Instruments and Effects
Table Of Contents
- Logic Studio Instruments and Effects
- Contents
- Introduction to the Logic Studio Plugins
- Amp Modeling
- Delay
- Distortion
- Dynamics
- EQ
- Filter
- Imaging
- Metering
- Modulation
- Pitch
- Reverb
- Convolution Reverb: Space Designer
- Specialized
- Utility
- EVOC 20 PolySynth
- EFM1
- ES E
- ES M
- ES P
- ES1
- ES2
- The ES2 Parameters
- Tutorials
- Sound Workshop
- Sound Design From Scratch, Filter Settings, Digiwaves
- Three Detuned Sawtooth Oscillators and Unison Mode
- Extremely Detuned Monophonic Analog Sounds, Effects
- Clean Bass Settings With One Oscillator Only
- Distorted Analog Basses
- FM Intensity and Frequency
- Controlling FM Intensity by an Envelope and FM Scaling
- FM With Drive and Filter-FM
- FM With Digiwaves
- FM With Wavetables
- Distorted FM in Monophonic Unison
- FM With Unusual Spectra
- Slow and Fast Pulse Width Modulations With Oscillator 2
- Pulse Width Modulation With Two Oscillators, PWM Strings
- Ring Modulation
- Oscillator Synchronization
- First Steps in Vector Synthesis
- Vector Synthesis—XY Pad
- Vector Synthesis Loops
- Bass Drum With Self-Oscillating Filter and Vector Envelope
- Percussive Synthesizers and Basses With Two Filter Decay Phases
- Templates for the ES2
- Sound Workshop
- EVB3
- EVD6
- EVP88
- EXS24 mkII
- Learning About Sampler Instruments
- Loading Sampler Instruments
- Working With Sampler Instrument Settings
- Managing Sampler Instruments
- Searching for Sampler Instruments
- Importing Sampler Instruments
- Parameters Window
- The Instrument Editor
- Setting Sampler Preferences
- Configuring Virtual Memory
- Using the VSL Performance Tool
- External Instrument
- Klopfgeist
- Sculpture
- The Synthesis Core of Sculpture
- Sculpture’s Parameters
- Programming: Quick Start Guide
- Programming: In Depth
- Ultrabeat
- GarageBand Instruments
- Synthesizer Basics
- Glossary
- Index
486 Chapter 28 Sculpture
 Two control envelopes can either be used as standard envelopes or as MIDI
controlled modulators—with the ability to record, polyphonically play back (on a
per-voice basis), and modify incoming MIDI controller movements.
All modulation assignments take place within the generators.
First order modulations are where the modulation generator modulates core synthesis
parameters. Second order modulations are where one modulation generator modulates
the parameters of the other modulation generator. These include: LFO Rate
Modulation, VariMod, Morph Envelope Modulation, and A Time Velosens.
Each modulation generator allows you to select one (or in most cases, two) of the core
synthesis parameters as a modulation target. The same target can be selected for all
modulators, if desired.
Modules such as the LFOs and control envelopes also offer via modulations (a freely
modulatable amount/intensity—the scaling factor—of the modulation source output
level). These are sidechain modulations.
Some modulation generator parameters—for example LFO rates, can be modulated by
selecting the desired modulation source and amount.
To access the desired modulation generator, click on the corresponding button in this
section of the Sculpture interface. Once a modulation source has been activated, the
corresponding button label will be lit.
LFO 1 and 2
The two full-featured LFOs offer several possibilities that go beyond the Vibrato LFO
and jitter generators described below.
Waveform
This menu allows you to choose the waveform used for LFO modulation. Options
are: Sine, Triangle, Sawtooth, Rectangle Unipolar, Rectangle Bipolar, Sample&Hold,
Sample&Hold with Lag, Filtered Noise.
 The triangular wave is well suited for vibrato effects.