3
Table Of Contents
- MainStage 3 Effects
- Contents
- Chapter 1: Amps and pedals
- Chapter 2: Delay effects
- Chapter 3: Distortion effects
- Chapter 4: Dynamics processors
- Chapter 5: Equalizers
- Chapter 6: Filter effects
- Filter effects overview
- AutoFilter
- EVOC 20 Filterbank
- EVOC 20 TrackOscillator
- EVOC 20 TrackOscillator overview
- Vocoder overview
- EVOC 20 TrackOscillator interface
- EVOC 20 TrackOscillator analysis in parameters
- Use EVOC 20 TrackOscillator analysis in
- EVOC 20 TrackOscillator U/V detection parameters
- EVOC 20 TrackOscillator synthesis in parameters
- EVOC 20 TrackOscillator oscillators
- EVOC 20 TrackOscillator formant filter
- EVOC 20 TrackOscillator modulation
- EVOC 20 TrackOscillator output parameters
- Fuzz-Wah
- Spectral Gate
- Chapter 7: Imaging processors
- Chapter 8: Metering tools
- Chapter 9: MIDI plug-ins
- Chapter 10: Modulation effects
- Chapter 11: Pitch effects
- Chapter 12: Reverb effects
- Chapter 13: Space Designer convolution reverb
- Chapter 14: Specialized effects and utilities
- Chapter 15: Utilities and tools
- Appendix: Legacy effects
Chapter 1 Amps and pedals 48
Stompbox Description
Robo Flanger Flexible anging eect. Rate sets the modulation
speed and can either run freely or be synchronized
with the host application tempo when you enable the
Sync button. When synchronized, you can specify bar,
beat, and note values, including triplets and dotted
notes. Depth sets the strength of the eect. Feedback
determines the amount of eect signal that is routed
back into the input. This can change the tonal color,
make the anging eect more pronounced, or do
both. The Manual knob sets a delay time between the
source and eect signals. This can result in anger-
chorus eects, or in metallic-sounding modulations,
particularly when used with high Feedback values.
Roswell Ringer A ring modulation eect that can make incoming
audio sound metallic, or unrecognizable, and can
deliver tremolos, brighten up signals, and more. The
Freq knob sets the core lter cuto frequency. Fine
is a ne tuning knob for the lter frequency. The
Lin/Exp switch determines if the frequency curve is
linear—with 12 notes per octave—or exponential. FB
(feedback) determines the amount of eect signal
that is routed back into the input. This can change
the tonal color, make the eect more pronounced,
or do both. Balance between the original and eect
signals is set with the Mix knob. See Ringshifter
overview
on page 194 for background information on
ring modulation.
Roto Phase A phaser eect that adds movement to, and alters the
phase of, the signal. Rate sets the modulation speed
and can either run freely or be synchronized with the
host application tempo when you enable the Sync
button. When synchronized, you can specify bar, beat,
and note values, including triplets and dotted notes,
with the Rate knob. Intensity sets the strength of the
eect. The Vintage/Modern switch activates a xed-
frequency internal EQ when switched to Vintage and
deactivates it when switched to Modern.
Spin Box Emulation of a Leslie rotor speaker cabinet, commonly
used with the Hammond B3 organ. Cabinet sets the
type of speaker box. Fast Rate sets the maximum
modulation speed—this applies only when the Fast
button is active. Response determines the amount
of time required for the rotor to reach its maximum
and minimum speed. Drive increases the input gain,
introducing distortion to the signal. The Bright switch
activates a high shelving lter when turned on. The
Slow, Brake, and Fast buttons determine how the
“speaker” behaves: Slow rotates the speaker slowly;
Fast rotates the speaker quickly, up to the maximum
speed determined by the Fast Rate knob; and Brake
stops the speaker rotation. See Rotor Cabinet eect
overview
on page 200 for background information on
the Leslie eect.










