audio les containing tempo information (including Apple Loops and les exported
from Logic Pro), the le is scanned for transients (short bursts of audio energy that usually occur
on rhythmic beats). Transient information is stored in the audio le and used to play the le with
the best audio quality, even when the le is played at a dierent tempo or pitch. For these audio
les, you can use the Sync feature to set whether the audio le plays at its recorded tempo or
uses the current tempo of the concert. When Sync is set to O, the audio le plays at its recorded
tempo, regardless of the current tempo of the concert. This can be desirable, for example, when
the audio le contains non-pitched sounds or a sound eect. When Sync is set to On, the audio
le plays at the current tempo (set by the patch, set, or concert, by tapping the tempo, or by
listening to MIDI beat clock). This makes it easy to keep backing tracks, for example, in time with
each other and with your performance. Setting Sync to On can aect audio quality.
You set the Sync mode for an instance of the Playback plug-in from the Sync pop-up menu,
located in the lower-left corner of the plug-in window.
Note: For audio les that do not contain tempo information, Sync is set to O and the Sync
pop-up menu is unavailable.
Set the Sync mode for a Playback plug-in
m To have the audio le play back at its original tempo: Choose O from the Sync pop-up menu.
m To have the audio le play back at the current tempo of the concert: Choose On from the Sync
pop-up menu.
Choose the ex mode for the Playback plug-in
For audio les containing tempo information, you can choose between dierent ex modes for
playing back audio. Each ex mode is optimized for playback of a certain type of audio le, and
you can choose which ex mode an instance of the Playback plug-in uses to play back the audio
le you added. The available ex modes are:
•
Slicing: Slices the audio material at transient markers and plays each slice at its original speed.
Slicing is a good choice for general use, particularly for rhythmic material.
•
Rhythmic: Based on the time-stretching algorithm used for Apple Loops, Rhythmic is best
suited for playing non-monophonic material, such as rhythmic guitars, rhythmic keyboard
parts, and Apple Loops.
•
Speed: Time-stretches material by playing the source material faster or slower, including
changing the pitch. Speed is recommended for percussive material.
•
Polyphonic: Based on a phase vocoder, Polyphonic time-stretches material, delivering high
sonic quality with suitable polyphonic material. It is recommended for complex polyphonic
material and is good for all kinds of chords—such as guitar, piano, and choir—and for
complex mixes.
Because each ex mode can produce dierent results depending on the audio material, it is
recommended that you try out dierent ex modes for each instance of the Playback plug-in to
determine which provides the best playback for your audio les.










