Instruments and Effects
Table Of Contents
- Logic Studio Instruments and Effects
- Contents
- Introduction to the Logic Studio Plugins
- Amp Modeling
- Delay
- Distortion
- Dynamics
- EQ
- Filter
- Imaging
- Metering
- Modulation
- Pitch
- Reverb
- Convolution Reverb: Space Designer
- Specialized
- Utility
- EVOC 20 PolySynth
- EFM1
- ES E
- ES M
- ES P
- ES1
- ES2
- The ES2 Parameters
- Tutorials
- Sound Workshop
- Sound Design From Scratch, Filter Settings, Digiwaves
- Three Detuned Sawtooth Oscillators and Unison Mode
- Extremely Detuned Monophonic Analog Sounds, Effects
- Clean Bass Settings With One Oscillator Only
- Distorted Analog Basses
- FM Intensity and Frequency
- Controlling FM Intensity by an Envelope and FM Scaling
- FM With Drive and Filter-FM
- FM With Digiwaves
- FM With Wavetables
- Distorted FM in Monophonic Unison
- FM With Unusual Spectra
- Slow and Fast Pulse Width Modulations With Oscillator 2
- Pulse Width Modulation With Two Oscillators, PWM Strings
- Ring Modulation
- Oscillator Synchronization
- First Steps in Vector Synthesis
- Vector Synthesis—XY Pad
- Vector Synthesis Loops
- Bass Drum With Self-Oscillating Filter and Vector Envelope
- Percussive Synthesizers and Basses With Two Filter Decay Phases
- Templates for the ES2
- Sound Workshop
- EVB3
- EVD6
- EVP88
- EXS24 mkII
- Learning About Sampler Instruments
- Loading Sampler Instruments
- Working With Sampler Instrument Settings
- Managing Sampler Instruments
- Searching for Sampler Instruments
- Importing Sampler Instruments
- Parameters Window
- The Instrument Editor
- Setting Sampler Preferences
- Configuring Virtual Memory
- Using the VSL Performance Tool
- External Instrument
- Klopfgeist
- Sculpture
- The Synthesis Core of Sculpture
- Sculpture’s Parameters
- Programming: Quick Start Guide
- Programming: In Depth
- Ultrabeat
- GarageBand Instruments
- Synthesizer Basics
- Glossary
- Index
288 Chapter 21 ES2
Unlike many other synthesizers, there is no hard-wired connection between any of the
envelope generators and the cutoff frequencies of the ES2 filters. Modulation of the
cutoff frequencies must be set separately in the Router. In the default setting, this is
already the case—in the Router channel just below the Filter (see graphic).
Set up a Router channel as follows, in order to establish this type of modulation: Set
target to Cutoff 1, Cutoff 2, or Cut 1+2, set source to, say, ENV 2. Once set as described,
the slider of the Router channel will function as the filter’s EG Depth parameter.
Note: Both ENV 2 and ENV 3 are velocity sensitive, making it unnecessary to set via to
Velo in the Router channel: You can leave via switched off.
The Parameters of ENV 1
At first glance, ENV 1 appears to be rather poorly equipped. Its few parameters,
however, are useful for a vast range of synthesizer functions.
Trigger Modes: Poly, Mono, Retrig
In Poly mode, the envelope generator behaves as you would expect on any polyphonic
synthesizer: Every voice has its own envelope.
In Mono and Retrig modes, a single envelope generator modulates all voices in
parallel—identically, in other words.
 If ENV 1 is set to Mono, all notes must be released before the envelope can be
triggered again. If you play legato, or any key remains depressed, the envelope won’t
start its attack phase again.
Trigger Modes menu
Decay Release button
Attack via Velocity slider