Instruments and Effects
Table Of Contents
- Logic Studio Instruments and Effects
- Contents
- Introduction to the Logic Studio Plugins
- Amp Modeling
- Delay
- Distortion
- Dynamics
- EQ
- Filter
- Imaging
- Metering
- Modulation
- Pitch
- Reverb
- Convolution Reverb: Space Designer
- Specialized
- Utility
- EVOC 20 PolySynth
- EFM1
- ES E
- ES M
- ES P
- ES1
- ES2
- The ES2 Parameters
- Tutorials
- Sound Workshop
- Sound Design From Scratch, Filter Settings, Digiwaves
- Three Detuned Sawtooth Oscillators and Unison Mode
- Extremely Detuned Monophonic Analog Sounds, Effects
- Clean Bass Settings With One Oscillator Only
- Distorted Analog Basses
- FM Intensity and Frequency
- Controlling FM Intensity by an Envelope and FM Scaling
- FM With Drive and Filter-FM
- FM With Digiwaves
- FM With Wavetables
- Distorted FM in Monophonic Unison
- FM With Unusual Spectra
- Slow and Fast Pulse Width Modulations With Oscillator 2
- Pulse Width Modulation With Two Oscillators, PWM Strings
- Ring Modulation
- Oscillator Synchronization
- First Steps in Vector Synthesis
- Vector Synthesis—XY Pad
- Vector Synthesis Loops
- Bass Drum With Self-Oscillating Filter and Vector Envelope
- Percussive Synthesizers and Basses With Two Filter Decay Phases
- Templates for the ES2
- Sound Workshop
- EVB3
- EVD6
- EVP88
- EXS24 mkII
- Learning About Sampler Instruments
- Loading Sampler Instruments
- Working With Sampler Instrument Settings
- Managing Sampler Instruments
- Searching for Sampler Instruments
- Importing Sampler Instruments
- Parameters Window
- The Instrument Editor
- Setting Sampler Preferences
- Configuring Virtual Memory
- Using the VSL Performance Tool
- External Instrument
- Klopfgeist
- Sculpture
- The Synthesis Core of Sculpture
- Sculpture’s Parameters
- Programming: Quick Start Guide
- Programming: In Depth
- Ultrabeat
- GarageBand Instruments
- Synthesizer Basics
- Glossary
- Index
196 Chapter 13 Specialized
 Grid buttons: Determine the beat division used as a timing reference by the
algorithm to analyze the audio material. Choose 1/8th if the audio material contains
primarily eighth notes, and 1/16 if it consists mostly of sixteenth notes.
 Accent slider and field: Raises or lowers the level of even beats, accentuating them.
Such accents are typical of a variety of rhythmic styles, such as swing or reggae.
Speech Enhancer
You can use the Speech Enhancer effect to improve speech recordings made with your
computer’s internal microphone (if applicable). It combines denoising, advanced
microphone frequency remodeling, and multiband compression.
 Denoise slider and field: Determines (your estimation of) the noise floor in your
recording, and therefore, how much noise should be eliminated. Settings towards
100 dB allow more noise to pass. Settings towards 0 dB will increasingly suppress
background noise, but will also proportionately increase artifacts.
 Mic Correction button: Activate this button to improve the frequency response of
recordings made with your built-in microphone. This creates the impression that an
upmarket microphone was used.
 Mic Model menu: Choose the appropriate mic model. You can use the Speech
Enhancer effect with other microphones, but microphone correction models are only
offered for built-in Macintosh microphones. Should a non-Macintosh microphone be
used, you will achieve the best results if Mic Correction is set to Generic.
 Voice Enhance button and Enhance Mode menu: Activation of this button turns on the
multiband compression of the Speech Enhancer. Once active, you can choose
between four Enhance Mode menu settings, making the recorded voice louder and
more intelligible. Choose the setting that best matches your recording situation.