Instruments and Effects
Table Of Contents
- Logic Studio Instruments and Effects
- Contents
- Introduction to the Logic Studio Plugins
- Amp Modeling
- Delay
- Distortion
- Dynamics
- EQ
- Filter
- Imaging
- Metering
- Modulation
- Pitch
- Reverb
- Convolution Reverb: Space Designer
- Specialized
- Utility
- EVOC 20 PolySynth
- EFM1
- ES E
- ES M
- ES P
- ES1
- ES2
- The ES2 Parameters
- Tutorials
- Sound Workshop
- Sound Design From Scratch, Filter Settings, Digiwaves
- Three Detuned Sawtooth Oscillators and Unison Mode
- Extremely Detuned Monophonic Analog Sounds, Effects
- Clean Bass Settings With One Oscillator Only
- Distorted Analog Basses
- FM Intensity and Frequency
- Controlling FM Intensity by an Envelope and FM Scaling
- FM With Drive and Filter-FM
- FM With Digiwaves
- FM With Wavetables
- Distorted FM in Monophonic Unison
- FM With Unusual Spectra
- Slow and Fast Pulse Width Modulations With Oscillator 2
- Pulse Width Modulation With Two Oscillators, PWM Strings
- Ring Modulation
- Oscillator Synchronization
- First Steps in Vector Synthesis
- Vector Synthesis—XY Pad
- Vector Synthesis Loops
- Bass Drum With Self-Oscillating Filter and Vector Envelope
- Percussive Synthesizers and Basses With Two Filter Decay Phases
- Templates for the ES2
- Sound Workshop
- EVB3
- EVD6
- EVP88
- EXS24 mkII
- Learning About Sampler Instruments
- Loading Sampler Instruments
- Working With Sampler Instrument Settings
- Managing Sampler Instruments
- Searching for Sampler Instruments
- Importing Sampler Instruments
- Parameters Window
- The Instrument Editor
- Setting Sampler Preferences
- Configuring Virtual Memory
- Using the VSL Performance Tool
- External Instrument
- Klopfgeist
- Sculpture
- The Synthesis Core of Sculpture
- Sculpture’s Parameters
- Programming: Quick Start Guide
- Programming: In Depth
- Ultrabeat
- GarageBand Instruments
- Synthesizer Basics
- Glossary
- Index
651
Index
Index
A
Adaptive Limiter 61
additive synthesis 355
aftertouch event 629
AIFF file 629
AKAI file
described 629
importing with EXS24 mkII 403–407
aliasing
creating artificially 52
described 630
allpass filter 630
amplitude, described 630
amp modeling effects 19–25
Analog Basic (GarageBand Instrument) 616
Analog Mono (GarageBand Instrument) 617
Analog Pad (GarageBand Instrument) 617
analog signal 630
Analog Swirl (GarageBand Instrument) 617
Analog Sync (GarageBand Instrument) 617
analog synthesizer 621
attack phase (envelope) 626, 630
attenuating 630
audio
adding life to digital recordings 194
amplifying 200
applying distortion 51
correcting pitch 151
enhancing timing 193
imparting swing feeling 195
improving speech recording 196
shifting pitch 155
transforming vocals 156
transposing 151
varying rhythm 195
Audio Unit plug-in 631
AutoFilter 100–103
distortion parameters 101, 103
envelope parameters 100, 102
filter parameters 101, 102
LFO parameters 101, 103
output parameters 101, 103
Threshold slider 100
automation 631
AVerb 160
B
bandpass filter 573
bandwidth (EQ) 83
bar, described 631
Bass (GarageBand Instrument) 617
bass, generating artificially 197
Bass Amp 19–21
bass frequency range 98
beat 631
beats per minute 632
Bezier curve 631
Binaural Panner 121
Binaural Post-Processing plug-in 121–122
Bitcrusher 52
bit depth, described 632
bit rate 632
bit resolution. See bit depth
blue noise 632
boosting 632
Bounce function, described 632
bpm. See beats per minute
BPM Counter 128
bus (Mixer), described 632
bypassing, described 632
C
CAF file, described 632
Carlos, Wendy 228
carrier oscillator 229
cent 632
Channel EQ 84–87
activating Analyzer 85
graphic display 85
Parameter section 85
using 86
using Analyzer 87
checkbox 633
Chorus (effect plug-in) 136
chorus effect, described 300, 633
Clavinet 377