Instruments and Effects
Table Of Contents
- Logic Studio Instruments and Effects
- Contents
- Introduction to the Logic Studio Plugins
- Amp Modeling
- Delay
- Distortion
- Dynamics
- EQ
- Filter
- Imaging
- Metering
- Modulation
- Pitch
- Reverb
- Convolution Reverb: Space Designer
- Specialized
- Utility
- EVOC 20 PolySynth
- EFM1
- ES E
- ES M
- ES P
- ES1
- ES2
- The ES2 Parameters
- Tutorials
- Sound Workshop
- Sound Design From Scratch, Filter Settings, Digiwaves
- Three Detuned Sawtooth Oscillators and Unison Mode
- Extremely Detuned Monophonic Analog Sounds, Effects
- Clean Bass Settings With One Oscillator Only
- Distorted Analog Basses
- FM Intensity and Frequency
- Controlling FM Intensity by an Envelope and FM Scaling
- FM With Drive and Filter-FM
- FM With Digiwaves
- FM With Wavetables
- Distorted FM in Monophonic Unison
- FM With Unusual Spectra
- Slow and Fast Pulse Width Modulations With Oscillator 2
- Pulse Width Modulation With Two Oscillators, PWM Strings
- Ring Modulation
- Oscillator Synchronization
- First Steps in Vector Synthesis
- Vector Synthesis—XY Pad
- Vector Synthesis Loops
- Bass Drum With Self-Oscillating Filter and Vector Envelope
- Percussive Synthesizers and Basses With Two Filter Decay Phases
- Templates for the ES2
- Sound Workshop
- EVB3
- EVD6
- EVP88
- EXS24 mkII
- Learning About Sampler Instruments
- Loading Sampler Instruments
- Working With Sampler Instrument Settings
- Managing Sampler Instruments
- Searching for Sampler Instruments
- Importing Sampler Instruments
- Parameters Window
- The Instrument Editor
- Setting Sampler Preferences
- Configuring Virtual Memory
- Using the VSL Performance Tool
- External Instrument
- Klopfgeist
- Sculpture
- The Synthesis Core of Sculpture
- Sculpture’s Parameters
- Programming: Quick Start Guide
- Programming: In Depth
- Ultrabeat
- GarageBand Instruments
- Synthesizer Basics
- Glossary
- Index
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22 EVB3
The EVB3 software instrument mimics the sound and features
of the Hammond B3 and Leslie sound cabinet.
The EVB3 simulates an organ with two manuals (keyboards) and a pedalboard—each
of which can have its own registration (sound settings). The sound generation process
fully simulates the tone wheel generators of an electro-mechanical Hammond organ,
down to the smallest detail. This includes certain charming flaws, such as the
Hammond’s enormous level of crosstalk and the scratchiness of the key contacts. You
may adjust the intensity of these peculiarities to meet your tastes. This flexibility allows
you to generate flawlessly clean through dirty and raunchy sounds—and everything
in-between.
The EVB3 simulates different types of Leslie sound cabinets with rotating speakers, with
and without deflectors. Beyond this the EVB3 also incorporates three tube overdrives
with different tonal characteristics, an equalizer, a wah wah and a reverberation effect.
You may freely define the signal flow of these effects as you wish. You can also set the
stereo intensity of the microphone position as desired.
If you’re familiar with the original B3, you’ll remember the inverted (black) keys of the
lowest octave on each manual. These inverted keys are switches that recall preset
registrations (a preset of your drawbar settings). This feature is emulated by the EVB3 as
well, however you won’t need a screwdriver to change the registration settings of your
presets. A morphing feature allows seamless crossfades between two registrations,
without the need for an external fader box. The EVB3 can be played with two manuals
and a MIDI pedalboard, if you wish (and own these devices). It also offers functions
which allow you to play all registers (Upper, Lower, and Pedal) with a single-manual
master keyboard.