Instruments and Effects
Table Of Contents
- Logic Studio Instruments and Effects
- Contents
- Introduction to the Logic Studio Plugins
- Amp Modeling
- Delay
- Distortion
- Dynamics
- EQ
- Filter
- Imaging
- Metering
- Modulation
- Pitch
- Reverb
- Convolution Reverb: Space Designer
- Specialized
- Utility
- EVOC 20 PolySynth
- EFM1
- ES E
- ES M
- ES P
- ES1
- ES2
- The ES2 Parameters
- Tutorials
- Sound Workshop
- Sound Design From Scratch, Filter Settings, Digiwaves
- Three Detuned Sawtooth Oscillators and Unison Mode
- Extremely Detuned Monophonic Analog Sounds, Effects
- Clean Bass Settings With One Oscillator Only
- Distorted Analog Basses
- FM Intensity and Frequency
- Controlling FM Intensity by an Envelope and FM Scaling
- FM With Drive and Filter-FM
- FM With Digiwaves
- FM With Wavetables
- Distorted FM in Monophonic Unison
- FM With Unusual Spectra
- Slow and Fast Pulse Width Modulations With Oscillator 2
- Pulse Width Modulation With Two Oscillators, PWM Strings
- Ring Modulation
- Oscillator Synchronization
- First Steps in Vector Synthesis
- Vector Synthesis—XY Pad
- Vector Synthesis Loops
- Bass Drum With Self-Oscillating Filter and Vector Envelope
- Percussive Synthesizers and Basses With Two Filter Decay Phases
- Templates for the ES2
- Sound Workshop
- EVB3
- EVD6
- EVP88
- EXS24 mkII
- Learning About Sampler Instruments
- Loading Sampler Instruments
- Working With Sampler Instrument Settings
- Managing Sampler Instruments
- Searching for Sampler Instruments
- Importing Sampler Instruments
- Parameters Window
- The Instrument Editor
- Setting Sampler Preferences
- Configuring Virtual Memory
- Using the VSL Performance Tool
- External Instrument
- Klopfgeist
- Sculpture
- The Synthesis Core of Sculpture
- Sculpture’s Parameters
- Programming: Quick Start Guide
- Programming: In Depth
- Ultrabeat
- GarageBand Instruments
- Synthesizer Basics
- Glossary
- Index
24
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24 EVP88
The EVP88 virtual electric piano instrument simulates the
sound of different Rhodes and Wurlitzer pianos, as well as the
sound of the Hohner Electra piano.
The sounds of various Fender Rhodes pianos are among the most popular keyboard
instrument sounds used in the second half of the twentieth century. The various
Rhodes models have been popularized in a wide range of musical styles, ranging from
pop, rock, jazz, and soul, as well as more recent genres like house and hip hop. Nearly
as popular was the Wurlitzer piano, which enjoyed most of its success in the seventies.
The Rhodes, Hammond organ and subtractive analog synthesizers were considered the
fundamental instruments in the keyboard rigs of rock musicians between 1965 and
1985, and they appeared to be incomparable and unbeatable … until now.
About the EVP88
The EVP88’s piano synthesis engine is designed solely for the ultra-realistic simulation
of electric pianos. It offers silky smooth dynamics and scaling of the sounds over the
entire 88-key range, and it does not suffer from the abrupt changes in sound that typify
sampled instruments. There are no audible loops, and you’ll never hear any lowpass
filters closing while the sound of a note is decaying.
The EVP88’s engine also simulates the physical movement of the various electric piano
reeds, tines, and tone bars in the electric and magnetic fields of the pickups found in
the original instruments. It synthesizes the ringing, smacking, and bell-like transients of
the attack phase, as well as the hammer action and damper noises. The sound
generator reacts smoothly, musically, and precisely to the 127 steps of velocity
sensitivity as defined in the MIDI specification.
Incorporated into the EVP88’s front panel, you will discover an integrated effects
processor which provides a number of classic effects popularly used on electric piano
sounds. The algorithms featured in the effects processor have been specifically
designed, adapted, and optimized for the EVP88. Included are: a great sounding
equalizer, an overdrive, a stereo phaser, a stereo tremolo and stereo chorus.