2009
Table Of Contents
- Logic Studio Effects
- Contents
- An Introduction to the Logic Studio Effects
- Amps and Pedals
- Amp Designer
- Choosing an Amp Designer Model
- Tweed Combos
- Classic American Combos
- British Stacks
- British Combos
- British Alternatives
- Metal Stacks
- Additional Combos
- Building a Customized Amp Designer Combo
- Choosing an Amp Designer Amplifier
- Choosing an Amp Designer Cabinet
- Amp Designer Cabinet Reference Table
- Using Amp Designer’s Equalizer
- Amp Designer Equalizer Type Reference Table
- Using Amp Designer’s Gain, Presence, and Master Controls
- Getting to Know Amp Designer’s Effects Parameters
- Using Amp Designer’s Reverb Effect
- Amp Designer Reverb Type Reference Table
- Using Amp Designer’s Tremolo and Vibrato Effects
- Setting Amp Designer Microphone Parameters
- Setting Amp Designer’s Output Level
- Bass Amp
- Guitar Amp Pro
- Building Your Guitar Amp Pro Model
- Choosing a Guitar Amp Pro Amplifier
- Choosing a Guitar Amp Pro Speaker Cabinet
- Choosing a Guitar Amp Pro Equalizer
- Using Guitar Amp Pro’s Gain, Tone, Presence, and Master Controls
- Getting to Know Guitar Amp Pro’s Effects Section
- Using Guitar Amp Pro’s Tremolo and Vibrato Effects
- Using Guitar Amp Pro’s Reverb Effect
- Setting Guitar Amp Pro Microphone Parameters
- Setting the Guitar Amp Pro Output Level
- Pedalboard
- Amp Designer
- Delay Effects
- Delay Designer
- Getting to Know the Delay Designer Interface
- Getting to Know Delay Designer’s Main Display
- Using Delay Designer’s View Buttons
- Zooming and Navigating Delay Designer’s Tap Display
- Creating Taps in Delay Designer
- Selecting Taps in Delay Designer
- Moving and Deleting Taps in Delay Designer
- Using Delay Designer’s Tap Toggle Buttons
- Editing Parameters in Delay Designer’s Tap Display
- Aligning Delay Designer Tap Values
- Editing Filter Cutoff in Delay Designer’s Tap Display
- Editing Pan in Delay Designer’s Tap Display
- Editing Taps in Delay Designer’s Tap Parameter Bar
- Editing Delay Designer Taps with the Shortcut Menu
- Resetting Delay Designer Tap Values
- Synchronizing Taps in Delay Designer
- Using Delay Designer’s Master Section
- Working with Delay Designer in Surround
- Echo
- Sample Delay
- Stereo Delay
- Tape Delay
- Delay Designer
- Distortion Effects
- Dynamics Processors
- Equalizers
- Filter Effects
- AutoFilter
- EVOC 20 Filterbank
- EVOC 20 TrackOscillator
- What Is a Vocoder?
- How Does a Vocoder Work?
- Getting to Know the EVOC 20 TrackOscillator Interface
- EVOC 20 TrackOscillator Analysis In Parameters
- Using EVOC 20 TrackOscillator Analysis In Parameters
- EVOC 20 TrackOscillator U/V Detection Parameters
- EVOC 20 TrackOscillator Synthesis In Parameters
- Basic Tracking Oscillator Parameters
- Tracking Oscillator Pitch Correction Parameters
- Quantizing the Pitch of the Tracking Oscillator
- EVOC 20 TrackOscillator Formant Filter Parameters
- Using Formant Stretch and Formant Shift
- EVOC 20 TrackOscillator Modulation Parameters
- EVOC 20 TrackOscillator Output Parameters
- Fuzz-Wah
- Spectral Gate
- Imaging Processors
- Metering Tools
- Modulation Effects
- Pitch Effects
- Reverb Effects
- Space Designer Convolution Reverb
- Getting to Know the Space Designer Interface
- Working with Space Designer’s Impulse Response Parameters
- Working with Space Designer’s Envelope and EQ Parameters
- Working with Space Designer’s Filter
- Working with Space Designer’s Global Parameters
- Using Space Designer’s Input Slider
- Using Space Designer’s Latency Compensation Feature
- Using Space Designer’s Definition Parameter
- Using Space Designer’s Rev Vol Compensation
- Using Space Designer’s Output Sliders
- Working with Pre-Dly (Predelay) in Space Designer
- Using Space Designer’s IR Start Parameter
- Using Space Designer’s Spread Parameters
- Automating Space Designer
- Specialized Effects and Utilities
- Utilities and Tools
• UK 4 x 12 closed slanted: when used in combination with off-center miking, you will
get an interesting mid frequency range; therefore, this model works well when
combined with High Gain amps.
• US 1 x 10 open back: Not much resonance in the low frequency range. Suitable for
use with blues harmonicas.
• US 1 x 12 open back 1: Open enclosure of an American lead combo with a single 12"
speaker.
• US 1 x 12 open back 2: Open enclosure of an American clean/crunch combo with a
single 12" speaker.
• US 1 x 12 open back 3: Open enclosure of another American clean/crunch combo
with a single 12" speaker.
• US broad range: Simulation of a classic electric piano speaker.
• Analog simulation: Internal speaker simulation of a well-known British tube
preamplifier.
• UK 1 x 12 (GarageBand): A British Class A tube open back with a single 12" speaker.
• UK 4 x 12 (GarageBand): Classic closed enclosure with four 12" speakers (black series),
suitable for rock.
• US 1 x 12 open back (GarageBand): Open enclosure of an American lead combo with
a single 12" speaker.
• US 1 x 12 bass reflex (GarageBand): Closed bass reflex cabinet with a single 12" speaker.
• DI Box: This option allows you to bypass the speaker simulation section.
• Amp-Speaker Link button: Located between the Amp and Speaker pop-up menus, links
these pop-up menus so that when you change the amp model, the speaker associated
with that amp is loaded automatically.
Choosing a Guitar Amp Pro Equalizer
The EQ pop-up menu and the Amp-EQ Link button are near the top of the interface.
• EQ pop-up menu: Contains the following EQ models: British1, British2, American, and
Modern. Each EQ model has unique tonal qualities that affect the way the Bass, Mids,
and Treble knobs in the Amp section respond.
• Amp-EQ Link button: Located between the Amp and EQ pop-up menus, links these
pop-up menus so that when you change the amp model, the EQ model associated
with that amp is loaded automatically.
Each amp model has a speaker and EQ model associated with it. The default
combinations of amp, speaker, and EQ settings recreate a well-known guitar sound.
You are, of course, free to combine any speaker or EQ model with any amp by turning
off the two Link buttons.
34 Chapter 1 Amps and Pedals