3
Table Of Contents
- MainStage 3 Effects
- Contents
- Chapter 1: Amps and pedals
- Chapter 2: Delay effects
- Chapter 3: Distortion effects
- Chapter 4: Dynamics processors
- Chapter 5: Equalizers
- Chapter 6: Filter effects
- Filter effects overview
- AutoFilter
- EVOC 20 Filterbank
- EVOC 20 TrackOscillator
- EVOC 20 TrackOscillator overview
- Vocoder overview
- EVOC 20 TrackOscillator interface
- EVOC 20 TrackOscillator analysis in parameters
- Use EVOC 20 TrackOscillator analysis in
- EVOC 20 TrackOscillator U/V detection parameters
- EVOC 20 TrackOscillator synthesis in parameters
- EVOC 20 TrackOscillator oscillators
- EVOC 20 TrackOscillator formant filter
- EVOC 20 TrackOscillator modulation
- EVOC 20 TrackOscillator output parameters
- Fuzz-Wah
- Spectral Gate
- Chapter 7: Imaging processors
- Chapter 8: Metering tools
- Chapter 9: MIDI plug-ins
- Chapter 10: Modulation effects
- Chapter 11: Pitch effects
- Chapter 12: Reverb effects
- Chapter 13: Space Designer convolution reverb
- Chapter 14: Specialized effects and utilities
- Chapter 15: Utilities and tools
- Appendix: Legacy effects
Chapter 2 Delay eects 65
m To edit the pan position in mono input/stereo output congurations: Drag vertically from the center
of the tap in the direction you want to pan the tap or taps.
A white line extends outward from the center in the direction you have dragged, reecting the
pan position of the tap or taps.
Lines above the center position indicate pans to the left, and lines below the center position
denote pans to the right. Left (blue) and right (green) channels are easily identied.
m To adjust the stereo balance in stereo input/stereo output congurations: Drag the Pan parameter—
which appears as a dot on the tap—up or down the tap to adjust the stereo balance.
By default, stereo spread is set to 100%. To adjust the spread width, drag either side of the dot.
As you do so, the width of the line extending outward from the dot changes. Keep an eye on the
Spread parameter in the Tap parameter bar while you are adjusting.










