Instruments and Effects
Table Of Contents
- Logic Studio Instruments and Effects
- Contents
- Introduction to the Logic Studio Plugins
- Amp Modeling
- Delay
- Distortion
- Dynamics
- EQ
- Filter
- Imaging
- Metering
- Modulation
- Pitch
- Reverb
- Convolution Reverb: Space Designer
- Specialized
- Utility
- EVOC 20 PolySynth
- EFM1
- ES E
- ES M
- ES P
- ES1
- ES2
- The ES2 Parameters
- Tutorials
- Sound Workshop
- Sound Design From Scratch, Filter Settings, Digiwaves
- Three Detuned Sawtooth Oscillators and Unison Mode
- Extremely Detuned Monophonic Analog Sounds, Effects
- Clean Bass Settings With One Oscillator Only
- Distorted Analog Basses
- FM Intensity and Frequency
- Controlling FM Intensity by an Envelope and FM Scaling
- FM With Drive and Filter-FM
- FM With Digiwaves
- FM With Wavetables
- Distorted FM in Monophonic Unison
- FM With Unusual Spectra
- Slow and Fast Pulse Width Modulations With Oscillator 2
- Pulse Width Modulation With Two Oscillators, PWM Strings
- Ring Modulation
- Oscillator Synchronization
- First Steps in Vector Synthesis
- Vector Synthesis—XY Pad
- Vector Synthesis Loops
- Bass Drum With Self-Oscillating Filter and Vector Envelope
- Percussive Synthesizers and Basses With Two Filter Decay Phases
- Templates for the ES2
- Sound Workshop
- EVB3
- EVD6
- EVP88
- EXS24 mkII
- Learning About Sampler Instruments
- Loading Sampler Instruments
- Working With Sampler Instrument Settings
- Managing Sampler Instruments
- Searching for Sampler Instruments
- Importing Sampler Instruments
- Parameters Window
- The Instrument Editor
- Setting Sampler Preferences
- Configuring Virtual Memory
- Using the VSL Performance Tool
- External Instrument
- Klopfgeist
- Sculpture
- The Synthesis Core of Sculpture
- Sculpture’s Parameters
- Programming: Quick Start Guide
- Programming: In Depth
- Ultrabeat
- GarageBand Instruments
- Synthesizer Basics
- Glossary
- Index
Chapter 28 Sculpture 507
Time Scale
This parameter scales the duration of the entire envelope between 10% and 1000%.
Sustain Mode Menu
Allows you to select the behavior of the morph envelope while a note is held. Choices
are: Sustain mode, Finish mode, one of three loop modes (forward, backward,
alternate), or Scan via CtrlB mode.
When in any of the loop modes, the loop always cycles between the loop and sustain
envelope handles (the nodes indicated by the small L and S icons). The morph
envelope can—like any envelope—run in one shot (as long as the note is sustained). It
can also run several times or in an infinite cycle, much like an LFO. You can achieve this
through the use of loops.
The loop and sustain point handles can be directly grabbed and repositioned. Note
that doing so can potentially alter the loop (and the overall morph envelope) length.
 When set to Finish, the morph envelope runs in one shot mode from its beginning to
its end—even if the note is released before the envelope has come to its end point.
The other loop parameters are disabled.
 When set to Forward, the envelope runs to the sustain point and begins to repeat
the section between the loop point and sustain point periodically—always in a
forward direction.
 When set to Backward, the envelope runs to the sustain point and begins to repeat
the section between the sustain point and loop start point periodically—always in a
backward direction.
 When set to Alternate, the envelope runs to the sustain point and returns to the loop
point and back to the sustain point periodically, alternating in both a backward and
forward direction.
 When set to Scan via CtrlB, the time line position within the envelope is
“disconnected” from real time, and you can “scan” the whole time range by using the
MIDI controller chosen for Ctrl B (in the MIDI Controller Assign section).










