7
Table Of Contents
- Logic Pro 7
- Reference Manual
- Contents
- Preface 9 Logic Reference
- Chapter 1 13 Using Logic
- 13 Using the Mouse
- 14 Input Options
- 16 Tools and the Toolbox
- 21 Window Functions
- 34 Edit Operations
- 36 Selection Techniques
- 39 General Functions of the Editors
- 44 Key Commands
- 52 Step Input
- 57 Caps Lock Keyboard
- 59 Song Administration
- 70 Standard MIDI Files
- 72 Apple Loops
- 77 GarageBand File Import
- 78 ReCycle Import
- 80 Audio Export and Import
- Chapter 2 85 Transport
- Chapter 3 109 Arrange Window
- 109 Overview
- 110 Tracks
- 120 Arrange Channel Strip
- 121 MIDI Multi-Track Recording
- 123 MIDI Instruments
- 128 MIDI Regions
- 141 MIDI Region Playback Parameters
- 147 Quantization
- 151 Groove
- 152 Folders
- 155 Aliases
- 157 Markers
- 165 Time and Key Signature Editor
- 167 Arrange Window Techniques
- 170 Altering the Display
- 173 Reset Functions
- Chapter 4 175 Audio in the Arrange Window
- Chapter 5 201 The Environment
- Chapter 6 265 Logic’s Mixing Facilities
- Chapter 7 313 Automation
- Chapter 8 329 Global Tracks
- Chapter 9 349 Audio Window
- Chapter 10 377 Audio Drivers
- Chapter 11 385 Sample Editor
- Chapter 12 419 Project Manager
- Chapter 13 439 Event List
- Chapter 14 455 Hyper Editor
- Chapter 15 467 Matrix Editor
- Chapter 16 475 Score Editor
- 475 Score Editor—Introduction
- 477 Elements of the Score Edit Window
- 478 Notation Concept
- 482 General Appearance
- 485 Input Methods in the Score Window
- 486 Score Display Options—a Survey
- 487 Printout
- 488 Graphic Export
- 489 Realtime MIDI Recording
- 489 Step Input
- 490 Mouse Input
- 495 The Part Box
- 516 Move, Copy, and Paste
- 519 Editing or Deleting Notes and Symbols
- 522 The Display Parameter Box
- 529 Score Styles
- 548 Note Attributes
- 552 Instrument Sets and Score Display Levels
- 560 Song Settings for Score Display
- 574 Score Preferences
- 575 Text:Input and Display
- 582 Chord Symbols
- Chapter 17 587 The Transform Window
- Chapter 18 597 Tempo
- Chapter 19 605 Synchronization
- Chapter 20 619 Video
- Chapter 21 625 Song Settings and Preferences
- Chapter 22 655 Control Surface Support
- Glossary 683
- Index 713
- Logic Reference
- Using Logic
- Using the Mouse
- Input Options
- Tools and the Toolbox
- Window Functions
- Edit Operations
- Selection Techniques
- Goto Selection Start/End
- Scroll to Selection
- Selecting Individual Objects
- Selecting Several Objects
- Horizontal Selection
- “Rubber-Banding”
- Toggling the Selection Status
- Selecting Following Regions/Events
- Selecting Regions/Events Within the Locators (Vertical selection)
- Deselecting Regions/Events Outside the Locators
- Deselecting Regions Outside the Current Track
- Selecting Empty Regions
- Selecting Overlapped Regions/Events
- Selecting Muted Regions/Events
- Selecting Equal Colored Regions/Events
- Selecting Similar or Identical Objects
- Selecting Events with the same MIDI channel
- Selecting Regions and Events with Equal Subpositions
- Delete and Select Next Region/Event
- General Functions of the Editors
- Key Commands
- Step Input
- Caps Lock Keyboard
- Song Administration
- Standard MIDI Files
- Apple Loops
- GarageBand File Import
- ReCycle Import
- Audio Export and Import
- Transport
- Arrange Window
- Overview
- Tracks
- Arrange Channel Strip
- MIDI Multi-Track Recording
- MIDI Instruments
- MIDI Regions
- MIDI Region Playback Parameters
- Quantization
- Groove
- Folders
- Aliases
- Markers
- Time and Key Signature Editor
- Arrange Window Techniques
- Altering the Display
- Reset Functions
- Audio in the Arrange Window
- Regions
- Audio Recording
- Functions
- Freeze
- The Environment
- Environment—Introduction
- Basic Operation
- The MIDI Signal Path
- Environment Objects
- Object Parameters
- Standard Instrument
- Multi Instrument
- Multi Instrument Window
- Defining Custom Bank Selects
- Mapped Instrument
- Mapped Instrument Window
- GM Mixer Object
- MMC Record Buttons
- Keyboard Object
- Monitor Object
- Channel Splitter Object
- Transformer Object
- Arpeggiator Object
- Delay Line Object
- Voice Limiter Object
- Chord Memorizer Object
- Touch Tracks Object
- Physical Input/Sequencer Input Objects
- MIDI Metronome Click
- Internal Objects
- Internal—ReWire
- MIDI Outs
- Alias
- Ornament
- Macros
- Faders
- Audio Objects
- Faders
- SysEx Faders
- Environment Exchange
- Logic’s Mixing Facilities
- Audio Mixer
- Audio Objects in the Audio and Track Mixer
- Audio Object Types
- Audio Configuration
- Track Mixer
- MIDI Channel Strips
- Automation
- Automation—Introduction
- Track Based Automation
- Region Based Automation
- HyperDraw
- Conversion of Automation Data
- Global Tracks
- Audio Window
- Audio Window—Introduction
- Layout
- Display
- Operation
- File Administration
- Strip Silence
- Further Options
- Audio Drivers
- Sample Editor
- Sample Editor—Introduction
- Display
- The Sample Edit Window in Use
- Functions
- Digital Factory
- Third Party Plug-ins
- Project Manager
- Event List
- Hyper Editor
- Matrix Editor
- Score Editor
- Score Editor—Introduction
- Elements of the Score Edit Window
- Notation Concept
- General Appearance
- Input Methods in the Score Window
- Score Display Options—a Survey
- Settings which affect all song files:
- Settings which affect the score display of one song file:
- Settings which can be assigned differently for each Score window, and therefore allow different s...
- Settings which affect the score display of a particular MIDI Region:
- Settings which can be changed for each note individually, regardless of the default settings:
- Printout
- Graphic Export
- Realtime MIDI Recording
- Step Input
- Mouse Input
- The Part Box
- Selecting and Inserting Part Box Objects
- Object Selection by key commands
- Display Size of Inserted Objects
- Notes
- Ties
- N-Tuplets
- Grace Notes, Independent Notes
- Sustain Pedal Symbols
- Clefs
- Dynamic Symbols
- Note Heads
- Symbols attached to Notes
- Jazz Symbols
- Slurs, Crescendi
- Key Signatures
- Time Signatures
- Repeat Signs and Bar Lines
- Trills, Tremolo, and so on
- Rests, Bar Repeat Signs
- Text Objects, Chord Symbols
- D.S., D.C., Segno, Coda Signs
- Tempo and Swing Symbols
- Move, Copy, and Paste
- Editing or Deleting Notes and Symbols
- The Display Parameter Box
- Score Styles
- Basics
- Predefined Styles
- Working with Score Styles
- The Score Style Window
- Handling Score Styles
- Editing One-Staff Score Styles
- Editing Two-Stave Score Styles
- Voice Separation Method
- Editing Single-Staff Polyphonic Styles
- Input and Recording of Polyphonic Voices
- Single-Staff Score Style with Optional Polyphony
- Multi-Stave Polyphonic Score Styles
- Cross Staff Beaming
- Copying Voices or Staves
- Drum Notation with Mapped Score Styles
- Note Attributes
- Instrument Sets and Score Display Levels
- Song Settings for Score Display
- Importing All Score Settings
- Global Format
- Top/Bottom/Left/Right Margin
- Add Bracket Space
- Alternating Margins
- Header Space
- Line Distance
- Max. Bars/Line
- Constant/Proportional Spacing: Note distance
- Slash Spacing: Spacing of Beat Slashes
- Default Pedal Position
- Beaming Slant Factor/Min. Slant/Max. Slant
- “Open” Single Staves
- Justify Last Staff
- Hide Muted Sequences/Tracks
- Show Alias
- Allow Alias Editing
- Alternate Repeat Symbols
- Chord Symbol Language
- Numbers & Names
- Clefs & Signatures
- Extended Layout Parameters
- Guitar Tablature
- MIDI Meaning
- Color
- Score Preferences
- Dashed Song Position Line
- Show Sequence Selection Colored
- Fast (Lower Resolution) Curves on Screen
- Display All Distance Values in Inches
- Use external Symbol Font (if Available)/Only for Printout
- Open Floating Palettes
- Double Click Note to Open…
- Graphic Export Resolution, Graphic Export to…, PICT File Creator ID
- Auto Split Notes at…
- Text:Input and Display
- Chord Symbols
- The Transform Window
- Tempo
- Synchronization
- Video
- Song Settings and Preferences
- Saving of Song Settings and Preferences
- Song Settings
- Preferences
- Control Surface Support
- Glossary
- Index
Chapter 16 Score Editor 517
It is also possible to simultaneously move or copy objects which are in different
Regions/staves. Each event will be moved/copied to its new position, within its original
MIDI Region.
Via the Clipboard
These functions work the same way as in many other software programs, and in the
other Logic windows.
Paste inserts the Clipboard’s contents (i.e. a note) into the selected MIDI Region at the
current song position (as indicated in the Transport Window (see “The Transport
Window” on page 85)). So, before pasting, you need to set the Song Position Line to
the desired destination position.
When you copy and paste several objects at once, the first object is pasted at the
indicated bar position, the others in relation to it.
Note: If you copy the contents of a whole bar which starts with a rest on the first beat,
the first object is not on one, since automatically displayed rests are not objects, and
therefore cannot be copied. In this case, you need to set the paste position accordingly.
(The exception is when there is an object such as a dynamic symbol at the beginning
of the selection, say at beat one, which is also copied.)
Paste Multiple
The Clipboard’s contents can be pasted into several Regions at once, at the original
position. Select all desired Regions, and use either Edit > Paste Multiple, or the Paste
Multiple key command.
The multiple selection of Regions can be done either in the Arrange, or directly in the
Score window: Shift-click all desired staves, or “rubber band” the adjacent Regions.
Note: the Display Parameter box (see “The Display Parameter Box” on page 522) title
line always indicates how many Regions are currently selected.
Automatic Insert Quantization
When you Paste (or Paste Multiple) objects from the Clipboard, the position of the first
inserted event is automatically quantized according to the current global display
format (in the Transport window). If, for example, the current bar position is 4.1.1. 37, and
the global display format is set to1/16, the pasted object will be inserted at position
4 .1.1.1 , whether it’s a note or a symbol. When the Clipboard contains more than one
object, the other objects’ positions are not quantized, but their exact relative position
from the first object is kept.
If you don’t want this (i.e. because you want to keep the unquantized timing of the
original preserved), it is better to use one of the other methods of copying.