Instruments and Effects
Table Of Contents
- Logic Studio Instruments and Effects
- Contents
- Introduction to the Logic Studio Plugins
- Amp Modeling
- Delay
- Distortion
- Dynamics
- EQ
- Filter
- Imaging
- Metering
- Modulation
- Pitch
- Reverb
- Convolution Reverb: Space Designer
- Specialized
- Utility
- EVOC 20 PolySynth
- EFM1
- ES E
- ES M
- ES P
- ES1
- ES2
- The ES2 Parameters
- Tutorials
- Sound Workshop
- Sound Design From Scratch, Filter Settings, Digiwaves
- Three Detuned Sawtooth Oscillators and Unison Mode
- Extremely Detuned Monophonic Analog Sounds, Effects
- Clean Bass Settings With One Oscillator Only
- Distorted Analog Basses
- FM Intensity and Frequency
- Controlling FM Intensity by an Envelope and FM Scaling
- FM With Drive and Filter-FM
- FM With Digiwaves
- FM With Wavetables
- Distorted FM in Monophonic Unison
- FM With Unusual Spectra
- Slow and Fast Pulse Width Modulations With Oscillator 2
- Pulse Width Modulation With Two Oscillators, PWM Strings
- Ring Modulation
- Oscillator Synchronization
- First Steps in Vector Synthesis
- Vector Synthesis—XY Pad
- Vector Synthesis Loops
- Bass Drum With Self-Oscillating Filter and Vector Envelope
- Percussive Synthesizers and Basses With Two Filter Decay Phases
- Templates for the ES2
- Sound Workshop
- EVB3
- EVD6
- EVP88
- EXS24 mkII
- Learning About Sampler Instruments
- Loading Sampler Instruments
- Working With Sampler Instrument Settings
- Managing Sampler Instruments
- Searching for Sampler Instruments
- Importing Sampler Instruments
- Parameters Window
- The Instrument Editor
- Setting Sampler Preferences
- Configuring Virtual Memory
- Using the VSL Performance Tool
- External Instrument
- Klopfgeist
- Sculpture
- The Synthesis Core of Sculpture
- Sculpture’s Parameters
- Programming: Quick Start Guide
- Programming: In Depth
- Ultrabeat
- GarageBand Instruments
- Synthesizer Basics
- Glossary
- Index
374 Chapter 23 EVD6
Range
Determines the cutoff frequency of the filter set with Wah Mode. With Range set to the
left, the cutoff will only move in a narrow range. To provide a wider control range, turn
the Range knob to the right.
Envelope (Depth)
Sets the sensitivity of the envelope in respect to your performance and thus the
resulting filter modulation depth. The envelope shape follows the dynamics of your
performance. An auto wah effect is produced by using an envelope follower to control
the filter cutoff automatically. Turn Envelope to the right to increase the modulation
depth.
Wah Ctrl
Lets you define the MIDI Controller (number/name) used as a manual wah effect
control. For example, MIDI foot controllers are popular wah effect controllers, and you
can use this parameter to configure the EVD6 to use your MIDI foot controller to
control the wah effect. You can also use MIDI Velocity to control the wah effect. Just
click into the respective parameter field and select velocity from the ensuing pop-up
menu. MIDI-control/coupling can be disabled by selecting off.
Note: Both envelope and a manual controller can control the wah simultaneously. In
this situation, the effect of the envelope and manual controls are mixed.
As with the Damper, there is a slider named Wah Pedal Position that always represents
the current pedal position. This ensures that the most recent pedal position is saved
with the sound. The Wah Pedal Position Slider is only available in the Controls view.
Choose View > Controls to switch from the Controls view to the Editor view. The Pedal
Position can be automated by either recording the MIDI controller messages, or by
using the Track Automation system.