Instruments and Effects
Table Of Contents
- Logic Studio Instruments and Effects
- Contents
- Introduction to the Logic Studio Plugins
- Amp Modeling
- Delay
- Distortion
- Dynamics
- EQ
- Filter
- Imaging
- Metering
- Modulation
- Pitch
- Reverb
- Convolution Reverb: Space Designer
- Specialized
- Utility
- EVOC 20 PolySynth
- EFM1
- ES E
- ES M
- ES P
- ES1
- ES2
- The ES2 Parameters
- Tutorials
- Sound Workshop
- Sound Design From Scratch, Filter Settings, Digiwaves
- Three Detuned Sawtooth Oscillators and Unison Mode
- Extremely Detuned Monophonic Analog Sounds, Effects
- Clean Bass Settings With One Oscillator Only
- Distorted Analog Basses
- FM Intensity and Frequency
- Controlling FM Intensity by an Envelope and FM Scaling
- FM With Drive and Filter-FM
- FM With Digiwaves
- FM With Wavetables
- Distorted FM in Monophonic Unison
- FM With Unusual Spectra
- Slow and Fast Pulse Width Modulations With Oscillator 2
- Pulse Width Modulation With Two Oscillators, PWM Strings
- Ring Modulation
- Oscillator Synchronization
- First Steps in Vector Synthesis
- Vector Synthesis—XY Pad
- Vector Synthesis Loops
- Bass Drum With Self-Oscillating Filter and Vector Envelope
- Percussive Synthesizers and Basses With Two Filter Decay Phases
- Templates for the ES2
- Sound Workshop
- EVB3
- EVD6
- EVP88
- EXS24 mkII
- Learning About Sampler Instruments
- Loading Sampler Instruments
- Working With Sampler Instrument Settings
- Managing Sampler Instruments
- Searching for Sampler Instruments
- Importing Sampler Instruments
- Parameters Window
- The Instrument Editor
- Setting Sampler Preferences
- Configuring Virtual Memory
- Using the VSL Performance Tool
- External Instrument
- Klopfgeist
- Sculpture
- The Synthesis Core of Sculpture
- Sculpture’s Parameters
- Programming: Quick Start Guide
- Programming: In Depth
- Ultrabeat
- GarageBand Instruments
- Synthesizer Basics
- Glossary
- Index
Chapter 6 Filter 111
 An FM Ratio of 3.000 produces results resembling a square wave with a pulse
width of 33%.
 FM Int knob: Selects the basic waveform and controls the intensity of FM modulation.
 At a value of 0, the FM tone generator is disabled, and a sawtooth wave is
generated instead.
 For values higher than 0, the FM tone generator is activated. Higher values result in
a more complex and brighter sound.
 Coarse Tune value field: Sets the pitch offset of the oscillator in semitones, up to ±2
octaves.
 Fine Tune value field: Sets the pitch offset in cents. The default value is concert pitch A
= 440 Hz. The range is from 425.00 to 455.00 Hz.
The Pitch Quantize, Root/Scale, and Max Track controls, in conjunction with the piano
keys of the onscreen keyboard, control the automatic pitch correction facility (Pitch
Quantize) of the tracking oscillator. Pitch Quantize, in conjunction with the Root/Scale
and Max Track parameters, can be used to constrain the pitch of the tracking oscillator
to a scale or chord. This allows subtle or savage pitch corrections, and can be used
creatively on unpitched material with high harmonic content, such as cymbals and
high-hats. To use pitch quantization, the Strength parameter must be set above a value
of zero, and at least one of the onscreen keyboard keys needs to be activated.
 Pitch Quantize Strength slider: Determines how pronounced the automatic pitch
correction is.
 Pitch Quantize Glide slider: Sets the amount of time the pitch correction takes,
allowing sliding transitions to the quantized pitches.
 Root/Scale Keyboard and pop-up menu: Use together to define the pitch or pitches to
which the tracking oscillator is quantized, as described below:
 Click the value below the word Scale to display the Root/Scale pop-up menu.
 Choose the scale or chord to use as the basis for pitch correction from the pop-up
menu.
 Set the root key of the respective scale or chord by vertically dragging the Root
parameter, or double-click and enter a root between C and B. The Root parameter
is not available when the Root/Scale value is chromatic or user.