Instruments and Effects
Table Of Contents
- Logic Studio Instruments and Effects
- Contents
- Introduction to the Logic Studio Plugins
- Amp Modeling
- Delay
- Distortion
- Dynamics
- EQ
- Filter
- Imaging
- Metering
- Modulation
- Pitch
- Reverb
- Convolution Reverb: Space Designer
- Specialized
- Utility
- EVOC 20 PolySynth
- EFM1
- ES E
- ES M
- ES P
- ES1
- ES2
- The ES2 Parameters
- Tutorials
- Sound Workshop
- Sound Design From Scratch, Filter Settings, Digiwaves
- Three Detuned Sawtooth Oscillators and Unison Mode
- Extremely Detuned Monophonic Analog Sounds, Effects
- Clean Bass Settings With One Oscillator Only
- Distorted Analog Basses
- FM Intensity and Frequency
- Controlling FM Intensity by an Envelope and FM Scaling
- FM With Drive and Filter-FM
- FM With Digiwaves
- FM With Wavetables
- Distorted FM in Monophonic Unison
- FM With Unusual Spectra
- Slow and Fast Pulse Width Modulations With Oscillator 2
- Pulse Width Modulation With Two Oscillators, PWM Strings
- Ring Modulation
- Oscillator Synchronization
- First Steps in Vector Synthesis
- Vector Synthesis—XY Pad
- Vector Synthesis Loops
- Bass Drum With Self-Oscillating Filter and Vector Envelope
- Percussive Synthesizers and Basses With Two Filter Decay Phases
- Templates for the ES2
- Sound Workshop
- EVB3
- EVD6
- EVP88
- EXS24 mkII
- Learning About Sampler Instruments
- Loading Sampler Instruments
- Working With Sampler Instrument Settings
- Managing Sampler Instruments
- Searching for Sampler Instruments
- Importing Sampler Instruments
- Parameters Window
- The Instrument Editor
- Setting Sampler Preferences
- Configuring Virtual Memory
- Using the VSL Performance Tool
- External Instrument
- Klopfgeist
- Sculpture
- The Synthesis Core of Sculpture
- Sculpture’s Parameters
- Programming: Quick Start Guide
- Programming: In Depth
- Ultrabeat
- GarageBand Instruments
- Synthesizer Basics
- Glossary
- Index
Chapter 4 Dynamics 73
Multipressor Parameters
The parameters in the Multipressor window are grouped into three main areas: the
upper graphic display section, the lower set of controls for each frequency band, and
the output parameters on the right.
Graphic Display Section
 Graphic display: Each frequency band is represented graphically. The amount of gain
change from 0 dB is shown graphically by the blue bars. For active bands, the band
number appears in the center of its area. You can adjust each frequency band
independently in the following ways:
 Drag the horizontal bar up or down to adjust the gain makeup for that band.
 Drag the vertical edges left or right band to set the crossover frequencies for that
band (which adjusts the band’s frequency range).
 Crossover fields: Sets the crossover frequency between adjacent bands.
 Gain Make-up fields: Sets the amount of the gain makeup for each band.
Frequency Band Section
Below the graphic band display are value fields and other parameters for controlling
each frequency band:
 Compr Thrsh fields (short for Compression Threshold): Sets the compression threshold
for the selected band. Setting the parameter to 0 dB results in no compression of the
band.
 Compr Ratio fields (short for Compression Ratio): Sets the compression ratio for the
selected band. Setting the parameter to 1:1 results in no compression of the band.