Instruments and Effects
Table Of Contents
- Logic Studio Instruments and Effects
- Contents
- Introduction to the Logic Studio Plugins
- Amp Modeling
- Delay
- Distortion
- Dynamics
- EQ
- Filter
- Imaging
- Metering
- Modulation
- Pitch
- Reverb
- Convolution Reverb: Space Designer
- Specialized
- Utility
- EVOC 20 PolySynth
- EFM1
- ES E
- ES M
- ES P
- ES1
- ES2
- The ES2 Parameters
- Tutorials
- Sound Workshop
- Sound Design From Scratch, Filter Settings, Digiwaves
- Three Detuned Sawtooth Oscillators and Unison Mode
- Extremely Detuned Monophonic Analog Sounds, Effects
- Clean Bass Settings With One Oscillator Only
- Distorted Analog Basses
- FM Intensity and Frequency
- Controlling FM Intensity by an Envelope and FM Scaling
- FM With Drive and Filter-FM
- FM With Digiwaves
- FM With Wavetables
- Distorted FM in Monophonic Unison
- FM With Unusual Spectra
- Slow and Fast Pulse Width Modulations With Oscillator 2
- Pulse Width Modulation With Two Oscillators, PWM Strings
- Ring Modulation
- Oscillator Synchronization
- First Steps in Vector Synthesis
- Vector Synthesis—XY Pad
- Vector Synthesis Loops
- Bass Drum With Self-Oscillating Filter and Vector Envelope
- Percussive Synthesizers and Basses With Two Filter Decay Phases
- Templates for the ES2
- Sound Workshop
- EVB3
- EVD6
- EVP88
- EXS24 mkII
- Learning About Sampler Instruments
- Loading Sampler Instruments
- Working With Sampler Instrument Settings
- Managing Sampler Instruments
- Searching for Sampler Instruments
- Importing Sampler Instruments
- Parameters Window
- The Instrument Editor
- Setting Sampler Preferences
- Configuring Virtual Memory
- Using the VSL Performance Tool
- External Instrument
- Klopfgeist
- Sculpture
- The Synthesis Core of Sculpture
- Sculpture’s Parameters
- Programming: Quick Start Guide
- Programming: In Depth
- Ultrabeat
- GarageBand Instruments
- Synthesizer Basics
- Glossary
- Index
330 Chapter 22 EVB3
Volume Control and Expression Pedal
The overall volume of the EVB3 is not only controlled by the software instrument
channel’s volume fader and control change #7, but also with the Volume control in the
EVB3 graphic user interface.
You can control the volume in real time with an expression pedal. Extensive, and often
rhythmic, use of the expression pedal forms part of the style of many organ players.
The expression control also emulates the tonal changes of the B3 preamplifier. Bass and
treble are not attenuated as strongly as the mids, much like a Hi-Fi amplifier that
features a loudness control.
Normally, you would connect an expression pedal to the quarter inch Expression jack
of your master keyboard. Your master keyboard should transmit MIDI control change
#11 when the pedal is moved.
Tune
The simulated tone wheel generator can be tuned in cents (percentages of a semitone).
0 c is equal to A = 440 Hz.
Warning: The Volume must be lowered whenever crackling or other digital distortion
occurs in the instrument channel. Volume levels over 0 dB can occur if you maximize
all registers, play numerous notes, and make use of the Distortion effect.
Volume control