Instruments and Effects
Table Of Contents
- Logic Studio Instruments and Effects
- Contents
- Introduction to the Logic Studio Plugins
- Amp Modeling
- Delay
- Distortion
- Dynamics
- EQ
- Filter
- Imaging
- Metering
- Modulation
- Pitch
- Reverb
- Convolution Reverb: Space Designer
- Specialized
- Utility
- EVOC 20 PolySynth
- EFM1
- ES E
- ES M
- ES P
- ES1
- ES2
- The ES2 Parameters
- Tutorials
- Sound Workshop
- Sound Design From Scratch, Filter Settings, Digiwaves
- Three Detuned Sawtooth Oscillators and Unison Mode
- Extremely Detuned Monophonic Analog Sounds, Effects
- Clean Bass Settings With One Oscillator Only
- Distorted Analog Basses
- FM Intensity and Frequency
- Controlling FM Intensity by an Envelope and FM Scaling
- FM With Drive and Filter-FM
- FM With Digiwaves
- FM With Wavetables
- Distorted FM in Monophonic Unison
- FM With Unusual Spectra
- Slow and Fast Pulse Width Modulations With Oscillator 2
- Pulse Width Modulation With Two Oscillators, PWM Strings
- Ring Modulation
- Oscillator Synchronization
- First Steps in Vector Synthesis
- Vector Synthesis—XY Pad
- Vector Synthesis Loops
- Bass Drum With Self-Oscillating Filter and Vector Envelope
- Percussive Synthesizers and Basses With Two Filter Decay Phases
- Templates for the ES2
- Sound Workshop
- EVB3
- EVD6
- EVP88
- EXS24 mkII
- Learning About Sampler Instruments
- Loading Sampler Instruments
- Working With Sampler Instrument Settings
- Managing Sampler Instruments
- Searching for Sampler Instruments
- Importing Sampler Instruments
- Parameters Window
- The Instrument Editor
- Setting Sampler Preferences
- Configuring Virtual Memory
- Using the VSL Performance Tool
- External Instrument
- Klopfgeist
- Sculpture
- The Synthesis Core of Sculpture
- Sculpture’s Parameters
- Programming: Quick Start Guide
- Programming: In Depth
- Ultrabeat
- GarageBand Instruments
- Synthesizer Basics
- Glossary
- Index
Chapter 22 EVB3 341
You can suppress the brutal overtones of extreme distortions with two filters: Select
Dist-EQ-Wah.
Effect Bypass
The Distortion, Wah, and EQ effects can be bypassed separately for the Pedal register.
Set Effect Bypass to Pedal to do so. This avoids the entire bass portion of your organ
being suppressed by the wah wah. It also avoids undesirable intermodulation artifacts,
when utilizing the overdrive effect.
If you choose None, the entire output of the organ is processed, as if you had plugged
the B3’s mono output into a Leslie cabinet.
Equalizer
 EQ Low: Adjust the level of the low frequency range.
 EQ Mid: Adjusts the level of the mid frequency range.
 EQ High: Adjusts the level of the high frequency range.
 EQ Level: Adjust the overall EQ level.
Reverb
The EVB3 offers six reverb algorithms: Box, Small, Medium, Large, Big, and Spring.
Reverb level is defined by the Reverb parameter. A Reverb =0 value conserves
processing resources.
You can also choose Bypass in the Reverb Mode menu, if you want to disable the
reverb without changing its level.