Logic Pro 7.2.
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1 Preface 7 7 8 Contents Introduction What Are Control Surfaces? How Control Surface Integration Works Chapter 1 13 13 13 14 15 16 17 19 25 29 34 45 46 Control Surface Setup Control Surface Plug-ins About Software and Firmware Getting Started Connecting the Unit(s) Installing and Setting Up Control Surfaces Control Surface Groups Setup Window Parameters Control Surface Preferences Customizing Control Surfaces The Controller Assignments Editor About Modal Dialogs Tips Chapter 2 47 47 48 50 54 69 71
Chapter 3 101 101 102 102 102 105 105 106 106 107 108 M-Audio iControl Setting Up the iControl Compatibility Channel Views The Assignment Buttons Arrow Up and Arrow Down Buttons The Channel Strip(s) The Jog Wheel The Transport Zone Master Fader Assignment Overview Chapter 4 111 111 112 113 113 113 114 115 120 120 120 120 EuCon Support of Euphonix MC and System 5-MC Setting Up the MC or System 5-MC With Logic Setting Up Soft Key Assignments Main-Tracks Touchscreen Main-Layouts Faders Choosing Automat
Chapter 9 143 143 143 Korg microKONTROL and KONTROL49 Set Up Assignment Overview Chapter 10 147 147 147 Mackie Baby HUI Set Up Assignment Overview Chapter 11 151 151 151 157 160 160 160 161 Mackie C4 Set Up V-Pots, V-Selects Buttons at Bottom Marker Overlay Track Overlay Channel Strip Overlay Function Overlay Chapter 12 163 163 163 Mackie HUI Set Up Assignment Overview Chapter 13 173 173 173 178 Radikal Technologies SAC-2K Set Up Assignment Overview Troubleshooting Chapter 14 179 179 179 Ro
204 206 207 207 207 208 Assignment Overview Selected Channel Section Data Entry Section Channel Strips Stereo Channel Strip User Defined Keys Section Chapter 19 211 211 212 Yamaha 02R96 Set Up Assignment Overview Chapter 20 217 217 218 Yamaha DM1000 Set Up Assignment Overview Chapter 21 225 225 226 Yamaha DM2000 Set Up Assignment Overview Appendix A 235 235 237 Logic Control—Specifications Logic Control (Base Unit) Logic Control XT (Extension Unit) Appendix B 239 239 240 242 Logic Control
Introduction This manual covers the control surface support of Logic Pro. Please read it thoroughly to make the most of your new controller(s). All of the functions in Logic Pro that are normally associated with the use of an analog style mixer can be performed using just a mouse and a computer keyboard. The addition of many commercially available control surfaces can greatly enhance your creative experience by providing you with hands-on control of most realtime parameters in Logic.
    remotely switch between Screensets scrub MIDI and audio zoom in on individual tracks create, delete, and move between markers, and much more For live use, control surfaces are ideal. The performing musician only needs to take a laptop, equipped with suitable audio and/or MIDI interfaces, a keyboard, and a control surface to a live event. Some units available nowadays incorporate a keyboard, audio interface, control surface, and MIDI interface into a single package.
It is assumed that you are familiar with the basic use and terminology of Logic Pro. As such, the functionality and uses of individual Logic parameters are not covered in this documentation. Please consult your Logic Pro 7 Reference manual or the Online Help, if you require further information. You are strongly encouraged to press buttons, move sliders and turn the knobs of your control surface while reading through the following chapters.
Supported Devices Manufacturer Notes DM1000 Yamaha The Yamaha DM1000 emulates two HUI units, using two virtual MIDI in and out connections over its USB cable. See “Yamaha DM1000” on page 217. DM2000 Yamaha The Yamaha DM2000 emulates three HUI units, using three virtual MIDI in and out connections over its USB cable. See “Yamaha DM2000” on page 225. FaderMaster 4/100 JLCooper See “JLCooper FaderMaster 4/100” on page 141. FE-8 Tascam Extension unit for FW-1884.
Supported Devices Manufacturer Notes Mackie Control Extender Mackie Mackie Control version of the Logic Control XT. As Logic also recognizes the Mackie Control protocol, you may use any firmware version. If you have firmware version 1.02 or higher, you can freely use either the Logic Control or Mackie Control mode. See “Logic Control” on page 47. Mackie Control Universal Mackie A Mackie Control with Logic Control silk screening (legend) and firmware version 2.0 or higher (including HUI emulation).
1 Control Surface Setup 1 Logic offers dedicated support for a number of control surfaces, plus the option to program unsupported devices. The following chapter describes functions applicable to all control surface models. Specific documentation for various models is available in the following chapters. Control Surface Plug-ins Dedicated control surface support is achieved through the use of special plug-in files. These files are automatically added when Logic is installed.
Most control surface units do, however, have a form of software called “firmware.” This firmware is much like the BIOS found in your computer. New behaviors—at a hardware level—such as improved control of fader servo motors and changes to the display can be made via firmware updates. The firmware is usually stored on an EEPROM (Electronically Erasable Programmable Read Only Memory) chip. It can often be updated via a simple MIDI dump procedure, in the form of a MIDI file.
The use of multiple control surfaces expands on the number of tracks, parameters, and so on that can be controlled with individual faders, knobs, and switches. As an example, the Logic/Mackie Control XT units are basically identical to the channel strip section (fader, V-Pot, and LCD) of the main Logic/Mackie Control unit. The Mackie C4 features a number of V-Pots, but no faders.
Power Up Once everything is connected, press the power switch on your control surface. Once powered, the displays and/or LEDs will illuminate and the LCD (if applicable) will generally display a welcome message (often including the firmware version number). Each fader will slide to the top, and back to the bottom of its travel on most motorized control surfaces. This self-diagnostic power-on procedure indicates that your units are functioning correctly.
To manually add the selected devices to your system: 1 Select the desired devices from the list in the Install window. 2 Click the Add button. Note: Alternatively you can Option-double-click the desired device. If a control surface of the selected type already exists in your setup, you will be asked whether or not you really want to add the new device. You will need to manually alter the MIDI In and Out port values in the device parameters to match those of the connected unit.
Here is an example with two Logic Control, three Logic Control XT units and a HUI: Computer icon connected to three rows, as below: The top row, consisting of Logic Control XT #1, Logic Control XT #2 and Logic Control #1 form a single Control Surface Group with 24 channels. XT #1 controls channels 1 to 8, XT #2 controls channels 9 to 16, and Logic Control #1 handles channels 17 to 24.
Setup Window Parameters The three Parameter boxes along the left edge of the Setup window allow you to configure your control surface setup to meet your needs. Device Parameters Each control surface unit must be connected to an independent MIDI in and out port (or corresponding USB/FireWire port, designated as a MIDI port by the device driver). The automatic setup or Scan procedure should have found, and set, the correct MIDI in/ out port settings for each unit.
Display Parameters The following section describes the display parameters of a Control Surface Group. Flip Mode Many control surfaces offer both a fader and a rotary encoder for each channel strip. Flip Mode allows you to swap the encoder assignment with that of the fader for each channel. Alternately, you can assign both controls to the same parameter. There are four “flip” or “swap” modes. Â Off—disables Flip Mode, making the fader act as a volume control.
 Global—displays all Objects of certain type(s)—MIDI or Bus channels, for example— independent of their usage by tracks. They merely need to be defined as Environment Objects to be visible. The Object types to be displayed are defined by another parameter which is not shown in the parameter list. If a control surface supports switching to Global View, it will also allow you to define which Objects to display. The Track Mixer window contents automatically follow the state of the Global View buttons.
Input—encoders adjust/select channel input source. Output—encoders adjust/select channel output (main outs/busses/surround). Automation—encoders adjust/select channel automation mode. Group—encoders adjust group membership of the track. Editing the parameter allows you to set either no group or a single group. Enabling membership of multiple groups is not possible here. Â Displayed parameter—encoders adjust the automation parameter displayed in the Arrange window.
EQ Parameter Page The EQ Parameter Page parameter defines the EQ parameter displayed in the EQ Channel Strip View. To explain: The Channel and Linear Phase EQs feature 8 bands per audio channel, with each band offering four parameters. All of these parameters can be accessed with your control surface. If you use a control surface that does not display all EQ parameters at once, you need to step through the parameter “pages.” As an example: Imagine you are using an eight channel control surface.
This parameter defines how many encoders belong to Split Upper, leaving the remaining encoders to Split Lower. A value of 0 means that Split Mode is off—with all encoders assigned to the Split Upper area. Instrument Parameter Page The Instrument Parameter Page option determines the parameter (counted from 1) which is assigned to the left-most encoder when editing an Audio Instrument. The next Instrument parameter is assigned to encoder 2, and so on. This applies to Split Upper when Split Mode is enabled.
Other Parameters The following section describes the Track Name Format, Parameter Page Shift Mode, Relative Change Mode, Mix Group and Group Parameter Page parameters. Track Name Format Changes the track name display to show the track name alone, or the track name, and its track number. As an example, a track named “Audio1” may actually be placed on track 12 in the Arrange window. When a value of #:Name is toggled, “Audio1” would be displayed as “12:Au1”.
Control Surface Preferences The Control Surface preferences window is accessible via the Logic > Preferences > Control Surfaces > Preferences menu. Note: You can also use the global Control Surfaces Preferences key command. General The following section outlines the General control surface preferences. Resolution of Relative Controls This defines the default resolution of controls that change values in a relative manner. The default is 128 steps.
When the Pickup mode option is disabled, adjusting a fader modifies the parameter immediately. Multiple Controls per Parameter These parameters determine whether one, or multiple, encoders are used per parameter when editing plug-ins or audio instruments. When multiple encoders are used per parameter, the encoders are subdivided into groups (for example 1/2, 3/4, 5/6, 7/8). The first encoder of each sub-division controls the parameter shown in the display. The remaining encoder(s) are inactive.
Show Value Units For: Allows you to adjust whether parameter values will be appended by the measurement “unit,” where applicable—“Hz” or “%”, for example. You can set this option separately for Instrument / Plug-in parameters and Volume and other parameters. If you can do without the value units, the display is less cluttered. Controller Assignments The Controller Assignments button launches the Controller Assignments Editor. Setup The Setup button launches the Control Surfaces Setup window.
Show info when editing volume When this option is checked, and you edit a track’s volume, you will see “Volume” in the upper row and the new volume value in the lower row. You can disable this feature, if you find it disconcerting. Show Value Units For: Allows you to adjust whether parameter values will be appended by the measurement “unit,” where applicable—“Hz” or “%”, for example. You can set this option separately for Instrument / Plug-in parameters and Volume and other parameters.
This will, however, result in a new, unfinished assignment. You can re-enable the Learn Mode button to assign a message. To delete a MIDI control assignment: 1 Click the destination parameter that you would like to delete. 2 Select the Logic > Preferences > Control Surfaces > Delete Assignment for “xxx” menu option (the parameter name is appended to the menu item text), press the backspace key—or you may use the Edit > Clear menu option.
 Multiply, with shortcuts for +1 and –1 (–1 for decrementing). Note: For details on the abovementioned Assignment parameters read “Assignment Parameters” on page 35. For a full view of all parameters, enable the Expert View option. Shortcuts for Defining Multiple Assignments If you want to define multiple assignments in the Controller Assignment Editor, you can use the following shortcuts: Scenario 1: assign faders 1 to 16 to volume of tracks 1 to 16 1 Learn volume track 1 for fader 1.
The reason for this structure is that you can place modeless assignments nearer to the modal assignments they are associated with. As an example, where pressing and releasing the Option button switches between two modes for the Function keys of an assignment. A Mode contains any number of assignments. Only the active Mode’s assignments are processed for incoming MIDI and feedback. Assignments of inactive Modes are ignored. A Zone’s active Mode can be switched by special Assignments (see below).
Reassigning a Control If you want to reassign a control, the procedure depends on the current state of the control. Case 1: Control is currently active (an assignment for this control is part of an active Mode). If you attempt to learn an assignment for an “active” controller, the following message is displayed: “This control is currently assigned to xxx. Do you want to reassign the control?” Â Cancel—Deletes the learned assignment. Â Parallel assignment—Retains the new assignment.
 Cancel—Deletes the learned assignment.  Parallel assignment—Retains the new assignment. Typical usage: One knob controls multiple parameters as a macro.  Reassign—Deletes all existing active assignments for this parameter. Typical usage: Reassigning an F1 to F8 key to a new key command. Case 2: Assignment to a parameter is currently inactive If an assignment to a parameter is currently inactive (as it is part of an inactive mode), no special action is required.
In Expert mode, there are four re-sizable columns: Â Zone—Selects the Zone that contains the Modes and assignments being edited. The first entry “(No Zone)” is for zoneless assignments. Double-click a Zone name to edit it. Â Mode—Selects the Mode that contains the assignments being edited. The first entry “(No Mode)” is for mode-less assignments. Double-click a Mode name to edit it. Selecting a Mode in the list also makes it the Zone’s active Mode. The active Mode is marked with an arrow.
First Character: Character Meaning t Track r Surround s Send slot S All Sends e EQ band E all EQs p Plug-in Insert slot i Instrument Second Character: Character Meaning # Number of above (track number, Send slot, EQ band, Plug-in slot) n Name of above p Name of parameter addressed by the assignment P Name of first parameter o Parameter offset, counted from 1 O Maximum parameter offset, counted from 1 b Parameter bank (= parameter offset/bank size), counted from 1 B total n
Mode Change The Mode Change option allows you to use an assignment to activate a mode in a Zone. An additional Mode pop-up menu appears below the Class menu, offering different Modes you can switch to. As an example: The Assignment buttons on a Logic Control choose several Modes for the encoders. Note: The Mode that is recalled also depends on the option set in the Value section’s Mode menu (See “Mode” on page 43.). The following table explains how the different Value Modes take effect.
Global Options Explanation Marker Position Edits position of current marker Marker Length Edits length of current marker Note: All options listed in the table above work only in relative mode. See the “Clock Part” sub-parameter. Global Options Explanation Nudge selected Regions/Events Nudges the selected Regions or events by the chosen Nudge Value (see below) Any Solo Feedback only, used for “Rude Solo Light”.
Track The Track option allows you to use an assignment to set a track parameter. An additional Track pop-up menu appears below the Class menu, offering the parameters listed in the following table. Track Options Explanation Fader Bank This addresses a track in the Control Surface Group’s current View mode (Mixer, Global, Arrange), depending on the Control Surface Group’s current Fader Bank value for this Mode (see below).
If you want your key command assignment to be repeatedly executed, enable the Key Repeat checkbox at the bottom of the Key Command Assignments Editor. For further information, see “Key Repeat Checkbox” on page 44. Control Surface Group If you choose the Control Surface Group option in the Class menu, you can set a property for the Control Surface Group that the assignment belongs to.
Automation Group If you choose the Automation Group option in the Class menu, you can use the assignment to set an automation group parameter. A Parameter Group field that allows you to determine the edited group appears below the Class menu. Current (entered with “0”) means the group selected in the Automation Group Control Surface Group parameter. The additional Parameter menu allows you to set the automation group parameter.
If the message does not contain Lo7 or Hi7 placeholders, an incoming value of 1 is assumed. This is typical for pressed or released buttons. Also see the “Multiply” section below. Touch/Release The incoming MIDI message(s) causes a change in the touched/released status of the destination parameter. A non zero value means touched; a value of 0 means released. The messages are displayed and entered in the same way as the Value Change field (see the “Value Change” section above).
Mode Defines the way the incoming value modifies the current parameter value. You can choose between the following parameters: Â Direct—The incoming value is the new parameter value. Â Toggle—If the parameter’s current value is 0, it is set to the incoming value. Otherwise it is set to 0. This option is useful for buttons which toggle a value: Mute, Solo, and so on. Â Scale—The incoming value is scaled from its value range to the destination parameter’s value range. Most useful for faders and rotary pots.
Local Feedback (Fader/Knob) Checkbox If enabled, no feedback is sent while the parameter is in Touched mode. This prevents motorized faders from “fighting” against the user. Key Repeat Checkbox When you enable the Key Repeat checkbox, the assignment is repeatedly executed. The Key Repeat Rate slider—set in the Mac OS X Keyboard & Mouse preferences— determines how quickly Logic repeats the assignment.
Note: Some control surfaces may use different value ranges (CM Labs MotorMix, for example). Assigning the used value range to the desired Min and Max values ensures that key repeat also works with such devices. This, however, also means that you need to take care when manually changing the Min or Max value for a key command (in cases where the Min and Max values do not match the button on and button release (off ) states, the complete assignment will not work).
Tips Control surfaces change the way you use Logic, and are most effective if you make a few small modifications to your working methods. The following collection of hints will help you to work more smoothly and efficiently with your control surface/Logic system. Customize your Template/Autoload Songs  Set up Screensets 1–7 to your liking. These can be accessed directly with some control surfaces (on a Logic/Mackie Control—via Function Keys—F1 to F7. Function Key 8 (F8) will close the top-most window).
2 Logic Control 2 This chapter will introduce you to using Logic with a Logic/ Mackie Control unit. The Logic Control and Mackie Control Universal units are functionally identical. All information in this chapter (as appropriate for the device) applies to the Mackie Control Universal, the Mackie Extender, and the C4. To use Logic with a Logic/Mackie Control unit, you need: Â a Logic/Mackie Control unit. Â Logic Pro 7.1, or newer.
The polarity of the foot switches is determined by the Logic Control when powered up. As such, you should first connect the foot switches, then turn the power on. LCD Assignment display Time display Assignment buttons Display buttons V-Pots Function keys Rec Rdy, Solo, Mute, and Select buttons Channel buttons Control buttons Faders Transport Cursor buttons Jog Wheel Topics in this chapter are broken down into “Zones” of the Logic Control surface.
Liquid Crystal Display (LCD) Each channel/parameter can be indicated by a name or value. In general, the upper row of each channel/parameter will display an abbreviated form of the track name, and the lower row will display the (abbreviated) parameter name and/or value. In some modes, a long (full, in other words) parameter or other name will be displayed briefly on-screen, when adjusted. The display of long names, and the duration of this display, is set in the Control Surfaces preferences.
The Channel Strip(s) As each channel strip is identical, the information discussed in this section applies equally to all eight channel strips on the Logic Control and Logic Control XT units. V-Pot/V-Select This “soft” potentiometer can be used to adjust the send level and pan, plus any other parameter for EQ, instruments, effects, and so on. The V-Pot can also be used to scroll through and choose items—such as plug-ins, Audio Instruments and more—from menus, and to determine destinations for sends.
Holding down the x/ALT button sets the V-Pots to high resolution parameter adjustment (fine) mode, where applicable. Holding down the OPTION button, and turning the V-Pot, switches between the minimum, default, and maximum parameter value. Rec/Rdy (Record/Ready) Button This button arms or disables the channel for recording. Each channel features an independent Rec/Rdy LED which is lit when a track is armed for recording.
In the Send Destination/Level views (see “Send Assignment Modes” on page 61), the SOLO button controls the Pre/Post mode selection—in both Multi Channel and Channel Strip views. MUTE Button Used to defeat the track’s signal. Each channel features an independent Mute LED which illuminates when a track is muted. Holding down the OPTION button, while pressing any MUTE button will unmute all tracks.
Touch-Sensitive Motor Fader These 100 millimeter faders control channel levels. When Flip mode is activated, the parameter currently assigned to the V-Pot can be controlled with the fader. This allows you to more easily control pans, aux returns, MIDI track parameters, EQs, plug-in, Audio Instrument, or other channel parameter levels/values. Movement of the eight faders is relative to the activity of the currently chosen bank of on-screen faders.
Some parameters require confirmation, such as the selection of plug-ins, Audio Instruments, sends, inputs, outputs, and so on. For these types of parameters, press the V-Select button (press down on the top of the V-Pot) to activate/select the desired value. In the case of a plug-in or Audio Instrument, this will automatically launch the Plug-in window in Logic. For a send, the confirmed channel send destination will be activated in the Logic mixer(s).
The NAME/VALUE button also has an effect on what is shown on the LCD when in the Multi Channel and Channel Strip views. More information can be found in “Display Zone” on page 71. Track Assignment Modes The TRACK button selects Assignment modes which allow the editing of a number of global track parameters. It switches between all displayed channels and the individual parameters of the selected channel (Track Multi Channel view or Track Channel Strip view).
Channel Strip View Track Channel Strip view allows you to edit all parameters listed above, for the selected track. Â The mode display will show tr. (track channel strip). Â The upper LCD row shows the name of the track and “Track parameters.” Track 1 "Audio 1" Volume Pan Inst Ins.1 Ins.2 Track parameters Send 1 Send 2 Send 3 Pressing NAME/VALUE switches the display mode to show parameter names in the upper row and parameter values in the lower row: Volume Pan +0.5dB 0 Inst ES2 Ins.1 Ins.
        The LCD’s lower line shows the current volume of the tracks, in dB or numerically, depending on the setting of the underlying Environment Object.  Turning a V-Pot changes the volume.  pressing a V-Select sets the volume to the default value. V-Select 2 or F2—switches to Track Multi Channel view and selects Pan. V-Select 3 or F3—switches to Track Multi Channel view and selects Track mode. V-Select 4 or F4—switches to Track Multi Channel view and selects Input.
 Turning the V-Pots changes the pan/surround parameter.  The Surround Angle parameter rotates between 0 and 359 degrees, avoiding any angle limit.  Pressing a V-Select sets the parameter to its default value.  Cursor Left/Right switches to the next or previous surround parameter. The selected parameter will be displayed briefly in the upper LCD row. Channel Strip View Pan/Surround Channel Strip view allows you to edit all surround parameters for the selected track.  The mode display will show Pn.
 the upper LCD row shows track names.  the lower LCD row shows the surround angle currently assigned to each track.  turning a V-Pot changes the surround angle (or adjusts pan position on nonsurround tracks).  pressing a V-Select sets the surround angle to its default value.  the faders edit surround diversity.  V-Select 8 or F7—switches to Surround X/Y Multi Channel view:  the mode display will show XY (X/Y—the X character is not available on a 7 segment display).
 Pressing a V-Select sets the parameter to its default value.  Cursor Up/Down switches to the next or previous EQ band.  Cursor Left/Right switches to the next or previous EQ parameter. The selected parameter will be displayed briefly in the upper LCD row.  Pressing a MUTE button while the SHIFT button is held down switches the current EQ band’s Bypass status.  When Flip mode is enabled, the MUTE buttons display and edit the current EQ band’s Bypass status.
 V-Select 7 or F7—switches to Frequency/Gain Multi Channel view. In this mode you can edit the Frequency and Gain parameters of a specific EQ band (1 to 8) for all tracks.  the mode display will show F1 to F8, depending on the selected EQ band.  the upper LCD row shows track names.  the lower LCD row shows the Frequency of the selected EQ.  turning a V-Pot changes EQ Frequency.  pressing a V-Select sets the EQ Frequency to its default value.  use the Mute buttons to Bypass the EQ.
 Cursor Left/Right switches to the next or previous Send parameter. The selected parameter will be displayed briefly in the upper LCD row.  Pressing a MUTE button while the SHIFT button is held switches the current Send’s Mute status.  When Flip mode is enabled, the MUTE buttons display and edit the current Send’s Mute status. Note: Ensure that the ZOOM button isn’t active when using the cursor buttons.
      V-Select 1 or F1—switches to Send Multi Channel view and selects Destination. V-Select 2 or F2—switches to Send Multi Channel view and selects Send Level. V-Select 3 or F3—switches to Send Multi Channel view and selects Position. V-Select 4 or F4—switches to Send Multi Channel view and selects Mute. V-Select 5 or F5—switches to Send Channel Strip view.
    pressing a V-Select confirms a preselected Send Destination. the Solo buttons edit Send Position—a lit Solo LED indicates Pre Fader mode. the MUTE buttons edit Send Mute. the faders edit Send Gain. If one or more Sends are activated on multiple channels, you can switch between them in the Channel Strip views by simply pressing the SELECT button for the desired channel. Plug-in Assignment Modes Pressing PLUG-IN switches between Plug-in Multi Channel or Plug-in Channel Strip view.
To remove a plug-in: 1 Pre-select the “--” value (by turning the V-Pot fully counter-clockwise) 2 Press the V-Select of the appropriate Insert slot. Logic Control will not switch to Plug-in Edit view, and no Plug-in window will be launched. If one was previously opened, it will be closed (if Link mode is inactive). Channel Strip View This mode shows the plug-ins associated with all Insert slots for the selected channel. Â The mode display will show PL.
 Value: The upper LCD row shows the name of the parameter which can be edited via the V-Pot positioned below. The lower LCD row shows the current value of the parameter edited with the V-Pot. If there is sufficient onscreen space, the unit type will be added—Example: Hz.  Turning the V-Pots changes parameters.  Pressing a V-Select sets the parameter to its default value, except where the parameter only has two values (on/off, for example). In this case, pressing the VSelect switches between these values.
Compatibility Logic Control can edit all plug-ins that can be automated. The plug-in type (Logic native, TDM, Audio Units) is irrelevant. Some third-party manufacturer plug-ins unfortunately don’t provide parameter names and/or values as text. In such cases, parameters are enumerated as “Control #1,” “Control #2” and so on, with values displayed as numbers ranging between 0 and 1000. Please contact the plug-in manufacturer to obtain a version which supports this feature.
To remove an instrument: 1 Pre-select the “--” value (by turning the V-Pot fully counter-clockwise) 2 Press the V-Select button. Logic Control will not switch to Instrument Edit view, and no Plug-in window will be launched. If one was previously opened, it will be closed. Instrument Edit View  The mode display will show In.
Fader Bank Zone This area of the Logic Control surface contains six buttons. Bank Left/Right Moves up or down by “banks” of channels/tracks. To quickly explain, a single Logic Control is only capable of viewing eight tracks at a time, in either the Global or Mixer view. To see, and edit or mix more tracks, simply press the Right/Left BANK buttons to switch between tracks 1–8, 9–16, 17–24, and so on. The BANK button pair shifts the view section by the number of channels in the control surface group.
The fader bank offset is independently memorized for Global views where one track class is displayed (MIDI, Inputs, Audio Tracks, Instruments, Auxes, Busses, Outputs, and Master). There is also a separate fader bank offset memory location for combinations of multiple track types. This feature allows you to scroll to audio tracks 2 through 9 in Global Audio Track view, and then scroll to instruments 5 through 12 in Global Instruments view.
Master Fader Controls the level of the Master fader in the Logic mixers. This reduces the level of all tracks, but does not affect their relative positions. When there is no Master Volume Object in the song, Logic Control’s Master fader is mapped to Output 1-2. You need to select this Object (Master) in order to set the automation mode of the Master output. To do so, press the OUTPUTS button and select the master output with the corresponding SELECT button.
In all three modes, the SIGNAL LEDs function as per usual, indicating the presence of a signal. Note: The MIDI bandwidth required for the display of level meters is the same in all three modes—and is very low. The Position/Time Display updates require much more MIDI bandwidth than the level meters. Pressing the NAME/VALUE button, while holding the CONTROL button, clears overload (clipping) in both the Logic mixers, and the horizontal level meters on the Logic Control.
The Function Key Zone The eight Function keys—F1 to F8—are assigned as follows: Â F1 to F7 recalls Screensets 1 to 7. Â F8 closes the top-most window, with “floating” windows closed first.
The following buttons directly below the Function keys supplement the numeric input functions: Â MIDI Tracks button—9 Â Inputs button—0 In some other “modes,” the Function keys perform other duties, such as shortcuts to markers. Please see “Marker” on page 79. Also see the tables in “Assignment Overview” on page 89. The Global View Zone The Global view mode is activated by pressing any of the GLOBAL VIEW buttons. When any is activated, the green LED to the right of the GLOBAL VIEW button will illuminate.
Function Button Zone There are three areas in this zone—Modifiers, Automation, and Utilities. Modifier Buttons The four buttons in this area are similar to those found on your computer keyboard (but are independent from the keyboard modifiers). Many Logic functions behave differently when one or more “modifier” key(s) is pressed, in conjunction with another key or mouse click. This also applies to the Logic Control. All “modified” Logic Control commands are covered in each function’s description.
     Off—Automation is off. The fader will neither send nor receive automation data. Existing automation data remains untouched. It will still behave as a fader, however, and will adjust the volume or pan position and so on as usual.  Read—The fader will read (follow) any existing automation data, but will not write data, regardless of any movements you make with the mouse or external control device. TOUCH—Writes new parameter changes when the fader is “touched” or V-Pot turned during playback.
 The Time display shows the group name (ten last characters if name is longer than ten characters).  The upper LCD line displays track names.  The lower LCD line displays group parameters.  Group parameters can be switched with V-Selects.  Cursor Up/Down selects previous/next group.  Cursor Left/Right shifts group parameter display.  SELECT buttons display if a track is a member of the group. Pressing a SELECT button enables/disables track membership of the group.
The SAVE LED illuminates as soon as any save-able change has been made in Logic. Holding down the OPTION button while pressing SAVE opens the “Save As” file selector box. Undo Pressing the UNDO button undoes the last undo-able editing step. As Logic supports near-unlimited multiple undo/redo, the green UNDO LED does not illuminate to indicate an undo-able step, but rather to indicate that Redo is available.
The Transport Zone This section of the Logic Control features twelve buttons. All are equipped with a dedicated LED to indicate their current status. It should be noted that these buttons can be used independently, or in conjunction with one another, to navigate and edit your songs. The functionality of these buttons is as follows: Marker The MARKER button enables you to jump to, create, and delete markers. Marker and Nudge mode are mutually exclusive; activating one deactivates the other.
 V-Select 1 to 5—displays the first five markers by name. Pressing a V-Select moves the SPL to this Marker. When the current song position (indicated by the SPL) is inside a marker, the lower line displays INSIDE, and the V-Pot LED ring is lit.  V-Select 6—Cr w/o—Creates a marker without rounding to the nearest bar.  V-Select 7—Create—Creates a marker rounded to the nearest bar.  V-Select 8—Delete—Deletes the marker above the current SPL location.
Nudge The NUDGE button enables you to move (nudge) selected Audio or MIDI Regions, or events. Marker and Nudge mode are mutually exclusive; activating one deactivates the other. Small Nudge Mode Use of the NUDGE button reassigns the behavior of the FAST FWD and REWIND buttons. They nudge the selected Regions or events by the value defined in Large Nudge mode (see below).
 The cursor buttons emulate the computer keyboard’s cursor keys, allowing easy selection of a Region or event. Large Nudge mode is terminated by pressing NUDGE. Temporary Nudge Mode If you want to use Nudge temporarily (for one or two small moves), hold down the NUDGE key, and use one or more of the V-Pots: this will execute the selected function and exit Temporary Nudge mode as soon as you release the NUDGE button.
Cycle View Pressing the SHIFT and CYCLE buttons activates Cycle view mode:  The mode display displays Cy  V-Pot/V-Select 1—shows and edits the current Cycle status (off or on); you can also use the CYCLE button.  V-Select 2—BySel— sets the current Cycle area by the selection made in the Arrange window (selected Audio or MIDI Region).  V-Pot 3—Move— moves the current Cycle by a bar with each “click” when turning the V-Pot  The display shows the left and right locators above V-Pots 5 and 7.
 The mode display shows dr  V-Pot/V-Select 1 shows and edits the current Drop status (off or on); you can also use the DROP button.  V-Pot 3—Move— moves the current Drop region by a bar with each “click” when turning the V-Pot.  The display shows the Drop In and Drop Out locators above V-Pots 5 and 7.  Pressing V-Select 5 picks up the current song position for the Drop In locator.  Turning V-Pot 5 changes the Drop In locator in bars.
Rewind Rewinds/shuttles through the song. If pressed repeatedly while rewinding, the rewind speed is accelerated. If the FAST FWD button is pressed while REWIND is engaged, the fast rewind will be slowed. Repeated presses of the FAST FWD button will slow down, stop, and eventually reverse the shuttle direction. Pressing the STOP button will halt the rewind. Using the Jog/Scrub Wheel will also exit shuttle mode.
Stop Stops all other Transport functions. Pressing the STOP button a second time will return to the song start point, or the beginning of the nearest cycle area, if Cycle is active. Repeated presses will switch between the two. Play Plays from the current song position. If pressed repeatedly, it will jump to the beginning of the nearest cycle area, if Cycle is active. SHIFT and PLAY works as a Pause command. Record Activates recording on the selected MIDI, audio, or Audio Instrument track.
The Cursor/Zoom Key Zone This collection of five buttons serves a number of purposes. Normal Operation When the ZOOM button’s LED is off, these buttons select the current parameter, shift the current parameter page or Send/EQ/Insert slot, depending on the current V-Pot assignment. When holding down the OPTION button, the Cursor Left/Right buttons scroll to the first/last page, and the Cursor Up/Down buttons scroll to the first/last slot.
Computer Cursor Key Emulation To use the cursor buttons as a replacement for the computer keyboard cursor keys, hold down the SHIFT key. By pressing SHIFT and ZOOM, the cursor buttons go to Permanent Cursor Key mode— they mimic the computer cursor keys without the need to hold down SHIFT. The ZOOM button LED flashes when in this mode. You can deactivate this mode by pressing the ZOOM button.
Assignment Overview The following assignment tables are broken down into “zones” of the Logic Control. Channel Strip (x8) Logic Control Modifier Function/Comments V-Pot — Modify parameter displayed in LCD. OPTION Set parameter to minimum, default, or maximum value. x/ALT Modify parameter at high resolution. — Set parameter displayed on LCD to default value, or: Switch between two possible values. V-Select Flashing pre-selection: — Enter the pre-selected value.
Logic Control Modifier Function/Comments MUTE — Activate/Deactivate Mute button of track’s Audio Object. OPTION Disable Mute button for all Audio Objects. In Track Multi Channel view: SHIFT Activate/Deactivate mute/bypass of the shown parameter. In EQ Multi Channel view: SHIFT Activate/Deactivate bypass of the current EQ band. In EQ Frequency/Gain view: — Activate/Deactivate bypass of selected EQ band. In Send Multi Channel view: SHIFT Activate/Deactivate bypass of selected send.
Logic Control Modifier Function/Comments FADER — Adjust volume. In Flip mode “Duplicate”: — Same function as V-Pot of same channel. In Flip mode “Swap”: — Swap function with V-Pot of same channel. In Surround Angle/Diversity view: — Adjust surround diversity. In EQ Frequency/Gain view: — Adjust gain of selected EQ band. In Send Destination/Level Multi Channel view: — Adjust send level of selected send.
DISPLAY Parameters Logic Control Modifier Function/Comments NAME/VALUE — Switch between parameter name and parameter value display. SHIFT Cycle through level meter displays: vertical, horizontal, and off. OPTION Switch between track name and track number:name display. CONTROL Clear clip/overload flags. SMPTE/BEATS x/ALT Enter control surface group settings mode. — Switch between SMPTE and beat format in clock display.
Logic Control Modifier Function/Comments F3 — Recall Screenset 3. SHIFT Open/Close Event Editor. x/ALT Paste TRACK Switch to Multi Channel view—Track mode. PAN/ Switch to Multi Channel view—Pan/surround LFE. SURROUND EQ Switch to Multi Channel view—Frequency. SEND Switch to Multi Channel view—Position. MARKER Delete marker. NUDGE Nudge value: Beat In modal dialog: F4 F3 key is equivalent to computer keyboard 3 key. — Recall Screenset 4. SHIFT Open/Close Score Editor.
Logic Control Modifier Function/Comments F6 — Recall Screenset 6. SHIFT Open/Close Matrix Editor. x/ALT Select All Following TRACK Switch to Multi Channel view—Automation. PAN/ Switch to Angle/Diversity view. SURROUND EQ SEND Switch to Channel Strip 2 view. NUDGE Nudge value: 1/2 Frame In modal dialog: F7 Switch to Channel Strip view. F6 key is equivalent to computer keyboard 6 key. — Recall Screenset 7. SHIFT Open/Close Transport window. x/ALT Select Similar Regions/events.
GLOBAL VIEW Buttons Logic Control Modifier Function/Comments MIDI TRACKS — Switch to Global view and show MIDI tracks. SHIFT Set to fader bank no. 1 (tracks 1 to 8, for example). In modal dialog: INPUTS MIDI TRACKS button is equivalent to computer keyboard 9 key. — SHIFT In modal dialog: AUDIO TRACKS — Switch to Global view and show Audio Track Objects. SHIFT Set to fader bank no. 3 (tracks 17 to 24, for example). AUDIO TRACKS button is equivalent to computer keyboard’s period key.
AUTOMATION Buttons Logic Control Modifier Function/Comments READ/OFF — Set selected track’s automation to Read or Off. OPTION Set all tracks’ automation to Read or Off. — Set selected track’s automation to Touch. OPTION Set all tracks’ automation to Touch. TOUCH LATCH WRITE — Set selected track’s automation to Latch. OPTION Set all tracks’ automation to Latch. — Set selected track’s automation to Write. OPTION Set all tracks’ automation to Write. — Enter Group Edit mode.
TRANSPORT Buttons Logic Control Modifier Function/Comments MARKER — Switch Small Marker mode on/off. SHIFT Switch Large Marker mode on/off. — Switch Small Nudge mode on/off. SHIFT Switch Large Nudge mode on/off. MARKER Create a marker. This allows you to create a marker with one hand without entering Large Marker mode. — Activate/Deactivate Cycle. SHIFT Switch to Cycle view. — Activate/Deactivate Drop. SHIFT Switch to Drop view. REPLACE — Activate/Deactivate Replace.
Logic Control Modifier Function/Comments PLAY — Play SHIFT Pause — Record RECORD Cursor Keys and Scrub Wheel Logic Control Modifier Function/Comments Cursor Left/Right If in Multi Channel view: — Select previous/next parameter of current view. ZOOM Scroll window horizontally by page. If in Channel Strip EQ, Send view or Plug-in/Instrument Edit view: — Shift current editor page by one page. x/ALT Shift current editor page by one parameter. ZOOM Scroll window horizontally by page.
Logic Control Modifier Function/Comments Jog Wheel — Move song position line. CYCLE Set the Left locator to the current SPL, advance the SPL as normally, then set the Right locator to the SPL. Further Jog Wheel turns while still holding down CYCLE advances the SPL and sets the Right locator again. Tip: Rotating the Jog Wheel counterclockwise while holding down CYCLE defines a skip-cycle range.
3 M-Audio iControl 3 This chapter will introduce you to using Logic Pro with the MAudio iControl. The iControl support in Logic Pro has been designed to ensure full GarageBand compatibility. When a GarageBand song is imported into Logic, the iControl can be used to edit the song in exactly the same fashion as it would in GarageBand. Logic, however, offers many more functions than GarageBand, leading to some iControl buttons not being assigned as you might expect in Logic.
Compatibility The iControl can edit all plug-ins that offer parameters which can be automated. Many Logic plug-ins—effects and Audio Instruments—plus those of third-party manufacturers, feature dozens of parameters. Every one of these parameters can be accessed by the iControl. To give you an example of how this works, imagine a plug-in that contains, say, 16 parameters.
The other channel strip buttons maintain the default Multi Channel View function: Â Sel buttons: Selects the track for editing. Â Record Enable buttons: Enables/disables the track for recording. Â Mute button: Activates/deactivates the Mute button of the Audio Object that corresponds with the track. Â Solo button: Activate/deactivates the Solo button of the Audio Object that corresponds with the track.
 Encoder 7 controls the Send level of the second Send.  Encoder 8 controls the Volume fader of the channel. Generator Pressing the Generator button allows you to edit all sound generation parameters of the software instrument for the selected track. The Arrow Up and Arrow Down buttons switch to the previous or next eight parameters. Note: This mode can only be accessed if the selected channel strip contains an audio instrument.
Arrow Up and Arrow Down Buttons The Arrow Up and Arrow Down buttons move up or down by “banks” of tracks (or between “pages” of parameters, as discussed earlier). To quickly explain, a single iControl device is only capable of viewing eight tracks at a time. To see, and edit or mix more tracks, simply press the Arrow Up or Arrow Down button to switch between tracks 1 to 8, 9 to 16, 17 to 24 and so on. Note that when shifting by bank, this always “quantizes” to integer banks.
Mute Button Used to mute the track’s signal. Each channel features an independent Mute LED which illuminates when a track is muted. Note: Holding down the Option button, while pressing any Mute button will unmute all tracks. Solo Button Used to solo channel signals. Each channel features an independent Solo LED which illuminates when a track is soloed. Note: Holding down the Option button, while pressing any Solo button will disable solo for all tracks.
Rewind Button Holding the Rewind button moves the song position line backwards. Quickly pressing the Rewind button once, moves the SPL one bar backwards. Pressing the Rewind and Cycle buttons simultaneously enables Cycle mode, and sets the left border of the Cycle area (left locator) to the current song position. Play Plays from the current song position. If pressed during playback, it will stop playback. Fast Forward Button Holding the Fast Forward button moves the song position line forwards.
Assignment Overview The following assignment tables are broken down into “zones” of the iControl. Assignment Section The Assignments button in the All Tracks and Selected Tracks area defines the behavior of the channel strip buttons. iControl button Modifier Function/Comments Volume — Encoders control track’s Volume parameter. Pan — Encoders control track’s Pan parameter. Generator — Encoders control software instrument parameters. Track Info — Encoders control track parameters.
Jog Wheel iControl Jog Wheel Modifier Function/Comments — Move Song Position Line. Cycle Set the Left locator to the current SPL, advance the SPL as per usual, then set the Right locator to the new SPL position. Further Jog Wheel turns (to the right) while holding down the Cycle button advances the SPL and resets the Right locator position. Tip: rotating the Jog Wheel counter-clockwise (to the left) while holding down Cycle defines a skip-cycle range.
4 EuCon Support of Euphonix MC and System 5-MC 4 Logic Pro 7.2.1 supports the EuCon protocol developed by Euphonix, enabling enhanced communication between the MC or System 5-MC and Logic. The following chapter describes how the MC and System 5-MC control Logic in EuCon mode. Please note that this is an addendum to the MC operation manual and is limited to descriptions of Logic specific features. Please refer to the device operating manuals for more information about your control surface(s).
5 If you have a CM408T and the correct MC software is running: Choose Euphonix > Prefs > Modules, select the CM408T in the “All Online” list, then touch “Add.” 6 Launch Logic Pro 7.2.1. The startup screen advises that Logic is starting EuCon. 7 On the MC, press the workstation button associated with your Macintosh computer. The MC display will show an “Attaching to Logic Pro” progress bar. Note: The EuCon support of Logic is not achieved through special control surface plugins.
 Project > Markers: All markers defined in the open song are shown as a list. Assigning a Soft Key to a marker command will display the marker title on the Soft Key LCD display. Pressing the Soft Key will move the SPL to the marker start point. The Soft Key is illuminated while the SPL falls within the marker boundaries. Renaming a marker in Logic also changes the associated Soft Key title. Moving a marker, however, disconnects the Soft Key from the marker.
On Keys The MC On keys provide the same functionality as the Mute buttons in Logic, but work in reverse: An MC On key must be lit to hear the channel. If a channel strip has been muted in Logic, the corresponding MC channel On key is not illuminated. A track that is not muted features a lit On key. L LED When the Logic track controlled by the fader belongs to an automation group, the L LED on the channel strip is lit.
Knobsets When using the Euphonix MC with Logic, a knobset contains pages, each comprised of eight parameters. The top level knobset leads to the following knobsets: Â Inserts: Pressing the Inserts Soft Key switches to a list of currently instantiated plugins (see the following section for details). The On key is lit if a plug-in is enabled (not bypassed) and does not belong to the dynamic, EQ, or filter plug-in groups. (Please note that this also applies to Audio Unit plug-ins.
Pressing a knob top sets the controlled parameter to its default value. For parameters with only two values, the On key is lit when the value is 1 (or on) and unlit when the value is 0 (or off ). Pressing the On key switches between the two value. If the plug-in features more than eight parameters, use the left Page key set to navigate between pages of parameters. Pressing the Back key returns to the Inserts (Configuration) knobset.
To edit an instrument: m Press the respective knob top or Soft Key. Instrument parameters are displayed in the order shown in the Controls view of the plug-in. Turning a knob changes the parameter value. Pressing a knob top sets the controlled parameter to its default value. For parameters with only two values, the On key is lit when the value is 1 (or on) and unlit when the value is 0 (or off ). To change or insert an instrument: 1 Press both Page keys simultaneously.
EQ Knobset This knobset allows you to edit the first EQ plug-in (Channel EQ or Linear Phase EQ). There are two pages, with each band featuring two knobs. Page 1 shows the parameters of the first, second, 7th, and 8th EQ bands. Page 2 shows the parameters of EQ bands 3 to 6. When no Linear Phase or Channel EQ is present on the selected track, pressing the last Soft Key in the second row (labeled AddChEQ) inserts a Channel EQ. For each band: Â The upper knob controls either Frequency or Q.
To return to send editing mode: m Press the Back key. Pan/Surround Editing Knobset This knobset displays the Pan parameter unless Surround mode is active on the track(s). On tracks where Surround Mode is active, this knobset displays:  Surround Angle  Surround Diversity  LFE  Surround X (left/right)  Surround Y (front/back)  Center Level Press the Back key to return to the top-level knobset. Pressing a knob top sets the controlled parameter to its default value.
Assignable Knob The Assignable Knob can be used for control of any parameter that can be automated. You must click on the target parameter with the mouse. Pointing with the mouse is not sufficient to assign a parameter. Pressing the knob top locks/unlocks the Assignable Knob. When locked, clicking a parameter with the mouse will not reassign the Assignable Knob. Both the On and the Smart key switch the currently assigned parameter between values of 0 and 1 (useful for on/off parameters).
 Graphs: In all knobsets (except EQ), the graph section displays the current pan or surround position. If the EQ knobset is selected, the graph section displays the current frequency response. If the EQ plug-in is bypassed, the curve is displayed in gray, rather than green.  Knobset assignment: The eight lines normally display the assignment of a knob. The current value of a knob is displayed when it is touched.
Identical Keys The following CM408T keys work in the same fashion as their MC counterparts:  Page/Configure key  Channel Select key  Rec key  Solo key  On key 122 Chapter 4 EuCon Support of Euphonix MC and System 5-MC
5 CM Labs Motormix 5 Set Up Please follow these steps before using your control surface with Logic Pro 7. Â Ensure that your Motormix unit(s) are connected bi-directionally with the MIDI interface. Â Choose Logic Pro > Preferences > Control Surfaces > Setup. Â Choose the New > Install menu item from the Setup window’s local menu. Â Select “Motormix” in the Install window, choose “Add,” then set the appropriate MIDI In and Out ports in the Setup window—for each Motormix unit.
Mode Assignment WINDOW/ tool button LED on Opens, activates, or closes a window of a certain class. LED off: If the window is not open, the button opens it. LED on: If the window is open, but not active, the button activates it. LED flashes: If the window is active, the button closes it.  1: Arrange Window  2: Track Mixer  3: Event List  4: Score Editor.  5: Hyper Editor  6: Matrix Editor.  7: Transport window  8: Audio window. WINDOW/ tool button flashes Chooses a tool.
Mode Assignment Instrument Assign Enters Instrument Edit mode for selected track. Instrument Edit Enables/Disables parameter or resets it to default value. Note: In modal dialogs, the Select buttons generate the computer keyboard character shown on the button face. Rotary Pots Control Assignment Rotary pots 1 to 8 Control parameter chosen with the Rotary Selector, as displayed in the 7 segment display (see below).
Control Assignment Rotary Selector Selects a slot or parameter for rotary encoders, depending on the parameter type(s) being edited with the rotary encoders: Â Send slot when editing send level or assigning send destination. Â EQ band when editing an EQ parameter. Â Effect/Instrument slot when assigning an effect/instrument. Â Pan/Surround parameter when editing a Pan/Surround parameter. Â Track parameter when editing a Track parameter.
Burn Buttons These buttons (labelled I to P) have multiple uses, depending on the current mode, as indicated by the red LEDs to the left. Mode Assignment record Enables/Disables Record Enable status of track. SHIFT (fnctA) Switches automation mode to Latch. ALL + SHIFT (fnctA) Switches automation mode of all tracks to Latch. write Switches automation mode to Write. ALL Switches automation mode of all tracks to Write. SHIFT (fnctB) Switches automation mode to Read.
VIEW Section Control Assignment Left/right buttons In Plug-in and Instrument Edit mode: shifts the parameter bank by one bank. In other modes: Â If BANK LED is off: shifts the fader bank by one channel. Â If BANK LED is on: shifts the fader bank by one bank. SHIFT In Plug-in and Instrument Edit mode: shifts the parameter bank by one parameter. In Group Edit mode, the group parameter bank is shifted. bank Switches mode of left/right buttons (see above).
Faders The faders normally control volume, except when in Flip mode, where they duplicate the rotary encoder assignments. Right Function Buttons Control Assignment PLAY/ transport Play key command. SHIFT Switches Select buttons to Transport Section mode. STOP/locate Stop key command. SHIFT Switches Select buttons to Locate mode. FFWD/monitor Shuttle Forward key command. SHIFT Opens System Performance window. REWIND/status Shuttle Rewind key command. SHIFT Opens Synchronization window.
6 Frontier Design TranzPort 6 Set Up Please follow these steps before using your control surface with Logic Pro 7. Â Ensure that the software shipped with the TranzPort is installed. Â Make sure that the “Tranz Bridge” (the wireless transmitter) is connected to the computer via USB. Â When Logic Pro 7 is launched, it installs the TranzPort automatically, and sets it to “native mode.” LCD The LCD displays the following information: Â Top line left: name of currently displayed track.
Assignment Overview A right-aligned SHIFT (or other) button below a button description indicates that the button has an alternate meaning/use while holding down this modifier. Channel Strip Control Assignment Shift the currently displayed track right by one track. SHIFT Shift the currently displayed track right by eight tracks.
Control Assignment Jog Wheel Depending on current Jog Wheel mode: • Move SPL by bars. • Audio scrubbing or • Shuttle. SHIFT Adjust volume of the currently displayed track. LOOP Set the Left locator to the current SPL, advance the SPL as per usual, then set the Right locator to the SPL. Further Jog Wheel use while holding down LOOP advances the SPL and sets the Right locator. Tip: Rotating the Jog Wheel counter-clockwise while holding down LOOP defines a skip-cycle range.
7 JLCooper CS-32 MiniDesk 7 Set Up Please follow these steps before using your control surface with Logic Pro 7. Â Install the software that ships with the CS-32. Â Ensure that the CS-32 is in Host mode: Â Make sure that your CS-32 unit(s) are connected to the computer via USB or MIDI. USB units are installed automatically. You must manually scan for MIDI units: Â Choose Logic > Preferences > Control Surfaces > Setup. Â Choose New > Install in the Setup window’s local menu.
Display text Meaning PA Pots are in Pan/Send mode. rd Mute buttons display/set “Read” automation mode. Re Rec/Rdy has been enabled. So Solo has been enabled. Tc Mute buttons display/set “Touch” automation mode. Wr Mute buttons display/set “Write” automation mode. Other text When a track is selected, the first two characters of its name are shown briefly. Numbers While editing a numerical value with a fader or pot, the current value is displayed.
Control Assignment SEND D/P5 Assigns Send 4 Destination of selected track. SEND E/P6 Assigns Send 5 Destination of selected track. Instrument Edit Mode In Instrument Edit mode (enabled with F8; display shows “In”), the pots control instrument parameters. With SHIFT held down (display shows “b1”–“b9”), you can choose the parameter bank (see “Cursor Section” on page 139).
Control Assignment F5 Displays/sets automation mode to “Write” (display shows “Wr”). F6 Displays/sets automation mode to “MIDI” (display shows “MI”). ARM Activates/Deactivates Record Enable button. Faders Control volume. As the faders don’t offer feedback, Pickup mode is used, if enabled in the Control Surfaces preferences. This means that they will not “take over” until NULLed. NULL status is displayed by the NULL arrow LEDs.
Cursor Section Control Up Assignment Zooms out vertically. SHIFT In Plug-in edit mode: decrements current Insert slot. Down Zooms in vertically. SHIFT In Plug-in Edit mode: increments current Insert slot. Left Zooms out horizontally. SHIFT In Instrument and Plug-in Edit modes: decrements current parameter bank. Right Zooms in horizontally. SHIFT In Instrument and Plug-in Edit modes: increments current parameter bank.
8 JLCooper FaderMaster 4/100 8 Requirements You need one or more FaderMaster 4/100 (MIDI or USB version) units with firmware version 1.03 or higher. Important: If you have older firmware (see the sticker on the back of the unit), please contact JLCooper. Set Up Please follow these steps before using your control surface with Logic Pro 7. Â USB model only: install the software that ships with the FaderMaster 4/100.
Assignment Overview The following assigment tables are broken down into “zones” of the FaderMaster 4/100. Global buttons Control Assignment Select Switches Track buttons to track selection. Aux Switches Track buttons to Record Ready. Solo Switches Track buttons to Solo. Mute Switches Track Buttons to Mute. Inc Increases fader bank display to show next four tracks. Dec Decreases fader bank display to show previous four tracks.
9 Korg microKONTROL and KONTROL49 9 Set Up Please follow these steps before using your control surface with Logic Pro. Â Ensure that your unit(s) is/are connected to the computer via USB. Â Boot Logic, and the unit(s) will be scanned for, and installed automatically. Â When Logic launches, the microKONTROL/KONTROL49 is automatically set to “Native mode”—internal Scene settings are ignored.
Pad Assignment 10 Switches channel strips to Send mode. 11 Switches channel strips to Automation mode. 12 Switches channel strips to Instrument Edit mode. 13 Switches channel strips to Plug-in Edit mode. 14–16 Switches channel strips to User 6–8 mode. These modes have unassigned encoders. You can add assignments with the Logic Learn function. Transport Mode This mode is enabled by pressing SCENE and Pad 1. Pad Assignment 1 Sets main encoder to Transport mode.
User 4–8 Modes These modes are enabled by pressing SCENE and Pad 4 to 8. In these modes, the Pads are unassigned. Use the Learn function (Logic > Preferences > Control Surfaces > Learn Assignment for xxx) to assign them to key commands, for example. Send Mode This mode is enabled by pressing SCENE and Pad 10. Send overlay Pressing SETTING while the encoders are in Send mode, changes the operation of the Pads in Send mode.
The LCD backlight is red while recording, and green at other times. The controls in the main section have the following meaning: Control Assignment Main encoder Controls SPL in one of three modes (see Pads 1–3 in “Transport Mode” on page 144). SETTING Held down in Send mode: Â Main encoder chooses current send. Â Pads have special meaning—see “Send Mode” on page 145. Â LCDs display send destinations. Â Encoders choose send destinations.
10 Mackie Baby HUI 10 Set Up Please make sure that your Baby HUI unit(s) is/are connected bi-directionally with the computer. You must manually scan for Mackie Baby HUI units: 1 Choose Logic > Preferences > Control Surfaces > Setup. 2 Choose New > Install in the Setup window’s local menu. 3 Select Baby HUI in the Install window. 4 Click the Scan button.
Encoder Assignment Section Control Assignment PAN Assigns Pan to rotary encoders. SEND 1 Assigns Send 1 Level to rotary encoders. SEND 2 Assigns Send 2 Level to rotary encoders. SEND 3 Assigns Send 3 Level to rotary encoders. SEND 4 Assigns Send 4 Level to rotary encoders. Automation Section Control Assignment BYPASS/OFF Sets selected track to automation mode Off. SHIFT Enables/Disables automation playback and recording of volume. READ Sets selected track to automation mode Read.
Navigation Section Control Assignment RTZ Navigates to the left locator. SHIFT Sets Drop In locator. END Navigates to the right locator. SHIFT Sets Drop Out locator. BANK SELECT Left Shifts channel strips by one bank to the left. SHIFT Shifts channel strips by one channel to the left. BANK SELECT Right Shifts channel strips by one bank to the right. SHIFT Shifts channel strips by one channel to the right. Transport Section Control Assignment REWIND Shuttles backward.
11 Mackie C4 11 Set Up A powered Mackie C4 unit will automatically be detected when Logic Pro is launched. You can use the C4 in an independent control surface group (with other control surface icons placed above/below the C4 icon), or combined into one control surface group with one or more control surfaces (such as the Logic Control—place the icon to the right or left of the existing icon(s).
Example: In Pan Multi Channel view (see “Multi Channel View” on page 57); where row 1 edits the Pan/Surround Angle, row 2 edits Surround Diversity, row 3 edits LFE and row 4 edits Surround mode. In Channel Strip view, all four rows build a group of 32 editable parameters. In Plug-in and Instrument Edit views, it can be split into two groups (8/24, 16/16 or 24/8 parameters), see “SPLIT” on page 157. Pan/Surround Multi Channel View In Pan/Surround Multi Channel view: Â Row 1 edits Pan/Surround parameter 1.
The V-Pots edit the following track parameters in this order: Volume, Pan/Angle, Track Mode, Input, Output, Automation Mode, Group, Displayed Automation Parameter). BANK Left/Right and SINGLE Left/Right change the parameter edited in row 4, thus affecting the parameters shown/edited in rows 1 to 3. To access Track Multi Channel view: 1 Hold the CHAN STRIP button. The Channel Strip overlay labels appear on the C4 displays. 2 Press V-Select 17 (labeled Track MultiC).
2 Press V-Select 27 (labeled EQs). Send Multi Channel View In Send Multi Channel view: Â Row 1 edits send destination. Â Row 2 edits send level. Â Row 3 edits send position. Â Row 4 edits send mute. Â The SLOT UP/DOWN button selects the edited Send slot. Â The TRACK L and TRACK R buttons shift the fader bank left or right by the number of channel strips in the control surface group. To access Send Multi Channel view: 1 Hold the CHAN STRIP button. The Channel Strip overlay labels appear on the C4 displays.
 Holding SHIFT and pressing a V-Select switches the bypass state of the respective Insert slot. Bypassed plug-ins are denoted by an asterisk which precedes the plug-in name(s). To access Plug-in Select Multi Channel view: 1 Hold the CHAN STRIP button. The Channel Strip overlay labels are shown on the C4 displays. 2 Press V-Select 21 (labeled PlugIn MultiC). Plug-in Edit View In Plug-in Edit view:  V-Pot/V-Select 1 to 32 builds a group of 32 parameters. Splitting is possible.
Instrument Edit View In Instrument Edit View: Â V-Pot/V-Select 1 to 32 builds a group of 32 parameters. Splitting is possible. Â BANK Left/Right shifts the edited parameters by one page. In Split mode, this applies to Split Upper. When holding down SHIFT, this applies to Split Lower. Â SINGLE Left/Right shifts the edited parameters by 1. In Split mode, this applies to Split Upper. when holding down SHIFT, this applies to Split Lower.
      Pressing V-Select 5 picks up (uses) the current song position for the Drop In locator. Turning V-Pot 5 changes the Drop In locator position by bars. Turning V-Pot 6 changes the left locator position by beats (denominator steps). Pressing V-Select 7 picks up (uses) the current song position for the Drop Out locator. Turning V-Pot 7 changes the Drop Out locator position by bars. Turning V-Pot 8 changes the right locator position by beats (denominator steps).
TRACK Switches between Track overlay (see “Track Overlay” on page 160) and normal view. Alternate mode options Holding down the TRACK button accesses a further submenu in the lower LCD, enabling you to enter Global view with a certain Object type: Â V-Select 25 switches to MIDI tracks. Â V-Select 26 switches to Input Objects. Â V-Select 27 switches to Audio tracks. Â V-Select 28 switches to Audio Instrument tracks. Â V-Select 29 switches to Auxiliary Objects. Â V-Select 30 switches to Bus Objects.
 V-Select 28 switches to Send Channel Strip view (see “Send Channel Strip View” on page 154).  V-Select 31 activates the Cycle view (see “Cycle View” on page 156).  V-Select 32 activates the Drop view (see “Drop View” on page 156). FUNCTION Switches between Function overlay (see “Function Overlay” on page 161) and normal view. Modifier Buttons The four buttons in this area are similar to those found on your computer keyboard (but are independent of the keyboard modifiers).
SLOT UP/DOWN Selects the desired EQ, Send or plug-in insert slot. Marker Overlay The Marker overlay is active when the MARKER button light is on. Â V-Select 1 to 30 is assigned to markers 1 to 30. The upper LCD line shows the marker name; the lower line displays “INSIDE” when the SPL falls between marker boundaries. Â V-Select 31 creates a new marker. Â V-Select 32 deletes the current marker. Track Overlay The Track overlay is active when the TRACK button light is on.
 V-Pot/V-Select 30 edits pan/surround angle (for surround channels).  V-Pot/V-Select 31 edits Surround Diversity.  V-Pot/V-Select 32 edits track mode (mono/stereo). Function Overlay The Function overlay is active when the FUNCTION button light is on. Control Assignment 1 (display: Params) Enables/Disables the parameter display of the active window. 2 (Channl Strip) Enables/Disables Channel Strip Only option in Arrange. 3 (Delay in ms) Activates/Deactivates display of delays in milliseconds.
Control Assignment V-Pot 25 (WfZoom) Edits the active Arrange waveform zoom factor. V-Pot 26 (V.Zoom) Edits the vertical zoom factor of the active window. V-Pot 27 (H.Zoom) Edits the horizontal zoom factor of the active window. V-Pot 28 (Move Cycle) Moves the Cycle locators. V-Pot 29 (Quantz) Chooses the Quantize Again value. V-Select 29 performs Quantize Again for the selected Regions or events. V-Pot 30 (Format) Chooses the Format value for clock display.
12 Mackie HUI 12 Set Up Please make sure that your HUI unit(s) are connected bi-directionally with the computer, using a MIDI interface. To set up Mackie HUI units: 1 Choose Logic Pro > Control Surfaces > Setup. 2 Choose New > Install in the Setup window’s local menu. 3 Select HUI in the Install window. 4 Click the Scan button. Logic Pro will scan for, and automatically install, your control surface(s). Other HUI Compatible Devices If the unit emulates one HUI unit, proceed as if using a HUI.
ASSIGN Section Control Assignment SEND A Assigns Send 1 Level to V-Pots, and Send 1 to 4 Levels to DSP V-Pots. While held down, the scribble strips show the current Send 1 destination assignment. SHIFT/ADD As above, for Send 6 SEND B Assigns Send 2 Level to V-Pots, and Send 1 to 4 Levels to DSP V-Pots. While held down, the scribble strips show the current Send 2 destination assignment. SHIFT/ADD As above, for Send 7 SEND C Assigns Send 3 Level to V-Pots, and Send 1 to 4 Levels to DSP V-Pots.
WINDOW Section Control Assignment TRANSPORT Opens/Closes the Transport window. EDIT Opens/Closes the Arrange window. MIX Opens/Closes the Track Mixer. ALT Opens/Closes the Sample Editor. STATUS Opens/Closes the Audio window. MEM-LOC Opens/Closes the Marker List. KEYBOARD SHORTCUTS Section Control Assignment UNDO Performs Undo. SHIFT/ADD Performs Redo. OPTION/ALL Opens Undo History window. SAVE Saves the song.
Channel Strips Control Assignment Level meters Displays momentary and peak levels. REC/RDY Activates/Deactivates Record Enable button. OPTION/ALL Disables Record Enable button for all tracks. INSERT BYPASS button off (see Insert Select mode on page 164): selects track for plug-in selection. BYPASS button on (see Insert Bypass mode page 164): enables/disables bypass of currently selected Insert slot. V-SEL PAN button on: sets Pan parameter to center if DEFAULT button is on.
DSP EDIT/ASSIGN Section Control Assignment ASSIGN — COMPARE Switches DSP display between “track name/parameter name” and “parameter name/ parameter value” modes. BYPASS Enables/Disables bypass of currently edited plug-in insert. DSP Select 1 to 4 Assignment Pan: Â DSP Select 1 centers Pan or Surround Angle. Â DSP Select 2 centers Surround Diversity. Â DSP Select 3 centers Surround LFE. Â DSP Select 4 selects Surround mode. Assignment Send: Â Activate/Deactivate Sends 1 to 4 or Mutes 5 to 8.
Function Keys Control Assignment F1 Clears Overload LEDs. SHIFT/ADD Switches to Global View and enables MIDI tracks. x/ALT/FINE Opens/Closes Arrange window. F2 Recalls Screenset 2. SHIFT/ADD Switches to Global View and enables Input Objects. x/ALT/FINE Opens/Closes Track Mixer. F3 Recalls Screenset 3. SHIFT/ADD Switches to Global View and enables audio tracks. x/ALT/FINE Opens/Closes Event Editor. F4 Recalls Screenset 4. SHIFT/ADD Switches to Global View and enables Audio Instrument trackss.
AUTO MODE Section Control Assignment READ Sets selected track to Read automation mode. While held down, the channel strip AUTO buttons set automation mode to Read. OPTION/ALL Sets all tracks to Read automation mode. LATCH Sets selected track to Latch automation mode. While held down, the channel strip AUTO buttons set automation mode to Latch. OPTION/ALL Sets all tracks to automation mode Latch. TRIM — TOUCH Sets selected track to Touch automation mode.
EDIT Section Control Assignment CAPTURE — SEPARATE — CUT Cuts the selection. COPY Copies the selection. PASTE Pastes the Clipboard contents. DELETE Deletes the selection. Time Display Control Assignment TIME CODE Lit if counter displays time code. FEET Not assigned. BEATS Lit if counter displays bars/beats/format/ticks. Time display Displays time code or bars/beats/format/ticks. RUDE SOLO LIGHT Flashes if any track is soloed.
Control Assignment EDIT TOOL Selects tool: 1: Pointer 2: Pencil 3: Eraser 4: Text tool 5: Scissors 6: Glue 7: Solo tool 8: Mute tool 9: Magnifying Glass 0 If in Goto Marker dialog: Equivalent to computer keyboard 0 key. . If not in Goto Marker dialog: Enters Goto Marker dialog. In in Goto Marker dialog: Confirms entered marker number. ENTER If not in Goto Marker dialog: Enters folder of selected track. If in Goto Marker dialog: Confirms entered marker number.
Cursor Buttons Control Assignment Cursor Up Cursor mode: Equivalent to computer keyboard Up Arrow key. Zoom mode: Zooms out vertically. SHIFT/ADD Zoom mode: Individual track zoom in. x/ALT/FINE Page up OPTION/ALL + Scroll to top. x/ALT/FINE Cursor Down Cursor mode: Equivalent to computer keyboard Down Arrow key. Zoom mode: Zooms out vertically. SHIFT/ADD Zoom mode: Individual track zoom out. x/ALT/FINE Page down OPTION/ALL + Scroll to bottom.
13 Radikal Technologies SAC-2K 13 Set Up Please make sure that your control surface is connected bi-directionally with the computer, either using a MIDI interface or the built-in USB connector. If the unit(s) are connected via USB, ensure that the MIDI driver shipped with the unit is installed. To set up SAC-2K units: 1 Choose Logic > Preferences > Control Surfaces > Setup. 2 Choose New > Install in the Setup window’s local menu. 3 Select the SAC-2K in the Install window. 4 Click the Scan button.
Channel Strips Control Assignment Mute/Solo Switches Mute/Solo 1 to 8 buttons between Mute and Solo modes. LED off: Mute/Solo buttons switch Mute state on/off. LED on: Mute/Solo buttons switch Solo state on/off. LED flashes: Mute/Solo buttons switch Rec/Rdy state on/off. SHIFT Sets Mute/Solo buttons to Rec/Rdy mode. Mute/Solo 1 to 8 Mute/Solo LED off: Enables/Disables Mute; LED displays Mute status. Mute/Solo LED on: Enables/Disables Solo; LED displays Solo status.
Control Assignment Snd/Ins 1 to 4 Â If in Send mode, switches to multi-channel send level editing of Sends 1 to 4. Encoders 9 to 12 edit Destination, Level, Pre/Post and Mute of the selected track. Destination must be confirmed by encoder 9’s push-button. While held down, Encoder 9 selects the desired Send number (1 to 8). The button’s LED is lit when in multi-channel send level editing mode of the button’s send number. Â If in Insert mode, switches to multi-channel plug-in selection for Inserts 1 to 4.
Software Navigation Section Control Assignment 1 Num LED off: — Num LED on: Equivalent to ‘1’ on computer keyboard. 2 Num LED off: Equivalent to Left Arrow key on computer keyboard. Num LED on: Equivalent to ‘2’ on computer keyboard. 3 Num LED off: Equivalent to Up Arrow key on computer keyboard. Num LED on: Equivalent to ‘3’ on computer keyboard. 4 Num LED off: Eequivalent to Right Arrow key on computer keyboard. Num LED on: Equivalent to ‘4’ on computer keyboard. 5 Num LED off: Performs Undo.
Marker Section Control Assignment SHIFT Shifts to secondary function of other buttons. Scrub Rotates thru the three modes for the Jog Wheel: Â LED off: Move SPL by one bar. Â LED on: Activates Scrub mode. Â LED flashes: Activates Shuttle mode. From Sets left locator to current SPL. SHIFT Sets SPL to left locator. Store Marker Creates a marker at the current SPL. SHIFT Deletes marker at the current SPL. To Sets right locator to current SPL. SHIFT Sets SPL to right locator.
Channel Strips Section Control Assignment EQs Enters Channel Strip EQ editing mode. Pressing the button again cycles through the available pages. Inserts/Sends Enters Channel Strip plug-in editing mode—edits the currently selected insert of the selected track. Pressing the button again cycles through the available pages. Dynamics — MIDI — Instrument Enters Channel Strip instrument editing mode—edits the instrument of the selected track (if it’s an Audio Instrument track).
14 Roland SI-24 14 Set Up Please follow these steps before using your control surface with Logic Pro 7. Â Ensure that your SI-24 unit(s) are connected to the RPC card with the (included) blue cable. This connector provides both digital audio and MIDI connections. Â Make sure that the MIDI driver shipped with the unit is installed. To scan for your Roland SI-24 unit: 1 Choose Logic > Preferences > Control Surfaces > Setup 2 Choose New > Install in the Setup window’s local menu.
Control Assignment EQ/SEND Switches track edit section between: Â EQ/Send mode (LED on). Â Pan mode (LED off ). PLUG-IN Switches track edit section between: Â Plug-in mode (LED on) (Plug-in window opens.) Â Pan mode (LED off ) Plug-in window closes when Plug-in mode is exited. SHIFT Switches track edit section between: Â Instrument mode (LED on) (Instrument window opens.) Â Pan mode (LED off ) Instrument editor window closes when Instrument mode is exited.
STATUS MODE Section Control Assignment AUTOMIX Sets STATUS 1 to 12 buttons to Automation mode. SHIFT Sets all tracks to Off, Read, Latch, or Write (cycles through) automation mode. REC/PLAY Sets STATUS 1 to 12 buttons to Record Ready mode. SOLO Sets STATUS 1 to 12 buttons to Solo mode. MUTE Sets STATUS 1 to 12 buttons to Mute mode. CH ASSIGN Controls Control Assignment INPUT Shows the first 12 audio inputs (Global View) on channel strips.
Numeric Key Section Control Assignment SYSTEM Switches SI-24 to System mode. See SI-24 user manual for details. LOCATE Switches numeric keys to Locate mode. SHORT CUT Switches numeric keys to Shortcut mode. SCREEN SET Switches numeric keys to Screenset mode. 0 to 9 System mode: See SI-24 user manual. Locate mode: Â 1 to 9: Goes to markers 1 to 9. Â 0: Creates marker at SPL. Shortcut mode: Â 1: Saves song. LED is lit if song has changed since last save. Â 2: Performs undo.
Transport Section Control Assignment PAUSE Pause REW Rewinds SPL by one bar. F FWD Advances SPL by one bar. STOP Stops playback. PLAY Starts playback. RECORD Record Jog wheel Scrub mode off: Moves SPL by bars. Scrub mode on: Scrubs audio.
15 Tascam FW-1884 15 Introduction Logic Pro 7 supports the Tascam FW-1884, FE-8 extension and the FW-1082. Version 1.10 of the plug-in also supports the SoftLCD application which displays information on track names, parameter assignments and the current value of the encoders. SoftLCD displays the tracks’ current automation mode while one of the automation mode buttons is held down. The corresponding encoder edits the parameter. Alerts are displayed in SoftLCD.
ENCODERS Section (FW-1884 only) Control Assignment FLIP Switches Flip mode between Off and Swap. PAN Assigns Pan to encoders. AUX 1 Assigns Send 1 level to encoders. AUX 2 Assigns Send 2 level to encoders. AUX 3 Assigns Send 3 level to encoders. AUX 4 Assigns Send 4 level to encoders. AUX 5 Assigns Send 5 level to encoders. AUX 6 Assigns Send 6 level to encoders. AUX 7 Assigns Send 7 level to encoders. AUX 8 Assigns Send 8 level to encoders. SHORTCUTS Section (FW-1884 only).
Channel Strips Control Assignment REC LEDs These LEDs are lit when the corresponding track is recording. The LEDs flash when the track is in Record Ready mode (armed). SEL Selects the track. SHIFT Enables/Disables Send mute, when encoders are controlling a Send level. READ Sets the track’s automation mode to Read. WRITE Sets the track’s automation mode to Write. TCH Sets the track’s automation mode to Touch. LATCH Sets the track’s automation mode to Latch.
Mode Assignment SHIFT Selects EQ band 2. REC Switches bypass state of EQ band 3 (new in plug-in version 1.20). LOW Selects EQ band 3. SHIFT Selects EQ band 1. REC Switches bypass state of EQ band 3 (new in plug-in version 1.20). Encoders and Controls Section (FW-1082 only) The three buttons at the bottom of this section define the mode of the other controls: Â EQ/Pan mode: The controls apply to a certain EQ band of the selected track. Â AUX 1–4 mode: The controls apply to Sends 1–4.
Mode Assignment SHIFT • EQ/PAN mode: selects EQ band 7. • AUX 1–4 mode: switches Send 2 Position (pre/post). • AUX 5–8 mode: switches Send 6 Position (pre/post). REC Switchess bypass state of EQ band 5. EQ LO MID–AUX 3/7 • EQ/PAN mode: selects EQ band 4. • AUX 1–4 mode: switches Send 3 Mute on/off. • AUX 5–8 mode: switches Send 7 Mute on/off. SHIFT • EQ/PAN mode: selects EQ band 2. • AUX 1–4 mode: switches Send 3 Position (pre/post). • AUX 5–8 mode: switches Send 7 Position (pre/post).
Control Assignment F7 Switches encoders to editing of pan/surround parameters on selected track: angle, radius, LFE, surround mode, X, Y. F8 Switches encoders to EQ editing on selected track. See upper line on SoftLCD application for parameter assignment. Cursor left/right shifts the parameter bank. F9 Switches encoders to plug-in editing on selected track. Cursor left/right shifts parameter bank; Cursor up/down chooses insert to edit. F10 Switches encoders to instrument editing on selected track.
Control Assignment << LOCATE Goes to previous marker. SET Deletes the current marker (new in plug-in version 1.20). LOCATE >> Goes to next marker. SET Creates a new marker at the SPL (new in plug-in version 1.20). NUDGE buttons Nudge the selected event/Region left or right (by the current nudge value). SET Chooses the current nudge value: tick, format, denominator, bar, frame, 1/2 frame. SET Modifier for other buttons. IN Goes to left locator. SET Sets left locator to SPL.
16 Tascam US-2400 16 Set Up Please follow these steps before using your control surface with Logic Pro 7. Â Make sure that your US-2400 unit(s) are connected to the computer via USB. Â Ensure that the US-2400 is in native mode. Please consult your US-2400 manual for more information on this. Â Launch Logic Pro 7. Your control surface(s) will be scanned for, and installed, automatically. Special Note The US-2400 is capable of running in both “native” and Logic Control emulation modes.
Assignment Overview A right-aligned modifier button (such as SHIFT) below a button description indicates that the button has an alternate meaning/use while holding down this modifier. Channel Strips Control Assignment Encoder(s) CHAN button on: see “Encoder Details” on page 194. CHAN button flashing: Encoders control Instrument parameters, also see “Instrument Edit View” on page 197. PAN button flashing: Encoders control plug-in parameters, also see “Plug-in Edit View” on page 197.
Control Assignment Encoder 11 (GAIN 1) Controls the Gain parameter of band 3, if a Channel or Linear Phase EQ is inserted. Encoder 12 (FREQ 1) Controls the Frequency parameter of band 3, if a Channel or Linear Phase EQ is inserted. Encoder 13 (Q 1) Controls the Q factor of band 3, if a Channel or Linear Phase EQ is inserted. Encoder 14 (GAIN 2) Controls the Gain parameter of band 4, if a Channel or Linear Phase EQ is inserted.
Control Assignment Encoder 16 (Q 2) Controls the Q factor of band 2, if a Channel or Linear Phase EQ is inserted. Encoder 17 (GAIN 3) Controls the Gain parameter of band 7, if a Channel or Linear Phase EQ is inserted. Encoder 18 (FREQ 3) Controls the Frequency parameter of band 7, if a Channel or Linear Phase EQ is inserted. Encoder 19 (Q 3) Controls the Q factor of band 7, if a Channel or Linear Phase EQ is inserted.
Control Assignment F-KEY Switches display of Event List: Â If Event List is open, it will be closed. Â If Event List is closed, it will be opened. AUX 3 Switches encoders to Multi Channel view of Send 3 level. F-KEY Switches display of Score Editor: Â If Score Editor is open, it will be closed. Â If Score Editor is closed, it will be opened. AUX 4 Switches encoders to Multi Channel view of Send 4 level. F-KEY Switches display of Audio window: Â If Audio window is open, it will be closed.
Master Section Control Assignment MTR Switches encoder LED rings between value controlled by encoder (LED off ), and level and peak hold meters (LED on). In Level Meter mode, the LED below the encoder displays signal overloads (clipping). F-KEY Modifier key, used to switch the function of other controls (see right-aligned “FKEY” in left column). NULL Sets Surround x/y or Panning of selected track to center position—LED is on if Surround X (or Panning) is centered.
17 Tascam US-428 and US-224 17 Set Up Please follow these steps before using your control surface with Logic Pro 7. Â Ensure that your US-428/224 unit(s) are connected to the computer via USB. Â Launch Logic, and the unit(s) will be scanned for, and installed, automatically. Assignment Overview A right-aligned modifier button (such as NULL) below a button description indicates that the button has an alternate meaning/use while holding down this modifier.
EQ Section Control Assignment Gain Controls gain of currently selected EQ of chosen track. Freq Controls frequency of currently selected EQ of chosen track. Q Controls Q factor of currently selected EQ of chosen track. HIGH Selects EQ band 3 for Gain, Freq, and Q controls. ASGN Switches EQ band 3 bypass state. HI-MID Selects EQ band 4 for Gain, Freq, and Q controls. ASGN Switches EQ band 4 bypass state. LO-MID Selects EQ band 5 for Gain, Freq, and Q controls.
Control Assignment Data wheel AUX 1 LED on: Controls Send 1 Level of selected track. AUX 2 LED on: Controls Send 2 Level of selected track. AUX 3 LED on: Controls Send 3 Level of selected track. AUX 4 LED on: Controls Send 4 Level of selected track. F3 LED on: Data wheel is in Scrub mode. None of the above is lit: Data wheel is in Transport mode and moves the SPL by bars. ASGN Selects current track’s output. LOCATE Section Control Assignment << LOCATE Goes to previous marker.
18 Yamaha 01V96 18 Set Up Please follow these steps before using your control surface with Logic Pro 7. Â Make sure that your 01V96 unit(s) are connected to the computer via USB. Â Make sure that the MIDI driver shipped with the unit is installed. Basically, you set up the 01V96 as if you are using it with Pro Tools. See the 01V96 user manual. Here are the necessary steps: 1 Press DISPLAY ACCESS [SETUP] repeatedly until the Setup/MIDI/Host page is visible.
Assignment Overview A right-aligned modifier button (such as SHIFT) below a button description indicates that the button has an alternate meaning/use while holding down this modifier. DISPLAY ACCESS Section Control Assignment DISPLAY Hides/shows the Sample Editor. AUTOMIX While held, the Channel Strip displays show the automation mode of the selected tracks. PAIR/GROUP Enters Group Edit mode: Â The upper line in the DSP edit section displays the currently edited group number and name.
Control Assignment AUX 7 Assigns Pan to encoders; assigns selected track’s pan/surround parameters to DSP encoders. AUX 8 Determines mode of channel strip SEL buttons when channel strip AUTO button is off: Â Indicator off: Track selection. Â Indicator on: Insert selection. HOME Enables/Disables Flip mode. LCD Function Control Assignment Left/Right buttons Plug-in Edit mode: Shifts parameter display by the number of parameters shown in the control surface group (usually four).
Display Assignment Parameter control 1 to 4 push-switch Assignment Pan: Â Parameter control 1 push-switch centers Pan or Surround Angle. Â Parameter control 2 push-switch centers Surround Diversity. Â Parameter control 3 push-switch centers Surround LFE. Â Parameter control 4 push-switch sets Surround Mode to center. Assignment Send: Â Enables/Disables Sends 1 to 4 or Mutes 5 to 8. Plug-in Assign: Â Confirms insert 1 to 4 or 5 to 8 plug-in selection, selects this insert slot and enters Plug-in Edit mode.
Data Entry Section Control Assignment Parameter Wheel Default: Move SPL by one bar. Scrub: Scrubbing. Shuttle: Shuttle mode. – (DEC) Default: Exits Folder. Goto Marker: Cancels dialog. DAW ALT/FINE Opens/Closes Audio window. + (INC) Enters folder of selected track. Channel Strips Control Assignment Level Meters Display momentary and peak level. SEL If AUTO off: Â FADER MODE [AUX 8] off: Selects track. Â FADER MODE [AUX 8] on: Selects track for insert assignment.
User Defined Keys Section These keys can be assigned to the following functions: Control Assignment DAW WIN STATUS Opens/Closes the Audio window. DAW REC/RDY 1 to 16 Enables/Disables Record Ready. DAW WIN TRANSPORT Opens/Closes the Transport window. DAW BANK– Shifts channel strips by one bank to the left. DAW BANK+ Shifts channel strips by one bank to the right. DAW SHIFT/ADD Shifts to second meaning of some buttons. See descriptions of other buttons.
Control Assignment DAW OPTION/ALL Performs Save As and allows saving the song under a different name. DAW EDIT TOOL Selects the next tool. While held, numerical buttons select a specific tool. DAW WIN INSERT Opens/Closes the Sample Editor. DAW REC/RDY ALL Disable Record Ready on all tracks. DAW SCRUB Enables/Disables Scrub mode. DAW SHUTTLE Enables/Disables Shuttle mode. DAW REW Shuttles backward. DAW FF Shuttles forward.
Control Assignment DAW OPTION/ALL Sets all tracks to Read automation mode. DAW AUTO TRIM — DAW AUTO OFF Sets selected track to Off automation mode. While held down, channel Strip AUTO buttons set automation mode to Off. DAW OPTION/ALL Sets all tracks to Off automation mode. DAW AUTO STATUS 210 While held down, the Channel Strip displays show the automation mode of the selected track.
19 Yamaha 02R96 19 Set Up Please follow these steps before using your control surface with Logic Pro 7. Â Make sure that your 02R96 unit(s) are connected to the computer via USB. Â Make sure that the MIDI driver shipped with the unit is installed. On the 02R96 Front Panel: Basically, you set up the 02R96 as if you are using it with Pro Tools. See the 02R96 user manual. Here are the necessary steps: Â Press DISPLAY ACCESS [SETUP] repeatedly until the Setup / MIDI/Host page is visible.
Assignment Overview A right-aligned modifier button (such as SHIFT) below a button description indicates that the button has an alternate meaning/use while holding down this modifier. DISPLAY ACCESS Section Control Assignment METER Clears Overload LEDs. AUX SELECT Section Control Assignment AUX 1 Assigns Send 1 Level to Encoders, and Send 1 to 4 Levels to DSP Encoders. While held, the Channel Strip displays show the current Send 1 destination assignment.
EFFECTS/PLUG-INS Section Control Assignment Display Opens/Closes the Sample Editor window. PLUG-INS Switches Encoder Push-Switch buttons between normal behavior and setting default value. CHANNEL INSERTS Determines mode of channel strip SEL buttons: Â Indicator off: track selection. Â Indicator on: Insert selection. 1 — 2 Switches DSP display between “track name/parameter name” and “parameter name/ parameter value” modes. 3 Switches bypass status of currently edited plug-in insert.
LCD The LCD displays different data, depending on the page selected with the F2, F3, and F4 buttons: Â INSERT ASSIGN/EDIT Display Mode: parameter details, plug-in selection or plug-in parameters. Press [F2] to select this mode. Display Assignment TIME CODE Active if counter is displaying time code. FEET Not assigned. BEATS Active if counter is displaying bars/beats/format/ticks. Time display Displays time code or bars/beats/format/ticks.
Control Assignment 15 — 16 Enables/Disables Plug-in parameter automation playback and recording. Channel Strips Control Assignment Encoder Adjusts parameter selected in the AUX SELECT section. Encoder PushSwitch Pan selected: sets Pan to center. If EFFECTS/PLUG-INS [PLUG-INS] on Sends 1 to 8 selected: edits Send Pre/Post, switches Send Mute status or sets Send Level to default value. Send Assign, Input, or Output: confirms selection. AUTO Cycles through automation modes.
Control Assignment INC Switches between Cursor and Zoom modes. Cursor Up Cursor mode: equivalent to computer keyboard up arrow key. Zoom mode: zooms out vertically. Cursor Down Cursor mode: equivalent to computer keyboard down arrow key. Zoom mode: zooms out vertically. Cursor Left Cursor mode: equivalent to computer keyboard left arrow key. Zoom mode: zooms out horizontally. Cursor Right Cursor mode: equivalent to computer keyboard right arrow key. Zoom mode: zooms in horizontally.
20 Yamaha DM1000 20 Set Up Please follow these steps before using your control surface with Logic Pro 7. Â Make sure that your DM1000 unit(s) are connected to the computer via USB. Â Make sure that the MIDI driver shipped with the unit is installed. On the DM1000 Front Panel: Basically, you set up the DM1000 as if you are using it with Pro Tools. See the DM1000 user manual, section 17. Here are the necessary steps: Â Press DISPLAY ACCESS [SETUP] repeatedly until the Setup / MIDI/Host page is visible.
Assignment Overview A right-aligned modifier button (such as SHIFT) below a button description indicates that the button has an alternate meaning/use while holding down this modifier. DISPLAY ACCESS Section Control Assignment DISPLAY Opens/Closes the Sample Editor window. AUTOMIX While held, the Channel Strip displays show the automation mode of the selected track. PAIR/GROUP Enters Group Edit mode: Â The upper line in the DSP edit section displays the currently edited group number and name.
Control Assignment AUX 6 Switches Encoder Push-Switch buttons between normal behavior and setting default value. AUX 8 Determines mode of channel strip SEL buttons when channel strip AUTO button is off: Â Indicator off: track selection. Â Indicator on: Insert selection. ENCODER MODE Section Control Assignment PAN Assigns Pan to Encoders; assigns selected track’s pan/surround parameters to DSP Encoders. AUX Assigns Send 1 Level to Encoders, and Send 1 to 4 Levels to DSP Encoders.
LCD Insert Page Control Assignment ASSIGN — COMPARE Switches DSP display between “track name/parameter name” and “parameter name/parameter value” modes. BYPASS Activates/Deactivates bypass of plug-in insert currently being edited. INSERT/PARAM Switches between Plug-in Assign and Plug-in Edit modes. Parameter control 1–4 push-switch Assignment Pan: Â Parameter control 1 push-switch centers Pan or Surround Angle. Â Parameter control 2 push-switch centers Surround Diversity.
Channel Strips Control Assignment Level Meters Display momentary and peak level. Encoder Adjusts parameter selected in the AUX SELECT section. Encoder Push-Switch Pan selected: sets Pan to center if MATRIX 1 on. Send 1 to 8 selected: edits Send Pre/Post, activates/deactivates Send Mute or sets Send Level to default value. Send Assign, Input, or Output: confirms selection. SEL If AUTO off: Â AUX [AUX 8] off: selects track. Â AUX [AUX 8] on: selects track for insert assignment.
Control Assignment DAW GROUP STATUS Enters Group Edit mode: Â The upper line in the DSP edit section displays the currently edited group number and name. Â Parameter control push-switch buttons 1 to 4 switch between properties of the currently edited group. Group name shown in lower line of LCD. Â When INSERT/PARAM is off, DSP Edit Scroll Encoder scrolls through the group properties. At other times, it selects the group currently being edited.
Control Assignment DAW IN Sets Drop In locator. DAW OUT Sets Drop Out locator. DAW POST Sets right locator. DAW RTZ Goes to the left locator. DAW END Goes to the right locator. DAW ONLINE Activates/Deactivates internal/external Sync. DAW QUICK PUNCH Enables/Disables Drop mode. DAW AUTO FADER Enables/Disables Volume automation playback and recording. DAW AUTO PAN Enables/Disables Pan automation playback and recording.
21 Yamaha DM2000 21 Set Up Please follow these steps before using your control surface with Logic Pro 7. Â Make sure that your DM2000 unit(s) are connected to the computer via USB. Â Make sure that the MIDI driver shipped with the unit is installed. On the DM2000 Front Panel: Basically, you set up the DM2000 as if you are using it with Pro Tools. See the DM2000 user manual, section 19.
Assignment Overview A right-aligned modifier button (such as SHIFT) below a button description indicates that the button has an alternate meaning/use while holding down this modifier. MATRIX SELECT Section Control Assignment MATRIX 1 Switches Encoder Push-Switch buttons between normal behavior and setting default value. MATRIX 2 Switches the Encoder Push-Switch buttons between Send Position and Send Mute mode.
ENCODER MODE Section Control Assignment PAN Assigns Pan to Encoders; assigns selected track’s pan/surround parameters to DSP Encoders. AUX/MTRX Assigns Send 1 Level to Encoders, and Send 1 to 4 Levels to DSP Encoders. While held, the Channel Strip displays show the current Send 1 destination assignment. ASSIGN 1 Assigns Track Input to Encoders. While held down, the Channel Strip displays show the current Track Input assignment. ASSIGN 2 Assigns Track Output to Encoders.
EFFECTS/PLUG-INS Section Control Assignment Display Opens/Closes the Sample Edit window. 5 — 6 Switches DSP display between “track name/parameter name” and “parameter name/ parameter value” modes. 7 Activates/Deactivates bypass of plug-in insert that is currently being edited. 8 Switches between Plug-in Assign and Plug-in Edit modes. Parameter Up & Parameter Down Plug-In Edit: shifts parameter display by the number of Parameter controls in the control surface group (usually four).
LCD Display Assignment LCD Displays parameter details, plug-in selection or plug-in parameters. TIME CODE Active if counter is displaying time code. FEET Not assigned. BEATS Active if counter is displaying bars/beats/format/ticks. Time display Displays time code or bars/beats/format/ticks. SELECT ASSIGN Displays the Encoder assignment as follows: Pan, Snd1 to Snd8, S1As to S8As, In, Out. TRACK ARMING Section Control Assignment 1 to 24 Enables/Disables Record Ready.
AUTOMIX Section Control Assignment DISPLAY While held, the Channel Strip displays show the automation mode of selected track. REC Sets selected track to “Write” automation mode. While held down, channel Strip AUTO buttons set automation mode to “Write.” USER 5 Sets all tracks to “Write” automation mode. ABORT/UNDO Sets selected track to “Touch” automation mode. While held down, channel Strip AUTO buttons set automation mode to “Touch.” USER 5 Sets all tracks to automation mode “Touch.
USER DEFINED KEYS Section Control Assignment DISPLAY Opens/Closes the Audio window. 1 Opens/Closes the Transport window. 2 Shifts channel strips by one bank to the left. 3 Shifts channel strips by one bank to the right. 4 Shifts to second meaning of some buttons (see descriptions of other buttons). 5 While held down, value change mode is set to “full”: any relative value changes will “jump” to their minimum or maximum values.
LOCATOR Section Control Assignment DISPLAY Opens/Closes the Marker List window. 1 to 8 Recalls markers 1 to 8. USER 4 Switches to Global View and enables: 1: MIDI Tracks. 2: Inputs. 3: Audio Tracks. 4: Audio Instruments. 5: Aux Tracks. 6: Busses. 7: Outputs and Master object. DISPLAY Selects tool: HISTORY 1: Arrow. [FORWARD] 2: Pencil. 3: Eraser. 4: Text edit. 5: Scissors. 6: Glue. 7: Solo. 8: Mute. 232 AUDITION — PRE Sets left locator. IN Sets Drop In locator. OUT Sets Drop Out locator.
Channel Strips Control Assignment Level Meters Displays momentary and peak levels. Encoder Adjusts parameter selected in the AUX SELECT section. Encoder PushSwitch Pan selected: sets Pan to center if MATRIX 1 on Send 1 to 8 selected: edits Send Pre/ Post, activates/deactivates Send Mute or sets Send Level to default value. Send Assign, Input, or Output selected: confirms selection. AUTO Cycles through automation modes. With an automation mode button held down, sets this automation mode.
Control Assignment Parameter Wheel Default: move SPL by one bar. Scrub: scrubbing. Shuttle: Shuttle mode. DEC Default: leaves Folder. Goto Marker: cancels dialog. USER 13 Opens/Closes Audio window. INC Switches between Cursor and Zoom mode. Cursor Up Cursor mode: equivalent to computer keyboard up arrow key. Zoom mode: zooms out vertically. USER 4 Zoom mode: Individual track zoom in. USER 13 Page Up. USER 5 Scroll to top.
Logic Control—Specifications A Appendix A Logic Control (Base Unit) This appendix describes the specifications of the Logic Control unit.
Controller  6 × buttons with status LED for direct selection of parameter groups for Track, Pan/ Surround, EQ, Send, Plug-In, Instrument  8 × buttons to directly select sections of Logic mixers such as audio tracks, MIDI tracks, inputs, busses, and so on  4 × buttons to shift the displayed mixer channels to the left and right, either one channel at a time, or in banks  1 × button with status LED for the channel fader/V-POT flip: swaps the assignments of fader and V-POTs  1 × button with status LED to t
Power Supply  International (100–250V) external power supply for standard power cords  Rear-mounted power switch Weight and Construction  Logic Control weighs 5.05 kg (unpacked).
Connections  1 × MIDI in, 1 × MIDI out  Power supply jack Power Supply  International (100–250V) external power supply for standard power cords  Rear-mounted power switch Weight and Construction  Logic Control XT weighs 3.
Logic Control— MIDI Implementation B Appendix B The following information is important for software vendors who wish to create a level of software integration for the Logic/Mackie Control/XT units. This documentation covers firmware version V1.0. Note: All numbers are in hexadecimal format. Variable bytes are shown in italics and use characters other than a-f as a placeholder. All channel messages use running status messages.
Global Control Messages Host Connection and Initialization Received: 00 F7 Device Query 02 ss ss ss ss ss ss ss rr rr rr rr F7 Host Connection Reply 0F 7F F7 Go Offline Transmitted: 01 ss ss ss ss ss ss ss ll ll ll ll F7 Host Connection Query 03 ss ss ss ss ss ss ss F7 Host Connection Confirmation 04 ss ss ss ss ss ss ss F7 Host Connection Error ss = Serial number (7 bytes ASCII text, non null-terminated) ll = Challenge code (4 bytes) rr = Response code (4 bytes) Offline
Online Mode: Once the connection between Logic Control and the host software has been made, Logic Control stays in Online Mode until it receives a Go Offline message. Firmware version request Received: 13 00 F7 Version request Transmitted: 14 vv vv vv vv vv F7 Version reply vv 5 ASCII bytes containing version string, e. g. “V1.0”. Note: When Logic Control receives a version request message, it sends the version reply message.
Common Control Messages Faders Received: Ei, ll, hh Move fader to position Transmitted: Ei, ll, hh Fader moved by user i Fader ID (00 thru 07; Master = 08) ll Fader position value low 7 bits (00–7F) hh Fader position value high 7 bits (00–7F) Example: E0, 40, 55 = Fader Ch. 1, position (55 << 7) + 40 Note: Message format for transmitted fader position is the same as for received position. Only the top (high) 10 of the 14 transmitted bits are required.
V-Pots Received: None Transmitted: B0, 1i, XX V-POTs turned by user i V-POT ID (00–07) XX delta value in the form of (0 s v v v v v v) s direction bit: 0 = clockwise, 1 = counter clockwise vv number of ticks Examples: Â B0, 10, 01 = V-POT Ch. 1 is being turned clockwise by one tick. Â B0, 17, 47 = V-POT Ch. 8 is being turned counter-clockwise by 7 ticks.
V-POT Display modes available: 244 Appendix B Logic Control—MIDI Implementation
External Controller Received: None Transmitted: B0, 2E, vv External Controller changed vv External Controller position value (00–7F) Example: Â B0, 2E, 07 = External Controller value = 07 Jog Wheel Received: None Transmitted: B0, 3C, XX Jog wheel turned by user XX delta value in the form of (0 s v v v v v v) s direction bit: 0 = clockwise, 1 = counter clockwise vv number of ticks Examples: Â B0, 3C, 01 = Jog forward. Â B0, 3C, 41 = Jog reverse.
LCD Received: , 12, oo, yy, …, F7 Update LCD Transmitted: None oo Display offset to write from: 00 thru 37 for upper line, 38 thru 6F for lower line. yy Data: ASCII equivalents for display characters—written from left to right— and including line wrapping between upper and lower lines. Up to 100 data bytes may be sent in one message. Example: Â The following message writes “Hello” to the top left of the LCD on a Logic Control master section.
Time Code/BBT Display Received: , 10, yy, …, F7 Update multiple characters B0, 4i, yy Update single character Transmitted: None i Digit ID: 0 = right-most, 9 = left-most yy Data bytes representing character to be written (See “7-Segment Display Character Table” on page 248). Up to ten characters can be sent in the SysEx message. Examples: Â The following message writes “109.02.01.126” to the Time Code display (note decimal points).
7-Segment Display Character Table Hint:  Characters @ (40h) thru ` (60h) = (ASCII value) − 40h  Characters ! (21h) thru ? (3Fh) = ASCII value Note: The decimal point on each 7-segment character can be lit by adding 40 Hex to the value of the data.
Metering Received: D0, XX Peak level , 20, ii, mm, F7 Channel meter mode , 21, yy, F7 Global LCD meter mode Transmitted: None XX Meter level in the form of (0 h h h l l l l): hh Channel to be addressed (0 thru 7) ll Meter level: 0 thru C = level meter 0% to 100% Overload not cleared! E = set overload F = clear overload ii Channel ID (0 to 7) mm mode bit map in the form of (0 0 0 0 0 l p s): l Enable level meter on LCD p Enable peak hold display (horizontal only) s Enable Signal LED yy 00 = horizon
Logic Control— Control Surface Layout and IDs ID Switch LED Function 00 • • REC/RDY Ch. 1 01 • • REC/RDY Ch. 2 02 • • REC/RDY Ch. 3 03 • • REC/RDY Ch. 4 04 • • REC/RDY Ch. 5 05 • • REC/RDY Ch. 6 06 • • REC/RDY Ch. 7 07 • • REC/RDY Ch. 8 08 • • SOLO Ch. 1 09 • • SOLO Ch. 2 0A • • SOLO Ch. 3 0B • • SOLO Ch. 4 0C • • SOLO Ch. 5 0D • • SOLO Ch. 6 0E • • SOLO Ch. 7 0F • • SOLO Ch. 8 10 • • MUTE Ch. 1 11 • • MUTE Ch. 2 12 • • MUTE Ch.
ID Switch LED Function 1A • • SELECT Ch. 3 1B • • SELECT Ch. 4 1C • • SELECT Ch. 5 1D • • SELECT Ch. 6 1E • • SELECT Ch. 7 1F • • SELECT Ch. 8 20 • V-Select Ch. 1 21 • V-Select Ch. 2 22 • V-Select Ch. 3 23 • V-Select Ch. 4 24 • V-Select Ch. 5 25 • V-Select Ch. 6 26 • V-Select Ch. 7 27 • V-Select Ch.
ID Switch 3E • LED Function GLOBAL VIEW: MIDI TRACKS 3F • GLOBAL VIEW: INPUTS 40 • GLOBAL VIEW: AUDIO TRACKS 41 • GLOBAL VIEW: AUDIO INSTRUMENT 42 • GLOBAL VIEW: AUX 43 • GLOBAL VIEW: BUSSES 44 • GLOBAL VIEW: OUTPUTS 45 • GLOBAL VIEW: USER 46 • SHIFT 47 • OPTION 48 • CONTROL 49 • 4A • • AUTOMATION: READ/OFF 4B • • AUTOMATION: WRITE 4C • • AUTOMATION: TRIM 4D • • AUTOMATION: TOUCH 4E • • AUTOMATION: LATCH 4F • • GROUP 50 • • UTILITIES: SAVE •
ID Switch 62 • LED Cursor Left Function 63 • Cursor Right 64 • • Zoom 65 • • Scrub 66 • User Switch A 67 • User Switch B 68 • Fader Touch Ch. 1 69 • Fader Touch Ch. 2 6A • Fader Touch Ch. 3 6B • Fader Touch Ch. 4 6C • Fader Touch Ch. 5 6D • Fader Touch Ch. 6 6E • Fader Touch Ch. 7 6F • Fader Touch Ch.
Logic Control— MIDI Implementation Chart D Function Transmitted Recognized Remarks Channel, Default: Changed: 1 1 1 1 Each Logic Control unit should be installed on a separate MIDI port.
