3
Table Of Contents
- MainStage 3 Effects
- Contents
- Chapter 1: Amps and pedals
- Chapter 2: Delay effects
- Chapter 3: Distortion effects
- Chapter 4: Dynamics processors
- Chapter 5: Equalizers
- Chapter 6: Filter effects
- Filter effects overview
- AutoFilter
- EVOC 20 Filterbank
- EVOC 20 TrackOscillator
- EVOC 20 TrackOscillator overview
- Vocoder overview
- EVOC 20 TrackOscillator interface
- EVOC 20 TrackOscillator analysis in parameters
- Use EVOC 20 TrackOscillator analysis in
- EVOC 20 TrackOscillator U/V detection parameters
- EVOC 20 TrackOscillator synthesis in parameters
- EVOC 20 TrackOscillator oscillators
- EVOC 20 TrackOscillator formant filter
- EVOC 20 TrackOscillator modulation
- EVOC 20 TrackOscillator output parameters
- Fuzz-Wah
- Spectral Gate
- Chapter 7: Imaging processors
- Chapter 8: Metering tools
- Chapter 9: MIDI plug-ins
- Chapter 10: Modulation effects
- Chapter 11: Pitch effects
- Chapter 12: Reverb effects
- Chapter 13: Space Designer convolution reverb
- Chapter 14: Specialized effects and utilities
- Chapter 15: Utilities and tools
- Appendix: Legacy effects
Chapter 1 Amps and pedals 17
Amp Designer cabinets
This table outlines the properties of each cabinet model available in Amp Designer.
Cabinet Description
Tweed 1 x 12 A 12" open-back cabinet from the 1950s with a warm
and smooth tone.
Tweed 4 x 10 A 4 x 10" open-back cabinet from the late 1950s that
was originally conceived for bassists but that guitarists
use for its sparkling presence.
Tweed 1 x 10 A single 10" open-back combo amp cabinet from the
1950s with a smooth sound.
Blackface 4 x 10 Classic open-back cabinet with four 10" speakers. Its
tone is deeper and darker than the Tweed 4 x 10.
Silverface 2 x 12 An open-back model from the 1960s that provides
low-end punch.
Blackface 1 x 10 An open-back 1960s cabinet with glassy highs and
low/mid body.
Brownface 1 x 12 A balanced 1960s open-back cabinet that is smooth,
transparent, and rich-sounding.
Brownface 1 x 15 This early 1960s open-back cabinet houses the largest
speaker emulated by Amp Designer. Its highs are clear
and glassy, and its lows are tight and focused.
Vintage British 4 x 12 This late 1960s closed-back cabinet is synonymous
with classic rock. The tone is big and thick yet
also bright and lively, due to the complex phase
cancelations between the four 30-watt speakers.
Modern British 4 x 12 A closed-back 4 x 12" cabinet that is brighter and has
a better low end than the Vintage British 4 x 12, with
less midrange emphasis.
Brown 4 x 12 A closed-back 4 x 12" cabinet with a good low end
and complex midrange.
British Blues 2 x 12 A bright-sounding open-back cabinet with solid lows
and crisp highs, even at high gain settings.
Modern American 4 x 12 A closed-back 4 x 12" cabinet with a full sound. The
lows and mids are denser than the British 4 x 12"
cabinets.
Studio 1 x 12 A compact-sounding open-back cabinet with full
mids and glassy highs.
British 2 x 12 A mid 1960s open-back cabinet with an open, smooth
tone.
British 1 x 12 A small open-back cabinet with crisp highs and low/
mid transparency.
Boutique British 2 x 12 A 2 x 12" cabinet based on the British 2 x 12. It has a
richer midrange and is more powerful in the treble
range.
Sunshine 4 x 12 A 4 x 12" closed-back cabinet with a thick, rich
midrange.
Sunshine 1 x 12 A single 12" open-back combo amp cabinet with
a lively sound that has bright, sweet highs, and
transparent mids.