Instruments and Effects
Table Of Contents
- Logic Studio Instruments and Effects
- Contents
- Introduction to the Logic Studio Plugins
- Amp Modeling
- Delay
- Distortion
- Dynamics
- EQ
- Filter
- Imaging
- Metering
- Modulation
- Pitch
- Reverb
- Convolution Reverb: Space Designer
- Specialized
- Utility
- EVOC 20 PolySynth
- EFM1
- ES E
- ES M
- ES P
- ES1
- ES2
- The ES2 Parameters
- Tutorials
- Sound Workshop
- Sound Design From Scratch, Filter Settings, Digiwaves
- Three Detuned Sawtooth Oscillators and Unison Mode
- Extremely Detuned Monophonic Analog Sounds, Effects
- Clean Bass Settings With One Oscillator Only
- Distorted Analog Basses
- FM Intensity and Frequency
- Controlling FM Intensity by an Envelope and FM Scaling
- FM With Drive and Filter-FM
- FM With Digiwaves
- FM With Wavetables
- Distorted FM in Monophonic Unison
- FM With Unusual Spectra
- Slow and Fast Pulse Width Modulations With Oscillator 2
- Pulse Width Modulation With Two Oscillators, PWM Strings
- Ring Modulation
- Oscillator Synchronization
- First Steps in Vector Synthesis
- Vector Synthesis—XY Pad
- Vector Synthesis Loops
- Bass Drum With Self-Oscillating Filter and Vector Envelope
- Percussive Synthesizers and Basses With Two Filter Decay Phases
- Templates for the ES2
- Sound Workshop
- EVB3
- EVD6
- EVP88
- EXS24 mkII
- Learning About Sampler Instruments
- Loading Sampler Instruments
- Working With Sampler Instrument Settings
- Managing Sampler Instruments
- Searching for Sampler Instruments
- Importing Sampler Instruments
- Parameters Window
- The Instrument Editor
- Setting Sampler Preferences
- Configuring Virtual Memory
- Using the VSL Performance Tool
- External Instrument
- Klopfgeist
- Sculpture
- The Synthesis Core of Sculpture
- Sculpture’s Parameters
- Programming: Quick Start Guide
- Programming: In Depth
- Ultrabeat
- GarageBand Instruments
- Synthesizer Basics
- Glossary
- Index
Chapter 21 ES2 275
Osc1Wave
Dependent on the waveform selected, you can control the pulse width of rectangular
and pulse waves of Oscillator 1, the amount of frequency modulation (with Oscillator 1
being the carrier and Oscillator 2 being the modulator), or the position of the Digiwave.
The pulse width of the rectangular and pulse waves is not restricted to two fixed values
in Oscillator 1.
Note: In classic FM synthesizers, the amount of FM is controlled in real time by velocity
sensitive envelope generators. Select one of the ENVs as the source for such sounds.
Osc2Wave
As per Osc1Wave, except that Oscillator 2 does not feature FM. Please note that pulse
width modulation also works with both the synchronized rectangular and ring
modulated rectangular waves.
Osc3Wave
Oscillator 3 is as per Osc1Wave and Osc2Wave, but it does not feature FM or ring
modulation. Oscillator 3 features Noise, the color of which can be modulated with this
parameter.
OscWaveB
The transitions between Digiwaves during a wavetable modulation are always smooth.
Depending on the modulation intensity, an additional OscWaveB target can be used to
continuously modulate the shape of the transitions from smooth to hard. It applies to
all Oscillators.
Osc1WaveB
If wavetable modulation is active for a Digiwave using Osc1Wav, you can use this target
to modulate the shape of the transition.
Osc1 FM mode: When compared with the hardwired Osc1-FM and the Osc1Wave
modulation target, the Osc1WaveB modulation target offers much higher FM
intensities.
Osc2WaveB
If wavetable modulation is active for a Digiwave using Osc2Wav, you can use this target
to modulate the shape of the transition.
Osc3WaveB
If wavetable modulation is active for a Digiwave using Osc3Wav, you can use this target
to modulate the shape of the transition.