Instruments and Effects
Table Of Contents
- Logic Studio Instruments and Effects
- Contents
- Introduction to the Logic Studio Plugins
- Amp Modeling
- Delay
- Distortion
- Dynamics
- EQ
- Filter
- Imaging
- Metering
- Modulation
- Pitch
- Reverb
- Convolution Reverb: Space Designer
- Specialized
- Utility
- EVOC 20 PolySynth
- EFM1
- ES E
- ES M
- ES P
- ES1
- ES2
- The ES2 Parameters
- Tutorials
- Sound Workshop
- Sound Design From Scratch, Filter Settings, Digiwaves
- Three Detuned Sawtooth Oscillators and Unison Mode
- Extremely Detuned Monophonic Analog Sounds, Effects
- Clean Bass Settings With One Oscillator Only
- Distorted Analog Basses
- FM Intensity and Frequency
- Controlling FM Intensity by an Envelope and FM Scaling
- FM With Drive and Filter-FM
- FM With Digiwaves
- FM With Wavetables
- Distorted FM in Monophonic Unison
- FM With Unusual Spectra
- Slow and Fast Pulse Width Modulations With Oscillator 2
- Pulse Width Modulation With Two Oscillators, PWM Strings
- Ring Modulation
- Oscillator Synchronization
- First Steps in Vector Synthesis
- Vector Synthesis—XY Pad
- Vector Synthesis Loops
- Bass Drum With Self-Oscillating Filter and Vector Envelope
- Percussive Synthesizers and Basses With Two Filter Decay Phases
- Templates for the ES2
- Sound Workshop
- EVB3
- EVD6
- EVP88
- EXS24 mkII
- Learning About Sampler Instruments
- Loading Sampler Instruments
- Working With Sampler Instrument Settings
- Managing Sampler Instruments
- Searching for Sampler Instruments
- Importing Sampler Instruments
- Parameters Window
- The Instrument Editor
- Setting Sampler Preferences
- Configuring Virtual Memory
- Using the VSL Performance Tool
- External Instrument
- Klopfgeist
- Sculpture
- The Synthesis Core of Sculpture
- Sculpture’s Parameters
- Programming: Quick Start Guide
- Programming: In Depth
- Ultrabeat
- GarageBand Instruments
- Synthesizer Basics
- Glossary
- Index
506 Chapter 28 Sculpture
 Note + Sustain Pedal: Recording starts when the sustain pedal is depressed while a
note is held.
Recording is stopped by clicking the R(ecord) Enable button (or trigger) a second time.
Once all keys are released, and all voices have completed their decay phase, the
recording ends. You can stop recording early by releasing all keys, and then pressing a
single key.
Following the recording of a controller movement, R(ecord) Enable is automatically set
to off and Mode is set to Env only. This ensures that only the recorded movement will
be active, regardless of the stop position of the recorded controller.
Morph Envelope Parameters
The following section outlines the morph envelope’s parameters.
Mode
These buttons activate the morph envelope, and allow you to choose from the
following modes:
 Both buttons off: Morph functionality is disabled.
 Pad only: Envelope is deactivated, and morph functionality is controlled by the
morph cursor (the ball) or X/Y MIDI controllers only.
 Env only: Envelope is running, but the morph cursor and X/Y MIDI controllers are
deactivated.
 Env + Pad: Envelope is running, and the position of the morph cursor or X/Y MIDI
controllers is used as an offset for any envelope movements. In this mode (with both
the Pad and Env buttons activated), you can choose from the following setting by
clicking the offset label next to the mode buttons:
 Offset: The default mode, behavior is as described in the Env+Pad mode described
above).
 Point Set: Envelope is running. The selected envelope point can be edited by
moving the morph cursor in the pad or via MIDI (MorphX and MorphY Controller
Assignments).
 Point Solo: Envelope in a kind of “still picture” mode. The selected envelope point
can be edited by moving the morph cursor in the pad.