Instruments and Effects
Table Of Contents
- Logic Studio Instruments and Effects
- Contents
- Introduction to the Logic Studio Plugins
- Amp Modeling
- Delay
- Distortion
- Dynamics
- EQ
- Filter
- Imaging
- Metering
- Modulation
- Pitch
- Reverb
- Convolution Reverb: Space Designer
- Specialized
- Utility
- EVOC 20 PolySynth
- EFM1
- ES E
- ES M
- ES P
- ES1
- ES2
- The ES2 Parameters
- Tutorials
- Sound Workshop
- Sound Design From Scratch, Filter Settings, Digiwaves
- Three Detuned Sawtooth Oscillators and Unison Mode
- Extremely Detuned Monophonic Analog Sounds, Effects
- Clean Bass Settings With One Oscillator Only
- Distorted Analog Basses
- FM Intensity and Frequency
- Controlling FM Intensity by an Envelope and FM Scaling
- FM With Drive and Filter-FM
- FM With Digiwaves
- FM With Wavetables
- Distorted FM in Monophonic Unison
- FM With Unusual Spectra
- Slow and Fast Pulse Width Modulations With Oscillator 2
- Pulse Width Modulation With Two Oscillators, PWM Strings
- Ring Modulation
- Oscillator Synchronization
- First Steps in Vector Synthesis
- Vector Synthesis—XY Pad
- Vector Synthesis Loops
- Bass Drum With Self-Oscillating Filter and Vector Envelope
- Percussive Synthesizers and Basses With Two Filter Decay Phases
- Templates for the ES2
- Sound Workshop
- EVB3
- EVD6
- EVP88
- EXS24 mkII
- Learning About Sampler Instruments
- Loading Sampler Instruments
- Working With Sampler Instrument Settings
- Managing Sampler Instruments
- Searching for Sampler Instruments
- Importing Sampler Instruments
- Parameters Window
- The Instrument Editor
- Setting Sampler Preferences
- Configuring Virtual Memory
- Using the VSL Performance Tool
- External Instrument
- Klopfgeist
- Sculpture
- The Synthesis Core of Sculpture
- Sculpture’s Parameters
- Programming: Quick Start Guide
- Programming: In Depth
- Ultrabeat
- GarageBand Instruments
- Synthesizer Basics
- Glossary
- Index
344 Chapter 22 EVB3
Rotor Cabinet
The Hammond story can’t be fully told without a chapter on the rotor sound cabinets,
manufactured by Leslie. In fact, playing the B3 organ without a rotor cabinet is viewed
as a special effect these days. The EVB3’s rotor cabinet section simulates not only the
speaker cabinet itself, but also the microphones which pick up the sound.
Rotor Speed Buttons
These buttons switch the rotor speed as follows:
 Chorale: Slow movement
 Tremolo: Fast movement.
 Brake: Stops the rotor.
Cabinet Menu
You can choose between the following settings in the Cabinet menu:
 Off: Choose to switch off the rotor. There’s an alternative to switching the rotor effect
off: in the Brake mode, the speakers don’t rotate, but are still picked up by the
simulated microphones, in a random position (see paragraph “Rotor Speed” below).
You can also directly disable the Leslie simulation with the On/Off button beside the
Speed Control menu.
 Wood: Mimics a Leslie with a wooden enclosure, and sounds like the Leslie 122 or
147 models.
 Proline: Mimics a Leslie with a more open enclosure, similar to a Leslie 760 model.
 Single: Simulates the sound of a Leslie with a single, full-range, rotor. The sound
resembles the Leslie 825 model.
 Split: The bass rotor’s signal is routed more to the left side, and the treble rotor’s
signal is routed more to the right side.
 Wood & Horn IR: This setting uses an impulse response of a Leslie with a wooden
enclosure.
 Proline & Horn IR: This setting uses an impulse response of a Leslie with a more open
enclosure.
 Split & Horn IR: This setting uses an impulse response of a Leslie with the bass rotor
signal routed more to the left side, and the treble rotor signal routed more to the
right side.