Instruments and Effects
Table Of Contents
- Logic Studio Instruments and Effects
- Contents
- Introduction to the Logic Studio Plugins
- Amp Modeling
- Delay
- Distortion
- Dynamics
- EQ
- Filter
- Imaging
- Metering
- Modulation
- Pitch
- Reverb
- Convolution Reverb: Space Designer
- Specialized
- Utility
- EVOC 20 PolySynth
- EFM1
- ES E
- ES M
- ES P
- ES1
- ES2
- The ES2 Parameters
- Tutorials
- Sound Workshop
- Sound Design From Scratch, Filter Settings, Digiwaves
- Three Detuned Sawtooth Oscillators and Unison Mode
- Extremely Detuned Monophonic Analog Sounds, Effects
- Clean Bass Settings With One Oscillator Only
- Distorted Analog Basses
- FM Intensity and Frequency
- Controlling FM Intensity by an Envelope and FM Scaling
- FM With Drive and Filter-FM
- FM With Digiwaves
- FM With Wavetables
- Distorted FM in Monophonic Unison
- FM With Unusual Spectra
- Slow and Fast Pulse Width Modulations With Oscillator 2
- Pulse Width Modulation With Two Oscillators, PWM Strings
- Ring Modulation
- Oscillator Synchronization
- First Steps in Vector Synthesis
- Vector Synthesis—XY Pad
- Vector Synthesis Loops
- Bass Drum With Self-Oscillating Filter and Vector Envelope
- Percussive Synthesizers and Basses With Two Filter Decay Phases
- Templates for the ES2
- Sound Workshop
- EVB3
- EVD6
- EVP88
- EXS24 mkII
- Learning About Sampler Instruments
- Loading Sampler Instruments
- Working With Sampler Instrument Settings
- Managing Sampler Instruments
- Searching for Sampler Instruments
- Importing Sampler Instruments
- Parameters Window
- The Instrument Editor
- Setting Sampler Preferences
- Configuring Virtual Memory
- Using the VSL Performance Tool
- External Instrument
- Klopfgeist
- Sculpture
- The Synthesis Core of Sculpture
- Sculpture’s Parameters
- Programming: Quick Start Guide
- Programming: In Depth
- Ultrabeat
- GarageBand Instruments
- Synthesizer Basics
- Glossary
- Index
Chapter 28 Sculpture 499
When in any of the loop modes, the loop always cycles between user-defined envelope
handles that indicate the loop start point (L icon), and the sustain point (S icon). These
handles can be dragged to the desired position.
 When set to Finish, the envelope runs in one shot mode from its beginning to its
end—even if the note is released before the envelope has come to its end. The other
loop parameters are disabled.
 When set to Loop Forward, the envelope runs to the sustain point and begins to
repeat the section between the loop point and sustain point periodically—always in
a forward direction.
 When set to Loop Backward, the envelope runs to the sustain point and begins to
repeat the section between the sustain point and loop point periodically—always in
a backward direction.
 When set to Loop Alternate, the envelope runs to the sustain point and returns to
the loop point and back to the sustain point periodically, alternating in both a
backward and forward direction.
Note: If the loop point lies behind the sustain point, the loop will start after the key has
been released.
Loops can be synchronized to the project tempo automatically via the “sync” and “ms”
buttons.
Sync and “ms” Buttons
These buttons allow you to select between a free-running envelope (with segment
times displayed in milliseconds) or a tempo-synced envelope with note value options,
such as 1/8th or 1/4.
Switching between values forces a recalculation of times to the nearest note value or
ms time, respectively, based on the current project tempo.
Compare Button
Following the initial (original) recording of an envelope, and any subsequent edits, this
button allows you to toggle between the original recording and the edited version.
Obviously, this is only available as an option if an envelope curve has actually been
recorded.










