Instruments and Effects
Table Of Contents
- Logic Studio Instruments and Effects
- Contents
- Introduction to the Logic Studio Plugins
- Amp Modeling
- Delay
- Distortion
- Dynamics
- EQ
- Filter
- Imaging
- Metering
- Modulation
- Pitch
- Reverb
- Convolution Reverb: Space Designer
- Specialized
- Utility
- EVOC 20 PolySynth
- EFM1
- ES E
- ES M
- ES P
- ES1
- ES2
- The ES2 Parameters
- Tutorials
- Sound Workshop
- Sound Design From Scratch, Filter Settings, Digiwaves
- Three Detuned Sawtooth Oscillators and Unison Mode
- Extremely Detuned Monophonic Analog Sounds, Effects
- Clean Bass Settings With One Oscillator Only
- Distorted Analog Basses
- FM Intensity and Frequency
- Controlling FM Intensity by an Envelope and FM Scaling
- FM With Drive and Filter-FM
- FM With Digiwaves
- FM With Wavetables
- Distorted FM in Monophonic Unison
- FM With Unusual Spectra
- Slow and Fast Pulse Width Modulations With Oscillator 2
- Pulse Width Modulation With Two Oscillators, PWM Strings
- Ring Modulation
- Oscillator Synchronization
- First Steps in Vector Synthesis
- Vector Synthesis—XY Pad
- Vector Synthesis Loops
- Bass Drum With Self-Oscillating Filter and Vector Envelope
- Percussive Synthesizers and Basses With Two Filter Decay Phases
- Templates for the ES2
- Sound Workshop
- EVB3
- EVD6
- EVP88
- EXS24 mkII
- Learning About Sampler Instruments
- Loading Sampler Instruments
- Working With Sampler Instrument Settings
- Managing Sampler Instruments
- Searching for Sampler Instruments
- Importing Sampler Instruments
- Parameters Window
- The Instrument Editor
- Setting Sampler Preferences
- Configuring Virtual Memory
- Using the VSL Performance Tool
- External Instrument
- Klopfgeist
- Sculpture
- The Synthesis Core of Sculpture
- Sculpture’s Parameters
- Programming: Quick Start Guide
- Programming: In Depth
- Ultrabeat
- GarageBand Instruments
- Synthesizer Basics
- Glossary
- Index
378 Chapter 23 EVD6
How the D6 Clavinet Works
Each D6 keyboard key forms a single arm lever. When a key is depressed, a plunger
underneath touches the string and presses it onto an anvil. The string impinges on the
anvil with a strength determined by key velocity. This affects the dynamics of the
sounding string.
These mechanical vibrations are converted into electrical frequencies through
magnetic pick-ups which are amplified and reproduced through the loudspeaker.
As the key is released, contact between plunger and anvil is immediately broken,
leaving the wool-wound part of the string free, so that the string vibration is
immediately muted.
Double-Triggered Notes
When experimenting with the EVD6, or auditioning some of the included settings, you
may encounter sounds which seem to be triggered on both the note on and the note off
.
This is actually a feature, which emulates the original D6. The real D6 has the “problem”
of the strings sticking to the hammers if they are worn out, producing a second trigger
when the key is released. You can adjust the intensity of this key-off click, with the
Intensity slider in the Click section (see the “Click Parameters” on page 368). Move the
slider to the left, and the second key off trigger will no longer be audible!










