2009
Table Of Contents
- Logic Studio Effects
- Contents
- An Introduction to the Logic Studio Effects
- Amps and Pedals
- Amp Designer
- Choosing an Amp Designer Model
- Tweed Combos
- Classic American Combos
- British Stacks
- British Combos
- British Alternatives
- Metal Stacks
- Additional Combos
- Building a Customized Amp Designer Combo
- Choosing an Amp Designer Amplifier
- Choosing an Amp Designer Cabinet
- Amp Designer Cabinet Reference Table
- Using Amp Designer’s Equalizer
- Amp Designer Equalizer Type Reference Table
- Using Amp Designer’s Gain, Presence, and Master Controls
- Getting to Know Amp Designer’s Effects Parameters
- Using Amp Designer’s Reverb Effect
- Amp Designer Reverb Type Reference Table
- Using Amp Designer’s Tremolo and Vibrato Effects
- Setting Amp Designer Microphone Parameters
- Setting Amp Designer’s Output Level
- Bass Amp
- Guitar Amp Pro
- Building Your Guitar Amp Pro Model
- Choosing a Guitar Amp Pro Amplifier
- Choosing a Guitar Amp Pro Speaker Cabinet
- Choosing a Guitar Amp Pro Equalizer
- Using Guitar Amp Pro’s Gain, Tone, Presence, and Master Controls
- Getting to Know Guitar Amp Pro’s Effects Section
- Using Guitar Amp Pro’s Tremolo and Vibrato Effects
- Using Guitar Amp Pro’s Reverb Effect
- Setting Guitar Amp Pro Microphone Parameters
- Setting the Guitar Amp Pro Output Level
- Pedalboard
- Amp Designer
- Delay Effects
- Delay Designer
- Getting to Know the Delay Designer Interface
- Getting to Know Delay Designer’s Main Display
- Using Delay Designer’s View Buttons
- Zooming and Navigating Delay Designer’s Tap Display
- Creating Taps in Delay Designer
- Selecting Taps in Delay Designer
- Moving and Deleting Taps in Delay Designer
- Using Delay Designer’s Tap Toggle Buttons
- Editing Parameters in Delay Designer’s Tap Display
- Aligning Delay Designer Tap Values
- Editing Filter Cutoff in Delay Designer’s Tap Display
- Editing Pan in Delay Designer’s Tap Display
- Editing Taps in Delay Designer’s Tap Parameter Bar
- Editing Delay Designer Taps with the Shortcut Menu
- Resetting Delay Designer Tap Values
- Synchronizing Taps in Delay Designer
- Using Delay Designer’s Master Section
- Working with Delay Designer in Surround
- Echo
- Sample Delay
- Stereo Delay
- Tape Delay
- Delay Designer
- Distortion Effects
- Dynamics Processors
- Equalizers
- Filter Effects
- AutoFilter
- EVOC 20 Filterbank
- EVOC 20 TrackOscillator
- What Is a Vocoder?
- How Does a Vocoder Work?
- Getting to Know the EVOC 20 TrackOscillator Interface
- EVOC 20 TrackOscillator Analysis In Parameters
- Using EVOC 20 TrackOscillator Analysis In Parameters
- EVOC 20 TrackOscillator U/V Detection Parameters
- EVOC 20 TrackOscillator Synthesis In Parameters
- Basic Tracking Oscillator Parameters
- Tracking Oscillator Pitch Correction Parameters
- Quantizing the Pitch of the Tracking Oscillator
- EVOC 20 TrackOscillator Formant Filter Parameters
- Using Formant Stretch and Formant Shift
- EVOC 20 TrackOscillator Modulation Parameters
- EVOC 20 TrackOscillator Output Parameters
- Fuzz-Wah
- Spectral Gate
- Imaging Processors
- Metering Tools
- Modulation Effects
- Pitch Effects
- Reverb Effects
- Space Designer Convolution Reverb
- Getting to Know the Space Designer Interface
- Working with Space Designer’s Impulse Response Parameters
- Working with Space Designer’s Envelope and EQ Parameters
- Working with Space Designer’s Filter
- Working with Space Designer’s Global Parameters
- Using Space Designer’s Input Slider
- Using Space Designer’s Latency Compensation Feature
- Using Space Designer’s Definition Parameter
- Using Space Designer’s Rev Vol Compensation
- Using Space Designer’s Output Sliders
- Working with Pre-Dly (Predelay) in Space Designer
- Using Space Designer’s IR Start Parameter
- Using Space Designer’s Spread Parameters
- Automating Space Designer
- Specialized Effects and Utilities
- Utilities and Tools
DescriptionStompbox
A flexible tremolo effect (modulation of the signal level). Rate sets
the modulation speed and can run freely, or be synchronized with
the host application tempo by enabling the Sync button. When
synchronized, you can specify bar, beat and note values (including
triplets and dotted notes). Depth sets the strength of the effect.
Wave and Smooth work in combination to alter the waveform shape
of the LFO. This enables you to create floating changes in level, or
abrupt steps. Volume determines the output level of the effect. The
1/2 and 2 x Speed buttons immediately halve or double the current
Rate value. Hold down the Speed Up and Slow Down buttons to
gradually accelerate or reduce the current Rate value to the
maximum or minimum possible values.
Total Tremolo
A tremolo effect (modulation of the signal level). Rate sets the
modulation speed and can run freely, or be synchronized with the
host application tempo by enabling the Sync button. When
synchronized, you can specify bar, beat and note values (including
triplets and dotted notes). Depth sets the strength of the effect.
Level sets the post-tremolo gain.
Trem-o-Tone
A vibrato/chorus effect based on the Scanner Vibrato unit found in
the Hammond B3 organ. You can choose from three vibrato (V1–3)
or chorus (C1–3) variations with the Type knob. Rate sets the
modulation speed and can run freely, or be synchronized with the
host application tempo by enabling the Sync button. When
synchronized, you can specify bar, beat and note values (including
triplets and dotted notes). Depth sets the strength of the effect. See
Scanner Vibrato Effect for background information on this effect.
the Vibe
Delay Pedals
This section describes the Delay effects pedals.
DescriptionStompbox
A delay effect. Time sets the modulation speed and can run freely,
or be synchronized with the host application tempo by enabling
the Sync button. When synchronized, you can specify bar, beat and
note values (including triplets and dotted notes). The Repeats knob
determines the number of delay repeats. Mix sets the balance
between the delayed and source signals. The Tone Cut switch
controls a fixed frequency internal filter circuit that allows more low
(Lo) or high (Hi) frequency content to be heard. You can also disable
this filter circuit by choosing Off.
Blue Echo
A spring reverb pedal. Time sets the length of the reverberation to
short, medium, or long values. Tone controls the cutoff frequency,
making the effect brighter or darker. Style switches between
algorithms, each with different characteristics. You can choose
from: Boutique, Simple, Vintage, Bright, and Resonant. Mix sets the
ratio between the source and effect signals.
Spring Box
49Chapter 1 Amps and Pedals