Instruments and Effects
Table Of Contents
- Logic Studio Instruments and Effects
- Contents
- Introduction to the Logic Studio Plugins
- Amp Modeling
- Delay
- Distortion
- Dynamics
- EQ
- Filter
- Imaging
- Metering
- Modulation
- Pitch
- Reverb
- Convolution Reverb: Space Designer
- Specialized
- Utility
- EVOC 20 PolySynth
- EFM1
- ES E
- ES M
- ES P
- ES1
- ES2
- The ES2 Parameters
- Tutorials
- Sound Workshop
- Sound Design From Scratch, Filter Settings, Digiwaves
- Three Detuned Sawtooth Oscillators and Unison Mode
- Extremely Detuned Monophonic Analog Sounds, Effects
- Clean Bass Settings With One Oscillator Only
- Distorted Analog Basses
- FM Intensity and Frequency
- Controlling FM Intensity by an Envelope and FM Scaling
- FM With Drive and Filter-FM
- FM With Digiwaves
- FM With Wavetables
- Distorted FM in Monophonic Unison
- FM With Unusual Spectra
- Slow and Fast Pulse Width Modulations With Oscillator 2
- Pulse Width Modulation With Two Oscillators, PWM Strings
- Ring Modulation
- Oscillator Synchronization
- First Steps in Vector Synthesis
- Vector Synthesis—XY Pad
- Vector Synthesis Loops
- Bass Drum With Self-Oscillating Filter and Vector Envelope
- Percussive Synthesizers and Basses With Two Filter Decay Phases
- Templates for the ES2
- Sound Workshop
- EVB3
- EVD6
- EVP88
- EXS24 mkII
- Learning About Sampler Instruments
- Loading Sampler Instruments
- Working With Sampler Instrument Settings
- Managing Sampler Instruments
- Searching for Sampler Instruments
- Importing Sampler Instruments
- Parameters Window
- The Instrument Editor
- Setting Sampler Preferences
- Configuring Virtual Memory
- Using the VSL Performance Tool
- External Instrument
- Klopfgeist
- Sculpture
- The Synthesis Core of Sculpture
- Sculpture’s Parameters
- Programming: Quick Start Guide
- Programming: In Depth
- Ultrabeat
- GarageBand Instruments
- Synthesizer Basics
- Glossary
- Index
Chapter 23 EVD6 363
Stereo Spread
The Stereo Spread control offers two sections: Pickup and Key. You can use both
spread types at the same time. They will automatically be mixed. The area around the
circular Stereo Spread button graphically displays the effect of both stereo spread
parameters.
Pickup
While the original D6 only has a mono output, the EVD6 has stereo capabilities. When
both pickups are active (upper+lower and upper-lower modes), the two pickup signals
can be spread across the stereo spectrum. To adjust the position of the stereo spread,
click-hold on the up/down arrows in the lower half of the circular button—in the
Pickup section.
Turning the Pickup Spread control up will move the signals of both pickups away from
the center position—one to the right, and the other to the left. Set Spread to its
maximum value for extreme left/right panning. Range: 0.00 (center, no effect) to 1.00
(full left/right stereo).
More information on the use of the pickups is found in “Pickup Parameters” on
page 371.
Key
Sets a keyscale modulation of the panning position. The keyboard position determines
the panning. The center position is MIDI note 60 (Yamaha C3). To adjust the Key(board)
position, click-hold on the up/down arrows in the in the Key section (top half) of the
circular button.
When fully turned up, the extreme left/right position will be reached at MIDI note 60
±30 semitones. Range: (center, no effect) to 1.00 (full left/right stereo).
C/D Switch A/B Switch What It Does
Down Down Neck pickup—warm sound
Down Up Bridge pickup—bright sound
Up Up Both pickups—full sound
Up Down Both pickups out of phase—thin sound










