Instruments and Effects
Table Of Contents
- Logic Studio Instruments and Effects
- Contents
- Introduction to the Logic Studio Plugins
- Amp Modeling
- Delay
- Distortion
- Dynamics
- EQ
- Filter
- Imaging
- Metering
- Modulation
- Pitch
- Reverb
- Convolution Reverb: Space Designer
- Specialized
- Utility
- EVOC 20 PolySynth
- EFM1
- ES E
- ES M
- ES P
- ES1
- ES2
- The ES2 Parameters
- Tutorials
- Sound Workshop
- Sound Design From Scratch, Filter Settings, Digiwaves
- Three Detuned Sawtooth Oscillators and Unison Mode
- Extremely Detuned Monophonic Analog Sounds, Effects
- Clean Bass Settings With One Oscillator Only
- Distorted Analog Basses
- FM Intensity and Frequency
- Controlling FM Intensity by an Envelope and FM Scaling
- FM With Drive and Filter-FM
- FM With Digiwaves
- FM With Wavetables
- Distorted FM in Monophonic Unison
- FM With Unusual Spectra
- Slow and Fast Pulse Width Modulations With Oscillator 2
- Pulse Width Modulation With Two Oscillators, PWM Strings
- Ring Modulation
- Oscillator Synchronization
- First Steps in Vector Synthesis
- Vector Synthesis—XY Pad
- Vector Synthesis Loops
- Bass Drum With Self-Oscillating Filter and Vector Envelope
- Percussive Synthesizers and Basses With Two Filter Decay Phases
- Templates for the ES2
- Sound Workshop
- EVB3
- EVD6
- EVP88
- EXS24 mkII
- Learning About Sampler Instruments
- Loading Sampler Instruments
- Working With Sampler Instrument Settings
- Managing Sampler Instruments
- Searching for Sampler Instruments
- Importing Sampler Instruments
- Parameters Window
- The Instrument Editor
- Setting Sampler Preferences
- Configuring Virtual Memory
- Using the VSL Performance Tool
- External Instrument
- Klopfgeist
- Sculpture
- The Synthesis Core of Sculpture
- Sculpture’s Parameters
- Programming: Quick Start Guide
- Programming: In Depth
- Ultrabeat
- GarageBand Instruments
- Synthesizer Basics
- Glossary
- Index
Chapter 12 Convolution Reverb: Space Designer 185
Filter Envelope Parameters
The filter envelope lets you control the filter’s cutoff frequency over time. All of the filter
envelope’s parameters can be adjusted either numerically in the parameter area or
graphically in the main display using the techniques discussed in “Setting Envelope
Parameters” on page 182.
The parameters for the Filter Envelope are as follows:
 Init Level: Sets the initial cutoff frequency of the filter envelope.
 Attack Time: Determines the time required to reach the Break Level (see below)
value.
 Break Level: Sets the maximum filter cutoff frequency the envelope reaches. It also
acts as the break point between the attack and decay phases of the overall filter
envelope. In other words, when this level has been reached after the attack phase,
the decay phase will begin. You can create interesting filter sweeps by setting the
Break Level to a value lower than that of the Init Level.
 Decay Time: Determines the time required (after the Break Level point) to reach the
End Level value.
 End Level: Sets the filter end cutoff frequency.
Controls the Attack Time
endpoint (and Decay
Time startpoint) and
Break Level parameters
simultaneously.
Controls the
Decay endpoint and
End Level parameters
simultaneously.