Instruments and Effects
Table Of Contents
- Logic Studio Instruments and Effects
- Contents
- Introduction to the Logic Studio Plugins
- Amp Modeling
- Delay
- Distortion
- Dynamics
- EQ
- Filter
- Imaging
- Metering
- Modulation
- Pitch
- Reverb
- Convolution Reverb: Space Designer
- Specialized
- Utility
- EVOC 20 PolySynth
- EFM1
- ES E
- ES M
- ES P
- ES1
- ES2
- The ES2 Parameters
- Tutorials
- Sound Workshop
- Sound Design From Scratch, Filter Settings, Digiwaves
- Three Detuned Sawtooth Oscillators and Unison Mode
- Extremely Detuned Monophonic Analog Sounds, Effects
- Clean Bass Settings With One Oscillator Only
- Distorted Analog Basses
- FM Intensity and Frequency
- Controlling FM Intensity by an Envelope and FM Scaling
- FM With Drive and Filter-FM
- FM With Digiwaves
- FM With Wavetables
- Distorted FM in Monophonic Unison
- FM With Unusual Spectra
- Slow and Fast Pulse Width Modulations With Oscillator 2
- Pulse Width Modulation With Two Oscillators, PWM Strings
- Ring Modulation
- Oscillator Synchronization
- First Steps in Vector Synthesis
- Vector Synthesis—XY Pad
- Vector Synthesis Loops
- Bass Drum With Self-Oscillating Filter and Vector Envelope
- Percussive Synthesizers and Basses With Two Filter Decay Phases
- Templates for the ES2
- Sound Workshop
- EVB3
- EVD6
- EVP88
- EXS24 mkII
- Learning About Sampler Instruments
- Loading Sampler Instruments
- Working With Sampler Instrument Settings
- Managing Sampler Instruments
- Searching for Sampler Instruments
- Importing Sampler Instruments
- Parameters Window
- The Instrument Editor
- Setting Sampler Preferences
- Configuring Virtual Memory
- Using the VSL Performance Tool
- External Instrument
- Klopfgeist
- Sculpture
- The Synthesis Core of Sculpture
- Sculpture’s Parameters
- Programming: Quick Start Guide
- Programming: In Depth
- Ultrabeat
- GarageBand Instruments
- Synthesizer Basics
- Glossary
- Index
Chapter 6 Filter 115
 Sensitivity knob: Sets the degree of responsiveness of U/V detection. By turning this
knob to the right, more of the individual unvoiced portions of the input signal are
recognized.
When high settings are used, the increased sensitivity to unvoiced signals can lead to
the U/V source—determined by the Mode parameter—being used on the majority
of the input signal, including voiced signals. Sonically, this results in a sound that
resembles a radio signal which is breaking up and contains a lot of static or noise.
 Mode pop-up menu: Choose the sound source(s) which can be used to replace the
unvoiced content of the input signal. The choices are: Off, Noise, Noise + Synth, or
Blend.
 Noise: Uses noise alone for the unvoiced portions of the sound.
 Noise + Synth: Uses noise and the synthesizer for the unvoiced portions of the
sound,
 Blend: Uses the analysis signal after it has passed through a highpass filter, for the
unvoiced portions of the sound. This filtered analysis signal is then mixed with the
EVOC 20 TrackOscillator output signal. The Sensitivity parameter has no effect on
this setting.
 Level slider: Controls the amount of the signal (Noise, Noise + Synth, or Blend) used
to replace the unvoiced content of the input signal.
Output Section
Warning: Care should be taken with this control, particularly when a high Sensitivity
value is used, to avoid internally overloading the EVOC 20 TrackOscillator.