Instruments and Effects
Table Of Contents
- Logic Studio Instruments and Effects
- Contents
- Introduction to the Logic Studio Plugins
- Amp Modeling
- Delay
- Distortion
- Dynamics
- EQ
- Filter
- Imaging
- Metering
- Modulation
- Pitch
- Reverb
- Convolution Reverb: Space Designer
- Specialized
- Utility
- EVOC 20 PolySynth
- EFM1
- ES E
- ES M
- ES P
- ES1
- ES2
- The ES2 Parameters
- Tutorials
- Sound Workshop
- Sound Design From Scratch, Filter Settings, Digiwaves
- Three Detuned Sawtooth Oscillators and Unison Mode
- Extremely Detuned Monophonic Analog Sounds, Effects
- Clean Bass Settings With One Oscillator Only
- Distorted Analog Basses
- FM Intensity and Frequency
- Controlling FM Intensity by an Envelope and FM Scaling
- FM With Drive and Filter-FM
- FM With Digiwaves
- FM With Wavetables
- Distorted FM in Monophonic Unison
- FM With Unusual Spectra
- Slow and Fast Pulse Width Modulations With Oscillator 2
- Pulse Width Modulation With Two Oscillators, PWM Strings
- Ring Modulation
- Oscillator Synchronization
- First Steps in Vector Synthesis
- Vector Synthesis—XY Pad
- Vector Synthesis Loops
- Bass Drum With Self-Oscillating Filter and Vector Envelope
- Percussive Synthesizers and Basses With Two Filter Decay Phases
- Templates for the ES2
- Sound Workshop
- EVB3
- EVD6
- EVP88
- EXS24 mkII
- Learning About Sampler Instruments
- Loading Sampler Instruments
- Working With Sampler Instrument Settings
- Managing Sampler Instruments
- Searching for Sampler Instruments
- Importing Sampler Instruments
- Parameters Window
- The Instrument Editor
- Setting Sampler Preferences
- Configuring Virtual Memory
- Using the VSL Performance Tool
- External Instrument
- Klopfgeist
- Sculpture
- The Synthesis Core of Sculpture
- Sculpture’s Parameters
- Programming: Quick Start Guide
- Programming: In Depth
- Ultrabeat
- GarageBand Instruments
- Synthesizer Basics
- Glossary
- Index
Chapter 12 Convolution Reverb: Space Designer 183
Volume Envelope Parameters
The volume envelope lets you set the reverb’s initial level and adjust how the volume
will change over time. You can edit all of the volume envelope parameters numerically,
and many of them can also be edited graphically using the techniques discussed in
“Setting Envelope Parameters” on page 182.
The volume envelope includes the following parameters:
 Init Level: Sets the initial volume level of the impulse response attack. It is expressed
as a percentage of the full-scale volume of the impulse response file. The attack
phase is generally the loudest point of the impulse response. Set Init Level to 100%
to ensure maximum volume for the early reflections.
 Attack Time: Determines the length of time before the decay phase of the volume
envelope begins.
 Decay Time: Sets the length of the decay phase.
 Volume decay mode buttons: Click to choose the volume decay curve.
 Exp: The output of the volume envelope is shaped by an exponential algorithm, in
order to generate the most natural sounding reverb tail.
 Lin: The volume decay will be more linear (and less natural sounding).
 End Level: Sets the end volume level. It is expressed as a percentage of the overall
volume envelope. If you set this parameter to 0%, the reverb tail cuts off abruptly,
which is great for gated reverb effects.
Init Level node
Attack/Decay Time node
Decay Time/End Level node