Instruments and Effects
Table Of Contents
- Logic Studio Instruments and Effects
- Contents
- Introduction to the Logic Studio Plugins
- Amp Modeling
- Delay
- Distortion
- Dynamics
- EQ
- Filter
- Imaging
- Metering
- Modulation
- Pitch
- Reverb
- Convolution Reverb: Space Designer
- Specialized
- Utility
- EVOC 20 PolySynth
- EFM1
- ES E
- ES M
- ES P
- ES1
- ES2
- The ES2 Parameters
- Tutorials
- Sound Workshop
- Sound Design From Scratch, Filter Settings, Digiwaves
- Three Detuned Sawtooth Oscillators and Unison Mode
- Extremely Detuned Monophonic Analog Sounds, Effects
- Clean Bass Settings With One Oscillator Only
- Distorted Analog Basses
- FM Intensity and Frequency
- Controlling FM Intensity by an Envelope and FM Scaling
- FM With Drive and Filter-FM
- FM With Digiwaves
- FM With Wavetables
- Distorted FM in Monophonic Unison
- FM With Unusual Spectra
- Slow and Fast Pulse Width Modulations With Oscillator 2
- Pulse Width Modulation With Two Oscillators, PWM Strings
- Ring Modulation
- Oscillator Synchronization
- First Steps in Vector Synthesis
- Vector Synthesis—XY Pad
- Vector Synthesis Loops
- Bass Drum With Self-Oscillating Filter and Vector Envelope
- Percussive Synthesizers and Basses With Two Filter Decay Phases
- Templates for the ES2
- Sound Workshop
- EVB3
- EVD6
- EVP88
- EXS24 mkII
- Learning About Sampler Instruments
- Loading Sampler Instruments
- Working With Sampler Instrument Settings
- Managing Sampler Instruments
- Searching for Sampler Instruments
- Importing Sampler Instruments
- Parameters Window
- The Instrument Editor
- Setting Sampler Preferences
- Configuring Virtual Memory
- Using the VSL Performance Tool
- External Instrument
- Klopfgeist
- Sculpture
- The Synthesis Core of Sculpture
- Sculpture’s Parameters
- Programming: Quick Start Guide
- Programming: In Depth
- Ultrabeat
- GarageBand Instruments
- Synthesizer Basics
- Glossary
- Index
Chapter 22 EVB3 329
Drawbars
The principles of additive synthesis with sine drawbars is further explained in “Additive
Synthesis With Drawbars” on page 355. You can intuitively pick up the basic principles
by playing a little with the drawbars. The further down you drag the drawbars, the
louder the selected sine choir(s) will be—the drawbars behave like reversed mixer
faders. MIDI control of the drawbars is also reversed, when using a standard MIDI fader
box.
Drawbars of the Upper and Lower manual, plus Pedal drawbars.
Pedal Drawbars
The EVB3 features two drawbars for the bass Pedals. The waveform of the bass is not a
pure sine wave, but a mixed waveform, that realistically simulates the Hammond B3
bass. The two registers differ in pitch, and in the following ways:
 The Lower 16' register contains more octaves
 The 8' register has a more prominent fifth portion
Volume
The EVB3 offers several parameters that provide control over volume.
Relative Volumes—Upper/Lower/Pedal
In the parameters section, you can set the volume of the Lower manual, and the Pedal,
relative to the Upper manual. The parameters are called Lower Volume and Pedal
Volume.