Instruments and Effects
Table Of Contents
- Logic Studio Instruments and Effects
- Contents
- Introduction to the Logic Studio Plugins
- Amp Modeling
- Delay
- Distortion
- Dynamics
- EQ
- Filter
- Imaging
- Metering
- Modulation
- Pitch
- Reverb
- Convolution Reverb: Space Designer
- Specialized
- Utility
- EVOC 20 PolySynth
- EFM1
- ES E
- ES M
- ES P
- ES1
- ES2
- The ES2 Parameters
- Tutorials
- Sound Workshop
- Sound Design From Scratch, Filter Settings, Digiwaves
- Three Detuned Sawtooth Oscillators and Unison Mode
- Extremely Detuned Monophonic Analog Sounds, Effects
- Clean Bass Settings With One Oscillator Only
- Distorted Analog Basses
- FM Intensity and Frequency
- Controlling FM Intensity by an Envelope and FM Scaling
- FM With Drive and Filter-FM
- FM With Digiwaves
- FM With Wavetables
- Distorted FM in Monophonic Unison
- FM With Unusual Spectra
- Slow and Fast Pulse Width Modulations With Oscillator 2
- Pulse Width Modulation With Two Oscillators, PWM Strings
- Ring Modulation
- Oscillator Synchronization
- First Steps in Vector Synthesis
- Vector Synthesis—XY Pad
- Vector Synthesis Loops
- Bass Drum With Self-Oscillating Filter and Vector Envelope
- Percussive Synthesizers and Basses With Two Filter Decay Phases
- Templates for the ES2
- Sound Workshop
- EVB3
- EVD6
- EVP88
- EXS24 mkII
- Learning About Sampler Instruments
- Loading Sampler Instruments
- Working With Sampler Instrument Settings
- Managing Sampler Instruments
- Searching for Sampler Instruments
- Importing Sampler Instruments
- Parameters Window
- The Instrument Editor
- Setting Sampler Preferences
- Configuring Virtual Memory
- Using the VSL Performance Tool
- External Instrument
- Klopfgeist
- Sculpture
- The Synthesis Core of Sculpture
- Sculpture’s Parameters
- Programming: Quick Start Guide
- Programming: In Depth
- Ultrabeat
- GarageBand Instruments
- Synthesizer Basics
- Glossary
- Index
272 Chapter 21 ES2
Ten such modulations of source, via, and target can take place simultaneously, in
addition to those which are hard-wired outside the Router. The bypass (b/p) parameter
allows the disabling/enabling of individual modulation routings without losing settings
.
Note: Some modulations aren’t possible, due to technical reasons. As an example, the
envelope times can be modulated by parameters that are only available during a note-
on message. Therefore, there are situations where the envelopes are not available as
targets. Furthermore, the LFO 1 can’t modulate its own frequency. Values that are not
available are grayed out.
The Range of Via
The modulation intensity is set with the vertical slider. This is self-explanatory, as long
as the “via” parameter is set to off. This ensures that the modulation intensity is
constant, if not affected by any other controller (such as the modulation wheel or
aftertouch).
As soon as you select a value other than off for “via,” the slider is divided into two
halves. The lower half defines the minimum intensity of the modulation, when the via
controller is set to its minimum value. The upper half defines the maximum modulation
intensity when the via modulator (the modulation wheel, in this case) is set to its
maximum value. The area between the two slider halves defines the range that is
controlled by the via controller.
You can grab the area between the two slider halves with the mouse and drag both
halves simultaneously. If this area is to small to be grabbed with the mouse, just click
on a free part of the slider track and move the mouse up or down to move the area.
In the example below, the lower half of the slider knob defines the vibrato intensity
when the modulation wheel is turned down. The upper half defines the vibrato
intensity that takes place when the modulation wheel is set to its maximum value.
Note: To invert the effect of the via modulation source, simply activate the “via invert”
(inv) parameter in the Router.