Instruments and Effects
Table Of Contents
- Logic Studio Instruments and Effects
- Contents
- Introduction to the Logic Studio Plugins
- Amp Modeling
- Delay
- Distortion
- Dynamics
- EQ
- Filter
- Imaging
- Metering
- Modulation
- Pitch
- Reverb
- Convolution Reverb: Space Designer
- Specialized
- Utility
- EVOC 20 PolySynth
- EFM1
- ES E
- ES M
- ES P
- ES1
- ES2
- The ES2 Parameters
- Tutorials
- Sound Workshop
- Sound Design From Scratch, Filter Settings, Digiwaves
- Three Detuned Sawtooth Oscillators and Unison Mode
- Extremely Detuned Monophonic Analog Sounds, Effects
- Clean Bass Settings With One Oscillator Only
- Distorted Analog Basses
- FM Intensity and Frequency
- Controlling FM Intensity by an Envelope and FM Scaling
- FM With Drive and Filter-FM
- FM With Digiwaves
- FM With Wavetables
- Distorted FM in Monophonic Unison
- FM With Unusual Spectra
- Slow and Fast Pulse Width Modulations With Oscillator 2
- Pulse Width Modulation With Two Oscillators, PWM Strings
- Ring Modulation
- Oscillator Synchronization
- First Steps in Vector Synthesis
- Vector Synthesis—XY Pad
- Vector Synthesis Loops
- Bass Drum With Self-Oscillating Filter and Vector Envelope
- Percussive Synthesizers and Basses With Two Filter Decay Phases
- Templates for the ES2
- Sound Workshop
- EVB3
- EVD6
- EVP88
- EXS24 mkII
- Learning About Sampler Instruments
- Loading Sampler Instruments
- Working With Sampler Instrument Settings
- Managing Sampler Instruments
- Searching for Sampler Instruments
- Importing Sampler Instruments
- Parameters Window
- The Instrument Editor
- Setting Sampler Preferences
- Configuring Virtual Memory
- Using the VSL Performance Tool
- External Instrument
- Klopfgeist
- Sculpture
- The Synthesis Core of Sculpture
- Sculpture’s Parameters
- Programming: Quick Start Guide
- Programming: In Depth
- Ultrabeat
- GarageBand Instruments
- Synthesizer Basics
- Glossary
- Index
6
Contents
Chapter 15 205 EVOC 20 PolySynth
206
Vocoder Basics
206
What Is a Vocoder?
206
How Does a Vocoder Work?
207
How Does a Filter Bank Work?
208
Using the EVOC 20 PolySynth
209
EVOC 20 PolySynth Parameters
210
Synthesis Parameters
215
Sidechain Analysis Parameters
217
Formant Filter Parameters
219
Modulation Parameters
221 Unvoiced/Voiced (U/V) Detection
223 Output Parameters
224 Block Diagram
224 Tips for Better Speech Intelligibility
225 Editing the Analysis and Synthesis Signals
225 Avoiding Sonic Artifacts
226 Achieving the Best Analysis and Synthesis Signals
227 Vocoder History
Chapter 16 229 EFM1
230 Global Parameters
231 Modulator and Carrier
232 FM Parameters
233 The Output Section
234 MIDI Controller Assignments
Chapter 17 235 ES E
Chapter 18 237 ES M
Chapter 19 239 ES P
Chapter 20 241 ES1
241 The ES1 Parameters
248 MIDI Controller List
Chapter 21 249 ES2
250 The ES2 Parameters
251 Global Parameters
254 Oscillator Parameters
262 Filters
270 Dynamic Stage (Amplifier)
271 The Router










