Instruments and Effects
Table Of Contents
- Logic Studio Instruments and Effects
- Contents
- Introduction to the Logic Studio Plugins
- Amp Modeling
- Delay
- Distortion
- Dynamics
- EQ
- Filter
- Imaging
- Metering
- Modulation
- Pitch
- Reverb
- Convolution Reverb: Space Designer
- Specialized
- Utility
- EVOC 20 PolySynth
- EFM1
- ES E
- ES M
- ES P
- ES1
- ES2
- The ES2 Parameters
- Tutorials
- Sound Workshop
- Sound Design From Scratch, Filter Settings, Digiwaves
- Three Detuned Sawtooth Oscillators and Unison Mode
- Extremely Detuned Monophonic Analog Sounds, Effects
- Clean Bass Settings With One Oscillator Only
- Distorted Analog Basses
- FM Intensity and Frequency
- Controlling FM Intensity by an Envelope and FM Scaling
- FM With Drive and Filter-FM
- FM With Digiwaves
- FM With Wavetables
- Distorted FM in Monophonic Unison
- FM With Unusual Spectra
- Slow and Fast Pulse Width Modulations With Oscillator 2
- Pulse Width Modulation With Two Oscillators, PWM Strings
- Ring Modulation
- Oscillator Synchronization
- First Steps in Vector Synthesis
- Vector Synthesis—XY Pad
- Vector Synthesis Loops
- Bass Drum With Self-Oscillating Filter and Vector Envelope
- Percussive Synthesizers and Basses With Two Filter Decay Phases
- Templates for the ES2
- Sound Workshop
- EVB3
- EVD6
- EVP88
- EXS24 mkII
- Learning About Sampler Instruments
- Loading Sampler Instruments
- Working With Sampler Instrument Settings
- Managing Sampler Instruments
- Searching for Sampler Instruments
- Importing Sampler Instruments
- Parameters Window
- The Instrument Editor
- Setting Sampler Preferences
- Configuring Virtual Memory
- Using the VSL Performance Tool
- External Instrument
- Klopfgeist
- Sculpture
- The Synthesis Core of Sculpture
- Sculpture’s Parameters
- Programming: Quick Start Guide
- Programming: In Depth
- Ultrabeat
- GarageBand Instruments
- Synthesizer Basics
- Glossary
- Index
362 Chapter 23 EVD6
Note: When applying Warmth and Stretch, you should consider that these parameters
may result in a detuned sound, which is similar to a heavy chorus effect.
Pressure
On an original D6, applying pressure (aftertouch) to a depressed key raises the pitch
slightly. The Pressure parameter allows you to do this, or alternately lower the pitch by
pressure. Click-hold, and use your mouse as a slider to adjust. Range: –1.00 to +1.00
Filter Switches
The four filter switches emulate the original switches on the D6, with one exception.
When all switches are set to off, you’ll hear the unfiltered sound, rather than the original
D6’s humming silence. Simply click anywhere on each switch to toggle between its on/
off position. Active switches are indicated by pale green lettering, and by being
depressed towards the bottom of the plug-in window. You may use the filter switches
in any combination of on/off positions.
 Brilliant: Makes the sound nasal/cuts bass.
 Treble: Makes the sound sharper/cuts bass more gently.
 Medium: Makes the sound thinner/slight bass reduction.
 Soft: Makes the sound softer/more muted.
Pickup Switches
As with the original D6, the two pickups can be used in different modes. The AB and
CD switches are used to change modes. The internal wiring of the two pickups changes
in accordance with the different switch positions, and with it, the sound at the
combined pickup output. The EVD6 features an additional menu that displays the
current pickup mode above the pickup switches. More information on the use of these
parameters/the pickups is found in “Pickup Parameters” on page 371.