Instruments and Effects
Table Of Contents
- Logic Studio Instruments and Effects
- Contents
- Introduction to the Logic Studio Plugins
- Amp Modeling
- Delay
- Distortion
- Dynamics
- EQ
- Filter
- Imaging
- Metering
- Modulation
- Pitch
- Reverb
- Convolution Reverb: Space Designer
- Specialized
- Utility
- EVOC 20 PolySynth
- EFM1
- ES E
- ES M
- ES P
- ES1
- ES2
- The ES2 Parameters
- Tutorials
- Sound Workshop
- Sound Design From Scratch, Filter Settings, Digiwaves
- Three Detuned Sawtooth Oscillators and Unison Mode
- Extremely Detuned Monophonic Analog Sounds, Effects
- Clean Bass Settings With One Oscillator Only
- Distorted Analog Basses
- FM Intensity and Frequency
- Controlling FM Intensity by an Envelope and FM Scaling
- FM With Drive and Filter-FM
- FM With Digiwaves
- FM With Wavetables
- Distorted FM in Monophonic Unison
- FM With Unusual Spectra
- Slow and Fast Pulse Width Modulations With Oscillator 2
- Pulse Width Modulation With Two Oscillators, PWM Strings
- Ring Modulation
- Oscillator Synchronization
- First Steps in Vector Synthesis
- Vector Synthesis—XY Pad
- Vector Synthesis Loops
- Bass Drum With Self-Oscillating Filter and Vector Envelope
- Percussive Synthesizers and Basses With Two Filter Decay Phases
- Templates for the ES2
- Sound Workshop
- EVB3
- EVD6
- EVP88
- EXS24 mkII
- Learning About Sampler Instruments
- Loading Sampler Instruments
- Working With Sampler Instrument Settings
- Managing Sampler Instruments
- Searching for Sampler Instruments
- Importing Sampler Instruments
- Parameters Window
- The Instrument Editor
- Setting Sampler Preferences
- Configuring Virtual Memory
- Using the VSL Performance Tool
- External Instrument
- Klopfgeist
- Sculpture
- The Synthesis Core of Sculpture
- Sculpture’s Parameters
- Programming: Quick Start Guide
- Programming: In Depth
- Ultrabeat
- GarageBand Instruments
- Synthesizer Basics
- Glossary
- Index
434 Chapter 25 EXS24 mkII
∏ Tip: Double-clicking the Audio File column—when an audio file is loaded—opens the
audio file in the Sample Editor. When no audio file is loaded, the audio file selector
opens.
Group
Shows the group assignment of a zone. See “Groups” for more information.
Pitch Parameters
Key allows you to determine the root note of the sample—in other words, the note at
which the sample will sound at its original pitch. The Coarse and Fine fields allow
coarse and fine-tuning of the sample in semitone and cent increments.
Key Range
The two key range parameters allow you to define a key range for the zone.
 Lo(w): Sets the lowest note at which the zone will sound
 Hi(gh): Sets the highest note at which the zone will sound.
Playing notes outside this range will not trigger the sample assigned to this zone.
Velocity Range
Activate the Velocity Range checkbox to define a velocity range for the zone. L(ow) sets
the lowest velocity at which the zone will sound, and Hi(gh) sets the highest velocity at
which the zone will sound. Playing notes outside this range will not trigger the sample
assigned to this zone.
Output Parameters
Volume adjusts the volume of the zone.
Pan adjusts the pan position of the zone. This parameter only works when the
EXS24 mkII is used in stereo.
Negative Scale values make notes lower than the note position defined by the root key
sound louder than higher ones; positive values have the opposite effect. Use this
parameter for balancing the volume of a sample across the selected key range.
Root key