Instruments and Effects
Table Of Contents
- Logic Studio Instruments and Effects
- Contents
- Introduction to the Logic Studio Plugins
- Amp Modeling
- Delay
- Distortion
- Dynamics
- EQ
- Filter
- Imaging
- Metering
- Modulation
- Pitch
- Reverb
- Convolution Reverb: Space Designer
- Specialized
- Utility
- EVOC 20 PolySynth
- EFM1
- ES E
- ES M
- ES P
- ES1
- ES2
- The ES2 Parameters
- Tutorials
- Sound Workshop
- Sound Design From Scratch, Filter Settings, Digiwaves
- Three Detuned Sawtooth Oscillators and Unison Mode
- Extremely Detuned Monophonic Analog Sounds, Effects
- Clean Bass Settings With One Oscillator Only
- Distorted Analog Basses
- FM Intensity and Frequency
- Controlling FM Intensity by an Envelope and FM Scaling
- FM With Drive and Filter-FM
- FM With Digiwaves
- FM With Wavetables
- Distorted FM in Monophonic Unison
- FM With Unusual Spectra
- Slow and Fast Pulse Width Modulations With Oscillator 2
- Pulse Width Modulation With Two Oscillators, PWM Strings
- Ring Modulation
- Oscillator Synchronization
- First Steps in Vector Synthesis
- Vector Synthesis—XY Pad
- Vector Synthesis Loops
- Bass Drum With Self-Oscillating Filter and Vector Envelope
- Percussive Synthesizers and Basses With Two Filter Decay Phases
- Templates for the ES2
- Sound Workshop
- EVB3
- EVD6
- EVP88
- EXS24 mkII
- Learning About Sampler Instruments
- Loading Sampler Instruments
- Working With Sampler Instrument Settings
- Managing Sampler Instruments
- Searching for Sampler Instruments
- Importing Sampler Instruments
- Parameters Window
- The Instrument Editor
- Setting Sampler Preferences
- Configuring Virtual Memory
- Using the VSL Performance Tool
- External Instrument
- Klopfgeist
- Sculpture
- The Synthesis Core of Sculpture
- Sculpture’s Parameters
- Programming: Quick Start Guide
- Programming: In Depth
- Ultrabeat
- GarageBand Instruments
- Synthesizer Basics
- Glossary
- Index
Chapter 24 EVP88 385
Stereophase
Relative phase shift between the left and right channels, ranging from 0° to 180°. With
0° selected, the effect is most intense, but not stereophonic. With 180° selected, the
effect symmetrically rises in the left channel while simultaneously falling in the right
channel, and vice versa.
Tremolo
A periodic modulation of the amplitude (level) of the sound is known as tremolo. The
modulation is controlled via an LFO. The Fender Rhodes suitcase piano features a
stereo tremolo and many other electric pianos have a simple, but quite obtrusive,
mono tremolo that can introduce a strange kind of polyrhythmic feel to performances.
Note: The original Wurlitzer piano has a mono tremolo with a fixed modulation rate of
5.5 Hz. For an authentic Wurlitzer sound, choose 0°. For Rhodes sounds, select 180°. The
settings in-between result in nice spacey effects, especially at low LFO rates.
Rate
Sets the speed of the tremolo effect (LFO frequency).
Intensity
Adjusts the amount of amplitude modulation. With 0 selected, the tremolo effect is
switched off.
Stereophase
At a setting of 0°, the level undulates in phase on both channels. With 180° selected,
the modulation is perfectly out of phase, resulting in a stereo tremolo effect that is also
known as auto panning. The effect is similar to manually turning the pan pot from side
to side.