Instruments and Effects
Table Of Contents
- Logic Studio Instruments and Effects
- Contents
- Introduction to the Logic Studio Plugins
- Amp Modeling
- Delay
- Distortion
- Dynamics
- EQ
- Filter
- Imaging
- Metering
- Modulation
- Pitch
- Reverb
- Convolution Reverb: Space Designer
- Specialized
- Utility
- EVOC 20 PolySynth
- EFM1
- ES E
- ES M
- ES P
- ES1
- ES2
- The ES2 Parameters
- Tutorials
- Sound Workshop
- Sound Design From Scratch, Filter Settings, Digiwaves
- Three Detuned Sawtooth Oscillators and Unison Mode
- Extremely Detuned Monophonic Analog Sounds, Effects
- Clean Bass Settings With One Oscillator Only
- Distorted Analog Basses
- FM Intensity and Frequency
- Controlling FM Intensity by an Envelope and FM Scaling
- FM With Drive and Filter-FM
- FM With Digiwaves
- FM With Wavetables
- Distorted FM in Monophonic Unison
- FM With Unusual Spectra
- Slow and Fast Pulse Width Modulations With Oscillator 2
- Pulse Width Modulation With Two Oscillators, PWM Strings
- Ring Modulation
- Oscillator Synchronization
- First Steps in Vector Synthesis
- Vector Synthesis—XY Pad
- Vector Synthesis Loops
- Bass Drum With Self-Oscillating Filter and Vector Envelope
- Percussive Synthesizers and Basses With Two Filter Decay Phases
- Templates for the ES2
- Sound Workshop
- EVB3
- EVD6
- EVP88
- EXS24 mkII
- Learning About Sampler Instruments
- Loading Sampler Instruments
- Working With Sampler Instrument Settings
- Managing Sampler Instruments
- Searching for Sampler Instruments
- Importing Sampler Instruments
- Parameters Window
- The Instrument Editor
- Setting Sampler Preferences
- Configuring Virtual Memory
- Using the VSL Performance Tool
- External Instrument
- Klopfgeist
- Sculpture
- The Synthesis Core of Sculpture
- Sculpture’s Parameters
- Programming: Quick Start Guide
- Programming: In Depth
- Ultrabeat
- GarageBand Instruments
- Synthesizer Basics
- Glossary
- Index
11
159
11 Reverb
You can use Reverb effects to simulate the sound of acoustic
environments such as rooms, concert halls, caverns, or the
sound of infinite space.
Sounds bounce off the surfaces of any space, or off objects within a space, repeatedly,
gradually dying out until they are inaudible. The bouncing soundwaves result in a
reflection pattern, more commonly known as a reverberation (or reverb).
The early part of a reverb consists of a number of discrete reflections that you can
clearly discern before the diffuse reverb tail builds up. These early reflections are
essential to how you perceive the space of a room. All information about the size and
shape of a room that the human ear can discern is contained in these early reflections.
Plates, Digital Reverb Effects, and Convolution Reverb
The first form of reverb used in music production was actually a special room with hard
surfaces (called an echo chamber). It was used to add echoes to the signal. Mechanical
devices, including plates and springs, were used to add reverberation to the output of
musical instruments and microphones.
Signal
Discrete
reflections
Diffuse reverb tail
Reflection pattern/reverberation
Time










