Instruments and Effects
Table Of Contents
- Logic Studio Instruments and Effects
- Contents
- Introduction to the Logic Studio Plugins
- Amp Modeling
- Delay
- Distortion
- Dynamics
- EQ
- Filter
- Imaging
- Metering
- Modulation
- Pitch
- Reverb
- Convolution Reverb: Space Designer
- Specialized
- Utility
- EVOC 20 PolySynth
- EFM1
- ES E
- ES M
- ES P
- ES1
- ES2
- The ES2 Parameters
- Tutorials
- Sound Workshop
- Sound Design From Scratch, Filter Settings, Digiwaves
- Three Detuned Sawtooth Oscillators and Unison Mode
- Extremely Detuned Monophonic Analog Sounds, Effects
- Clean Bass Settings With One Oscillator Only
- Distorted Analog Basses
- FM Intensity and Frequency
- Controlling FM Intensity by an Envelope and FM Scaling
- FM With Drive and Filter-FM
- FM With Digiwaves
- FM With Wavetables
- Distorted FM in Monophonic Unison
- FM With Unusual Spectra
- Slow and Fast Pulse Width Modulations With Oscillator 2
- Pulse Width Modulation With Two Oscillators, PWM Strings
- Ring Modulation
- Oscillator Synchronization
- First Steps in Vector Synthesis
- Vector Synthesis—XY Pad
- Vector Synthesis Loops
- Bass Drum With Self-Oscillating Filter and Vector Envelope
- Percussive Synthesizers and Basses With Two Filter Decay Phases
- Templates for the ES2
- Sound Workshop
- EVB3
- EVD6
- EVP88
- EXS24 mkII
- Learning About Sampler Instruments
- Loading Sampler Instruments
- Working With Sampler Instrument Settings
- Managing Sampler Instruments
- Searching for Sampler Instruments
- Importing Sampler Instruments
- Parameters Window
- The Instrument Editor
- Setting Sampler Preferences
- Configuring Virtual Memory
- Using the VSL Performance Tool
- External Instrument
- Klopfgeist
- Sculpture
- The Synthesis Core of Sculpture
- Sculpture’s Parameters
- Programming: Quick Start Guide
- Programming: In Depth
- Ultrabeat
- GarageBand Instruments
- Synthesizer Basics
- Glossary
- Index
Chapter 15 EVOC 20 PolySynth 209
EVOC 20 PolySynth Parameters
The EVOC 20 PolySynth interface is divided into six main sections.
 Synthesis section: Controls the polyphonic synthesizer of the EVOC 20 PolySynth. See
“Synthesis Parameters” on page 210.
 Sidechain Analysis section: The parameters in this section define how the
EVOC 20 PolySynth reacts to the analysis signal. See “Sidechain Analysis Parameters”
on page 215.
 Formant Filter section: Configures the analysis and synthesis filter banks. See
“Formant Filter Parameters” on page 217.
 Modulation section: The Modulation section offers two LFOs to control the Formant
Shift and Pitch parameters of the EVOC 20 PolySynth. See “Modulation Parameters”
on page 219.
 U/V Detection section: Detects the unvoiced portions of the sound in the analysis
signal, improving speech intelligibility. See “Unvoiced/Voiced (U/V) Detection” on
page 221.
 Output section: Configures the output signal of the EVOC 20 PolySynth. “Output
Parameters” on page 223.
Formant Filter sectionSidechain Analysis section
Synthesis section
U/V Detection section
Modulation section
Output section